Frog cover

Frog

Rating 4.6
Word count
190K words
Chapters
64
ISBN
9787533960247

Tags

Summary

Frog takes the story of a village gynecologist, Auntie, as its thread and writes of the joys and sorrows of childbirth and the myriad ways of the world.

Since taking up her military-doctor father's mantle, Auntie has promoted modern delivery methods in the countryside, matched wits with ignorant midwives, and saved thousands of mothers and newborns, becoming the "guardian spirit" of the women of Northeast Township. As birth policy changed, Auntie, now a family-planning officer, came to be avoided by the villagers.

Childbirth is arguably the first great matter in Chinese life. Here one sees the clash between traditional attitudes and birth policy, the preference for sons, the hardships of uncontrolled childbirth, the surrogacy questions still debated today, and the many faces of life beneath the issue of reproduction.

Editor's review

Frog is an important work from after Mo Yan won the Nobel Prize in Literature, and a novel of great weight in his career. Set against nearly sixty years of rural childbirth history in New China, it follows the life of Wan Xin, a village obstetrician known as "Auntie," to reveal, deeply and complexly, the upheaval that family-planning policy brought to rural Chinese society. In Mo Yan's signature magical-realist style, grand historical narrative is tightly interwoven with individual fates and sorrows. His writing is sharp as a scalpel in dissecting the conflict between policy and human nature, yet full of compassion as it contemplates the dignity and cost of life itself. The title Frog (wa) is homophonous with "child" (wa); it symbolizes many offspring and also evokes the cries of life, like croaking frogs, that rise and fall with nowhere to rest. The novel goes beyond simple policy debate to reach the deeper themes of bioethics, confession, and spiritual redemption. Its structure is intricate, using letters and a play script in multiple forms, showing Mo Yan's continuing exploration and ambition in the art of fiction. Reading Frog is not only reading a particular history but confronting eternal questions about life, power, crime, and punishment.

Who it's for

A good fit for

  • Deep readers interested in contemporary Chinese history and social change
  • Readers who appreciate Mo Yan's literary style and want to explore his work after the Nobel Prize
  • Readers who want to think about bioethics, social policy, and individual fate
  • Readers looking for narrative innovation and literary fiction

Not a good fit for

  • Readers seeking light entertainment or pure diversion
  • Readers uncomfortable with heavy themes involving a particular historical period

Reading tips

  1. Pay attention to the complexity of "Auntie," the central figure: she is both an executor of policy and a bearer of its consequences, and her inner journey is key to understanding the book.
  2. Note the multiple symbolic meanings of the frog image and the distinctive reading experience created by the interwoven letters and play script.
  3. After reading, consider Mo Yan's other works, such as Big Breasts and Wide Hips, and reflect on the recurring motifs and historical perspective in his writing.

About the publisher

Zhejiang Literature and Art Publishing House is a Chinese publisher specializing in literary publishing. Judging from the 808 titles in the database, its publishing areas cover world classics, foreign literature, social novels, folk literature and classic works, as well as modern and contemporary literature and prose. Representative titles include foreign literary translations such as Anna Karenina, The Temple of the Golden Pavilion, In Praise of Shadows and The Complete Tragedies and Comedies of Shakespeare, alongside classic works by Lao She and Lu Xun such as Camel Xiangzi, Teahouse and Wandering. Its authors and translators include Leo Tolstoy, Cao Ying, Lao She, Yukio Mishima, Jun'ichirō Tanizaki and Zhu Shenghao. The press emphasizes the translation and introduction of classic texts and the compilation of native literary works, giving equal weight to Chinese and foreign literature. Owing to limited public information, its specific series and editorial policies are not elaborated here.

Contents

  1. 版权信息
  2. 第一部
  3. 一
  4. 二
  5. 三
  6. 四
  7. 五
  8. 六
  9. 七
  10. 八
  11. 九
  12. 十
  13. 十一
  14. 十二
  15. 十三
  16. 十四
  17. 十五
  18. 第二部
  19. 一
  20. 二
  21. 三
  22. 四
  23. 五
  24. 六
  25. 七
  26. 八
  27. 九
  28. 十
  29. 十一
  30. 十二
  31. 第三部
  32. 一
  33. 二
  34. 三
  35. 四
  36. 五
  37. 六
  38. 七
  39. 八
  40. 第四部
  41. 一
  42. 二
  43. 三
  44. 四
  45. 五
  46. 六
  47. 七
  48. 八
  49. 九
  50. 十
  51. 十一
  52. 十二
  53. 第五部 蛙——九幕话剧
  54. 人物表
  55. 第一幕
  56. 第二幕
  57. 第三幕
  58. 第四幕
  59. 第五幕
  60. 第六幕
  61. 第七幕
  62. 第八幕
  63. 第九幕
  64. 听取蛙声一片——代后记

FAQ

Is Frog only about family planning?
Family planning is the core historical background and plot driver, but the novel's themes go far beyond it. It explores universal questions: individual struggle within grand historical processes, confession, redemption, bioethics, and the responsibility of intellectuals.
Will I have trouble reading Frog if I haven't read other works by Mo Yan?
No fundamental difficulty. Frog is a standalone novel with a complete story. But some familiarity with the rural background and magical realism common in Mo Yan's work may help you enter his literary world more quickly.
What are the features of the book's writing style?
In Frog, Mo Yan continues his rich, vivid, and image-laden language while experimentally incorporating letters and a play script. The narrative is grounded in realism but frequently flashes with magical and absurd touches, with strong emotional tension and impact.

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About the author

Mo Yan Author · Chinese · 1955

Mo Yan, whose original name is Guan Moye, was born on February 17, 1955, in Gaomi, Shandong, and is a major contemporary Chinese writer. He rose to fame in the 1980s with rural works such as Red Sorghum and Transparent Carrot, and his writing often blends magical realism with folk narrative traditions, focusing on rural society, historical memory, and the lives of ordinary people. His major works include Sandalwood Death, Big Breasts and Wide Hips, Frog, The Republic of Wine, Life and Death Are Wearing Me Out, Red Sorghum, and The Garlic Ballads. His works are commonly classified as social fiction, folk literature, and classics, and he has also written essays and miscellaneous pieces. In 2011 he won the Mao Dun Literature Prize for Frog, and in 2012 he received the Nobel Prize in Literature, becoming the first Chinese national to win that award.

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