The Broken Mirror cover

The Broken Mirror

Rating 3.0
Word count
164K words
Chapters
22
ISBN
9787802405691

Tags

Summary

[Ancient romance, xianxia, fantasy, mistaken fate, angst] Clumsy little immortal Bai Xuanyi accidentally glimpses a future of collapsing heavens and the annihilation of the gods in the Feiluan Mirror. When she looks again, she shatters the mirror. To repair it, she is trapped inside and then vanishes along with it. Dongling Yan, heir of the divine clan, comes to the mortal realm to find the mirror and goes through various trials with Bai Xuanyi. The two are a bickering pair and the closest of comrades, yet her heart already belongs to another. Extreme cleverness brings harm; deep feeling does not last. (Original title: Jiuque Tianhuang)

Editor's review

Po Jing is an early representative work by historical romance author Yu Xiao Yanran, first published in 2009. With its clear, delicate prose and classical charm, it stood out among the time-travel stories of the early days of online literature. This is not a traditional palace intrigue or alternate-world epic; instead, it focuses its core conflict on the dilemma of emotion and ethics—a modern couple accidentally travels to ancient times and is forced into a nominal “mother and son” relationship. This highly dramatic premise is the book’s greatest draw, posing an eternal question about identity, love, and fate. Through extensive inner monologue and atmospheric description, the author portrays the protagonists’ struggle, forbearance, and unwillingness under ritual constraints with meticulous precision, and the emotional impact is powerful. In literary terms, its language inherits the elegance of classical fiction. The plot moves somewhat slowly, but its solid emotional groundwork and exploration of subtle human nature are worth savoring. For today’s readers, the book is like a time capsule that takes you back to the aesthetics and tastes of online romance writing more than a decade ago: it does not pursue fast-paced gratification but emphasizes emotional immersion and the tragic beauty of fate. Reading it means experiencing a classical, restrained style of romance narrative that is gradually being forgotten.

Who it's for

A good fit for

  • Readers who love classical, graceful prose and delicate emotional writing
  • Readers with nostalgic feelings for early classic online romance novels
  • Readers who prefer emotional tragedies built on mistaken identity and cruel fate
  • Literature enthusiasts curious about the style of historical romance writing from over a decade ago

Not a good fit for

  • Readers seeking strong plotting, fast pacing, and密集 conflict
  • Readers who are highly sensitive to or uncomfortable with ethical dilemmas in character relationships

Reading tips

  1. Read with an immersive mindset; do not overthink the time-travel logic, and focus on the characters’ emotional shifts in extreme situations.
  2. Notice how the author uses poetic allusions and scenery description to build atmosphere and隐喻 characters’ inner states—a distinctive feature of the book’s language.
  3. After reading, compare it with popular historical romance works today and reflect on how readers’ aesthetics and online literary trends have changed over the past decade or so.

About the publisher

Popular Literature and Art Publishing House is a publisher positioned around popular reading, and publicly available information about it is limited. Its publishing focuses mainly on foreign literature and world classics. Among the more than seventy books in the collection are Chinese translations of classics such as Les Misérables, War and Peace, Gone with the Wind and Andersen's Fairy Tales, as well as inspirational and personal-growth titles, suggesting that the press balances the popularization of literary classics with reading development for young people. In terms of authors, foreign masters including Hugo, Tolstoy, Mitchell, Andersen and Dickens form the core of its translated works, while authors such as Xie Zhiqiang and Cui Haili enrich its domestic writing section. Overall, the press serves general readers with accessible editions, building a publishing profile centered on world literary classics and supplemented by growth and inspirational themes.

Contents

  1. 版权信息
  2. 楔子
  3. 第一章 飞鸾流仙镜
  4. 第二章 花月镜边情
  5. 第三章 日暮秋烟起
  6. 第四章 吹箫月夜闻
  7. 第五章 初见花间蕊
  8. 第六章 一世一双人
  9. 第七章 茫茫烟水上
  10. 第八章 夜吟霜花寒
  11. 第九章 红袖凭江楼
  12. 第十章 荼蘼暗香谢
  13. 第十一章 心有千千结
  14. 第十二章 相思了无益
  15. 第十三章 惆怅是清狂
  16. 第十四章 深情永难诉
  17. 第十五章 纯阴封魂术
  18. 第十六章 剪雨流霜岛
  19. 第十七章 花间暗断肠
  20. 第十八章 系我一生心
  21. 第十九章 负你千行泪
  22. 第二十章 一别似参商

FAQ

This book is a time-travel story, but how is it different from today’s time-travel novels?
The book was written around 2009 and belongs to early time-travel fiction. Its focus is not on using modern knowledge to change the world or on palace and household scheming, but rather on the emotional entanglements and inner struggles caused by the ethical identity dilemma of time travel. Its style is more literary and tragic, and the pacing is relatively slow.
What kind of author is Yu Xiao Yanran?
Yu Xiao Yanran is a well-known historical romance author active from the late 2000s to the early 2010s, celebrated for her clear, classical prose and delicate, profound emotional portrayal. Her works often carry a fatalistic tragic tone, and she excels at exploring deep emotional themes against classical settings. Po Jing is one of the representative works of her style.
Is the ending a tragedy?
Yes. The book’s core premise makes a conventionally happy ending difficult, and the conclusion continues the author’s signature tragic aesthetic, emphasizing the unpredictability of fate and the eternal predicament of emotion, leaving readers with a strong sense of lament and lingering reflection.

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About the author

语笑嫣然 Author

Yu Xiao Yanran is a Chinese web-fiction author whose work spans a fairly wide range of genres. Public information about her is limited: her real name, nationality, and dates of birth and death are not found in existing records. Eight of her works are held in the collection, including Twelve Washing Fragrance Orders, Scorched by Flames, My God's Billion-Point Pampering, Only for Yearning, Nine Kingdoms: A Sigh of Three Lives, Broken Mirror, The Spoiled Daughter, and Spring Colors About to Tease. They fall under such categories as wuxia fiction, modern romance, youth literature, time-travel and alternate-world fantasy. Judging from the titles and categories, her writing moves between ancient martial-arts worlds and otherworldly fantasy while also touching on urban romance and youthful growth. Her stories often center on emotional entanglements and the fates of her characters, giving her a recognizable presence among readers of genre fiction.