After Tea cover

After Tea

Rating 3.2
Word count
66K words
Chapters
77
ISBN
9787513925327

Tags

Summary

Everything in Tea Time comes from the world around us—simple, beautiful things that are close at hand. The pieces in this book fall roughly into three kinds: stories, poems, and essays. They might be called another way of describing and summing up the author's past life, though they do not correspond entirely to his experience; it is more apt to say they are words that grew out of his inner life.

Editor's review

Tea Time is Zhou Ping's first collection of essays, distilled from many years of writing, and gathers more than forty pieces on life, reading, and travel from recent years. It is not a traditional study of tea culture; rather, it takes the leisure of "tea time" as a spiritual space in which to unfold close observation and deep reflection on everyday life. Zhou Ping's prose is warm and even-tempered, carrying both the refined temperament of a Jiangnan literatus and the rational reflection of a modern intellectual. The pieces vary in length, moving from microscopic perceptions of a plant, a tree, an object, or a thing to macroscopic thoughts on changing times and cultural continuity, layer by layer, revealing the author's attempt to protect an inner calm in a fast-paced society. What moves readers most is their "useless beauty": they offer no utilitarian answers and seek no sensation, but simply record honestly the spiritual trajectory of an ordinary person in a noisy world. Particularly notable is the author's exploration of the relationship between "things" and "memory"; the descriptions of old teahouses, secondhand bookstalls, ancient bridges, and flowing water are not merely personal nostalgia but touch on the preservation of collective memory amid urbanization. On the whole, this is a work to be savored slowly; its value lies not in density of information or novelty of opinion but in the unhurried attitude toward life that flows through the prose, offering readers a possible path for resisting the anxiety of time.

Who it's for

A good fit for

  • Literary readers who love essays and sketches and seek both aesthetic finesse and depth of thought
  • Urban readers with fast-paced lives who hope to find inner calm and reflection through reading
  • Cultural observers interested in how traditional Chinese culture continues and transforms in modern life
  • People who need short reading material for bedtime or leisure and enjoy fragmented reading experiences

Not a good fit for

  • Readers expecting a systematic introduction to tea ceremony knowledge or a practical lifestyle guide
  • Readers who prefer strong plots, fast pacing, or highly theoretical texts

Reading tips

  1. Read in a relatively quiet setting, taking two or three pieces at a time and leaving room for them to linger
  2. Reading with soft music or a cup of light tea can help you enter the soothing atmosphere the author creates
  3. No need to read straight through; choose topics that interest you now by piece title

About the publisher

民主与建设出版社 China · Founded in 1994

Founded in 1994, Democracy and Construction Press organizes its publishing around economic management, the humanities and history, and united front culture, while also covering foreign literature and classic works. Among the 732 titles in the collection are translations of foreign classics such as The Brothers Karamazov and On War, fantasy literature such as The Lord of the Rings Trilogy: Illustrated Collector's Edition, and modern literary masterpieces including Lao She's Four Generations Under One Roof and Camel Xiangzi · The Problem of Nothing, and Lu Xun's Call to Arms. Translators Geng Jizhi and Wang Jinhua, together with authors such as J. R. R. Tolkien and Carl von Clausewitz, form the resource base for its combination of scholarly translation and general reading. As public information is limited, this description focuses on the publishing profile reflected in the titles held in the collection.

Contents

  1. 版权信息
  2. 前言 无非一场人走茶凉
  3. 壹 梦话
  4. 旅途
  5. 油放少了
  6. 百字令·余生盼
  7. 我不敢
  8. 索菲娅
  9. 我是灰
  10. 蒸饺
  11. 说完
  12. 安知鸿鹄
  13. 与你
  14. 乖
  15. 三四
  16. 赐我
  17. 无人
  18. 如鲠
  19. 去西安
  20. 沉
  21. 恨
  22. 酒鬼
  23. 非然
  24. 沙漏
  25. 巨蟹
  26. 流水账
  27. 十一
  28. 清欢渡
  29. 如恶果
  30. 师父说
  31. 开脱
  32. 十注
  33. 像星
  34. 朋友圈
  35. 念奴娇
  36. 折返
  37. 茶余
  38. 贰 谎言
  39. 年华
  40. 且去爱
  41. 偏偏
  42. 三辞
  43. 独独
  44. 纸小姐和油墨先生
  45. 一分半童话:寻找劳拉的兔子
  46. 曾几何时
  47. 他是一个没有良心的旅人
  48. 失乐园
  49. 灼灼
  50. 嘴硬
  51. 演唱会
  52. 尾行
  53. 月
  54. 三个梦
  55. 四季店
  56. 签售会
  57. 回形针
  58. 叁 闲谈
  59. 第N次后知后觉
  60. 小瞬间
  61. 一直在变
  62. 给你的世界加个BGM
  63. 夏至半途
  64. 夜与夜
  65. 这般来往
  66. 一路知白
  67. 失而不复返的
  68. 老中医
  69. 山羊女孩
  70. 亲爱的你
  71. 萨尔茨堡的树枝
  72. 我可以一整天都在路上
  73. 以前的事
  74. 幻
  75. 消逝
  76. 结
  77. 后记

FAQ

Is this book closely related to tea culture?
The book uses "tea time" as a symbol and mainly explores thoughts and feelings from leisure hours outside of drinking tea; it is not a specialized work on the techniques or culture of tea ceremony or tea art. Here tea is more a metaphor for a way of life.
What is the background of the author, Zhou Ping?
Zhou Ping is a contemporary essayist who has long worked in editing and is known for delicate, even-tempered prose. His writing often focuses on the aesthetics of daily life and the modern transformation of traditional culture, and his works have appeared in various literary journals.
What is the style of this book, and what occasions is it suitable for?
The style is clear, elegant, and soothing, with the casualness and contemplative quality of a sketch. It is suitable for leisure time, bedtime, or moments when you need to relax, and not for instrumental reading aimed at quickly acquiring information.

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About the author

周瓶 Author

Zhou Ping is an author for whom public information is currently limited; the available sources offer no further confirmable details about the name or life, and nationality, dates of birth and death, and an English name are all unrecorded. Within the library's holdings, Zhou Ping has only one work, Tea Time (Chayu), which is classified as a social novel. This categorization suggests that the work concerns everyday human relations and social reality rather than legendary fiction; the title itself carries a conversational, life-like tone, hinting that the narrative may stay close to ordinary people's daily experience and observations of the world. Because of the scarcity of materials, Zhou Ping's full body of work, the specific features of the writing style, and the actual influence of the work cannot yet be described in detail, and readers and researchers seeking further understanding must rely on the disclosure of more public information and subsequent study.