Forest of Laughter cover

Forest of Laughter

Rating 4.0
Word count
68K words
Chapters
23
ISBN
9787800914362

Tags

Summary

The Forest of Laughter was compiled in the Qing dynasty by an editor who signed himself 'The Gamester' (Youxi Zhuren). It is a collection of jokes in the strict sense of the word, with witty language, concise and elegant prose, and mature techniques—a comprehensive masterpiece of ancient Chinese joke books. Most of its material is drawn from joke collections of the Ming and Qing dynasties, or written by the compiler himself. In form, the pieces are short and succinct. The majority of the works seize upon ugly phenomena in everyday life and expose them incisively, satirizing such common vices as greed and licentiousness among ordinary people. Its portrayal of worldly ways and its mockery of absurd behavior are full of delightful humor, leaving readers unable to contain their laughter.

Editor's review

As the grand culmination of ancient Chinese joke collections, The Broad Compendium of Laughs, though signed "Master of Play," is in fact the collective wisdom of Qing literati, gathering various witty stories and sharp repartees circulating among the urban common folk of the Ming and Qing periods. This is not merely a "joke book"; its value lies in using humor as a knife to cut open the social manners and fabric of feudal society. Through the words and deeds of urban commoners, officials and gentry, monks, Daoists, and scholars, it satirizes social ills such as corruption, hypocrisy, and pedantry, while also containing plain folk wisdom and a broad-minded attitude toward life. The jokes are mostly short and pithy, their language both colloquial and vivid yet retaining literati-style subtlety and punning, embodying a quality that appeals to both refined and popular taste. For modern readers, the significance of reading this book goes far beyond "a laugh and moving on." It is a unique window onto ancient social life and popular psychology, and many of its satires of human weakness still resonate today. At the same time, readers can appreciate the concision of classical Chinese and the art of humorous expression. Note that some content bears the marks of its particular era and should be understood in historical context.

Who it's for

A good fit for

  • Readers interested in ancient Chinese folk culture and everyday life
  • Scholars or enthusiasts seeking humor, wisdom, and verbal art in classical literature
  • Students of history and culture who want to understand ancient social life and popular mentality
  • Busy modern readers who need light reading material to pace themselves

Not a good fit for

  • Readers seeking coherent, tightly structured long-form narrative
  • Those sensitive to or uncomfortable with colloquial expressions bearing historical limitations

Reading tips

  1. Read in fragments rather than all at once; browse at leisure.
  2. Combine with knowledge of Ming-Qing social and cultural background to better understand what the jokes satirize.
  3. Pay attention to the "comments" or annotations after the jokes, which help explain allusions and puns no longer in common use.

About the publisher

Guangdong People's Publishing House China · Founded in 1951

Guangdong People's Publishing House is a comprehensive publisher whose list spans Eastern philosophy, philosophical works, history, foreign literature, documentary literature and classical literature. Its holdings include 255 titles, with representative books such as Wang Yangming's Instructions for Practical Living, Plato's Republic, Jiang Tingfu's Modern Chinese History, Natsume Soseki's I Am a Cat, Albert Camus's The Stranger, Nazi Germany and the Philosophers: A Man's Exile, The Winter of Literature: Artists under Hitler's Rule in 1933, and the five-volume Three Words and Two Slaps. Its authors and translators include Wang Yangming, Plato, Jiang Tingfu, Natsume Soseki, Albert Camus, Ding Wei, Xu Jianxiong and Li Yumin. The publisher balances philosophical classics, historical works and translated foreign literature, with attention to both classical and documentary literature. Public information is limited, so this introduction focuses on the publishing directions reflected in its catalog.

Contents

  1. 版权信息
  2. 目录
  3. 公版书总序
  4. 开口便笑,笑天下可笑之人——《笑林广记》
  5. 笑话精品漫画版
  6. 正文
  7. 卷一 古艳部
  8. 卷二 腐流部
  9. 卷三 术业部
  10. 卷四 形体部
  11. 卷五 殊禀部
  12. 卷六 闺风部
  13. 卷七 世讳部
  14. 卷八 僧道部
  15. 卷九 贪吝部
  16. 卷十 贫穷部
  17. 卷十一 讥刺部
  18. 卷十二 谬误部
  19. 如是我闻
  20. 一、中国古代幽默大师
  21. 二、中国古代几个著名幽默故事
  22. 三、你不知道的笑话由来
  23. 四、古代笑话书

FAQ

Who is "Master of Play," the author of The Broad Compendium of Laughs?
"Master of Play" does not refer to one specific person but was a generic signature used by Qing booksellers or compilers when publishing such joke collections, representing a group of compilers. The book was compiled by collecting, organizing, and artistically refining jokes and anecdotes long circulating among the people.
Are all the jokes in the book suitable for modern readers?
Most of the content is humorous and witty, but some jokes are rooted in specific historical and social contexts, and their expressions or concerns may differ from modern sensibilities. Readers are advised to read from the perspective of understanding history and culture and to view them critically.
What are the main literary values of this book?
Its value lies mainly in three aspects: first, as a specimen of folk literature, it preserves a wealth of vivid colloquial and urban language; second, its satirical art displays the sharpness of folk wisdom; third, as social-historical material, it indirectly reflects the social panorama and popular psychology of the Ming and Qing periods.

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About the author

游戏主人 Author

Youxi Zhuren is the attributed compiler of the ancient Chinese joke collection Xiaolin Guangji (The Wide Collection of Forest of Laughs). His real name, dates of birth and death, native place, and biographical details are not clearly recorded, and publicly available information is limited. Judging from the surviving works, the achievements under this name center on the compilation and transmission of Xiaolin Guangji. The library holds twelve related works, including upper and lower volumes, selected editions, and various versions titled Classic Joke Gems and A Collection of Classical Chinese Humor. The book draws widely on folk jokes and literati wit, covering social manners, officialdom and the imperial examinations, family ethics, and everyday urban life. Its language is concise and humorous, with strong satirical flavor. It remains an important source for the study of ancient Chinese folk literature and humorous traditions and is still valued for popular reading and literary appreciation.