Sequel to The Grading of Painters
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in ancient Chinese painting theory and the history of art criticism who want to start from the original texts
- Readers who have read Gu Hua Pin Lu and want to understand the sequel's format and changes in evaluation
- Students of Chinese studies or art history who need a short classical text as supporting material
- Traditional culture enthusiasts who enjoy concise classical Chinese critical writing and are willing to read slowly and savor it
Not a good fit for
- Readers expecting a systematic painting technique tutorial or an illustrated album
- Beginners who prefer vernacular explanations and do not want to engage with the original classical Chinese
- Readers hoping to find rich stories and anecdotes about painters' lives
Reading tips
- Read Gu Hua Pin Lu first, then this book, comparing the ranking format and the wording of evaluations.
- Read each evaluation twice: first for the general meaning, second to note the aesthetic standards behind the wording.
- Look up relevant background on the painters evaluated rather than judging rank solely from the literal text.
- The text is limited in length; read it in several sessions, a few entries at a time, making brief notes.
Contents
- 版权信息
- 续画品
- 提要
- 续画品
FAQ
What is the relationship between this book and Gu Hua Pin Lu?
Can I read this book without a foundation in classical Chinese?
Is this book suitable as a painting technique book?
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About the author
Wu Xing's life is sparsely documented in publicly available sources: his dates of birth and death, native place, and nationality are not clearly recorded. What can be confirmed is that he is the author of the work Xu Hua Pin (Continued Rankings of Paintings). Xu Hua Pin belongs to the traditional Chinese genre of painting criticism known as hua pin, continuing the earlier practice of ranking and evaluating painters and their works. It records and assesses painters, serving as a valuable source for the study of early painting criticism and the history of painting theory. Wu Xing follows the hua pin format, in which rankings are combined with commentary; his style is concise, focusing on judgments of painters' styles and achievements and displaying a clear sense of connoisseurship and critical insight. Because relevant historical materials are scarce, the details of his life are difficult to verify, and scholars have discussed both the circumstances in which Xu Hua Pin was composed and its authorship. Knowledge of Wu Xing therefore rests mainly on this transmitted text. On the available evidence, his contribution lies chiefly in the writing of painting criticism and in carrying forward the tradition of evaluating painting, and his work provides a valuable textual basis for later understanding of ancient Chinese ideas about painting.