Extant Ci Poems from Liwei
Tags
Summary
Editor's review
In content, these ci span most of the author's life, vividly recording his student years, his scholarly career in midlife, and his state of mind in old age. They express deep concern for the fate of nation and home, delicate reflections on personal circumstance, and a distinctive voice that subtly fuses scientific rationality with humanistic feeling. Readers may not only appreciate traditional ci artistry—strictly metrical and profound in imagery—but also, through the words, touch the complex and resilient inner journey of a cross-disciplinary scholar in turbulent times.
The editorial value of this book lies in its "cross-boundary" character. It is not only a literary work but also a precious document of intellectual spiritual history. Shi Shenghan's ci are sincere in feeling without exaggeration, apt in allusion without obscurity, and in plain language often harbor deep insight into life, scholarship, and the times. For modern readers, reading these ci is like conversing with a learned and kindly elder, offering rare calm and reflection in a noisy age. The Zhonghua Book Company edition is meticulously collated and appends related research materials, further enhancing the book's documentary and reading value.
Who it's for
A good fit for
- Readers interested in the spiritual and inner history of modern and contemporary Chinese intellectuals
- Readers who love classical poetry and wish to understand the creative character of scholar-poets
- Researchers in modern Chinese history or the history of science seeking cross-disciplinary perspectives
- Literature lovers seeking deep reading and inner calm amid a fast-paced life
Not a good fit for
- Readers expecting purely entertaining or strongly plot-driven popular books
- Readers wholly unfamiliar with classical ci metrics and literary Chinese who are unwilling to attempt it
Reading tips
- Begin with the preface or the author's biography to understand Shi Shenghan's dual identity as scientist and ci poet, which helps in understanding the poems.
- Do not rush to finish; select poems by period or theme and read them slowly to appreciate the shifts in mood across different stages of his life.
- While reading, pay attention to the notes after the poems and the letters and reminiscences in the appendices, which help readers enter the author's literary and emotional world more fully.
About the publisher
Zhonghua Book Company is a publisher known for collating ancient texts and academic publishing, with its output centered on Eastern philosophy, culture, classic works, art, and historical reading. Its library contains 532 titles, including Chen Shou's Records of the Three Kingdoms, Guo Qingfan's Collected Commentaries on Zhuangzi, the four-volume Chinese Literature: Four Great Classical Novels, and the two-volume Table of Seal and Clerical Script Forms from Qin, Han, Wei, and Jin. These titles span historical classics, commentaries on the philosophers, classical novels, and philological reference works. Representative authors include Chen Shou, Guo Qingfan, Wu Cheng'en, Shi Nai'an, Cao Xueqin, Luo Guanzhong, Xu Wenwu, and the Hanyu Dazidian character-form group, reflecting a focus on primary sources and scholarly editors. Its publishing character lies in combining authoritative editions and annotated texts with both accessible classics and specialized research. Public information on its fuller catalog is limited; this note describes only the directions evident in the library's holdings.
Contents
- 版权信息
- 《荔尾词存》重版序
- 前言
- 《荔尾词存》序
- 叶嘉莹教授谈石声汉和他的词作
- 《荔尾词存》自序
- 《荔尾词存》跋
- 忧谗畏讥
- 与杨东莼书
- 蓬梗词
- 荔尾词存
- □□集
- 西海集
- 弄沤集
- 病骥集
- 六十年代词集
- 石声汉年谱
- 石声汉著作目录
- 后记
- 有关手迹和印存的说明
FAQ
What were Shi Shenghan's main achievements?
What is the style of the poetry in this book?
What is special about this edition?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Shi Shenghan is an author whose dates of birth and death and nationality remain unverified, and little public information about him is available. Two of his works are held in the collection: Qimin Yaoshu (in two volumes) and Liwei Ciqu. These suggest two directions in his work: the collation of ancient Chinese agricultural texts and the composition of traditional poetry. Common classifications place him under Eastern philosophy and classical poetry, which corresponds to these two kinds of writing. The available material does not allow a full account of his life or scholarly lineage, yet the works themselves show a grounding in both textual scholarship and old-style verse. Through them, readers may appreciate his steady approach to editing classical texts and the classical sensibility of his ci poetry.