Sequel to The Grading of Painters cover

Sequel to The Grading of Painters

Rating 4.0
Word count
2.2K words
Chapters
4

Tags

Summary

Traditional Chinese thought has a long history and is highly original, inventive and literary. Early intellectual forms have distinctive features: religious theology, classical Chinese medical texts, ancient military strategy, Confucian, Daoist, Buddhist and Hundred Schools thought, feng shui and metaphysics, the Twenty-Four Histories, and local customs and geography are all profound and extensive. This "Essence of Classic Chinese Culture Original Texts" series preserves the original appearance of the books and focuses on preserving and transmitting traditional Chinese thought and culture. By reading the literary essence left by ancient sages, readers can cultivate their temperament and subtly appreciate the classics of Chinese learning.

Editor's review

Xu Hua Pin (Continued Rankings of Painters) is a work of painting criticism by Wu Xing of the Chen dynasty during the Southern Dynasties. It continues Xie He's Gu Hua Pin Lu (Ancient Rankings of Painters) and holds a transitional place in early Chinese writings on painting. The book evaluates painters by rank; its language is concise and its critical awareness clear. It shows the aesthetic standards of the Six Dynasties period regarding painting's tone and brushwork and preserves evaluation materials on several painters, giving it reference value for the study of China's early art criticism system. This edition belongs to the "Essence of Classic Chinese Culture Original Texts" series, preserves the original appearance of the text, and focuses on transmitting traditional thought and culture. It is suitable as a lightweight reader for those new to painting theory and for reading alongside the original classical texts. It can be read in reference to Gu Hua Pin Lu to appreciate the continuity and change in the ranking format, or considered against the cultural background of the Six Dynasties to understand the aesthetic tastes behind the rankings. It is short and should be read slowly and savored; readers seeking plot or systematic theory will not find full satisfaction here.

Who it's for

A good fit for

  • Readers interested in ancient Chinese painting theory and the history of art criticism who want to start from the original texts
  • Readers who have read Gu Hua Pin Lu and want to understand the sequel's format and changes in evaluation
  • Students of Chinese studies or art history who need a short classical text as supporting material
  • Traditional culture enthusiasts who enjoy concise classical Chinese critical writing and are willing to read slowly and savor it

Not a good fit for

  • Readers expecting a systematic painting technique tutorial or an illustrated album
  • Beginners who prefer vernacular explanations and do not want to engage with the original classical Chinese
  • Readers hoping to find rich stories and anecdotes about painters' lives

Reading tips

  1. Read Gu Hua Pin Lu first, then this book, comparing the ranking format and the wording of evaluations.
  2. Read each evaluation twice: first for the general meaning, second to note the aesthetic standards behind the wording.
  3. Look up relevant background on the painters evaluated rather than judging rank solely from the literal text.
  4. The text is limited in length; read it in several sessions, a few entries at a time, making brief notes.

Contents

  1. 版权信息
  2. 续画品
  3. 提要
  4. 续画品

FAQ

What is the relationship between this book and Gu Hua Pin Lu?
Xu Hua Pin is a work of painting criticism that continues Xie He's Gu Hua Pin Lu, following its format of evaluating painters by rank. Reading the two together reveals the inheritance and change in early art criticism standards, so it is advisable to become familiar with Gu Hua Pin Lu first.
Can I read this book without a foundation in classical Chinese?
This book is a Chinese classics reader preserving the original appearance of the text; the main text is in classical Chinese with no systematic vernacular translation. Readers without a classical Chinese foundation will find it difficult, so it is best to read it alongside reference works or annotated translations, or start with an annotated anthology of painting theory.
Is this book suitable as a painting technique book?
No. The book focuses on evaluating painters and the tone of their works; it is a work of art criticism, not a tutorial on composition, brushwork or other techniques. Readers who want to learn painting methods should choose technique books instead.

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About the author

吴兴 Author

Wu Xing's life is sparsely documented in publicly available sources: his dates of birth and death, native place, and nationality are not clearly recorded. What can be confirmed is that he is the author of the work Xu Hua Pin (Continued Rankings of Paintings). Xu Hua Pin belongs to the traditional Chinese genre of painting criticism known as hua pin, continuing the earlier practice of ranking and evaluating painters and their works. It records and assesses painters, serving as a valuable source for the study of early painting criticism and the history of painting theory. Wu Xing follows the hua pin format, in which rankings are combined with commentary; his style is concise, focusing on judgments of painters' styles and achievements and displaying a clear sense of connoisseurship and critical insight. Because relevant historical materials are scarce, the details of his life are difficult to verify, and scholars have discussed both the circumstances in which Xu Hua Pin was composed and its authorship. Knowledge of Wu Xing therefore rests mainly on this transmitted text. On the available evidence, his contribution lies chiefly in the writing of painting criticism and in carrying forward the tradition of evaluating painting, and his work provides a valuable textual basis for later understanding of ancient Chinese ideas about painting.