Stone Screen Ci Poems
Tags
Summary
Editor's review
Who it's for
A good fit for
- Literature enthusiasts interested in Southern Song ci and the Jianghu poetry school
- Readers curious about the emotional world of commoner writers
- Chinese majors seeking selected Song ci reading material
- Those who enjoy landscape and historical themes and are willing to read the lines closely
Not a good fit for
- Readers expecting systematic exposition of ci poetics
- Those who prefer popular stories and lack patience for classical poetry
- Beginners needing extensive annotations and vernacular translation
Reading tips
- Read through once for feel, then choose landscape and historical pieces to recite repeatedly.
- Consider Dai Fugu's life of wandering as a commoner to sense the drifting and the thoughts of rivers and mountains in his lyrics.
- Read in comparison with Southern Song lyricists such as Xin Qiji and Jiang Kui on similar themes.
- Look up allusions first, then return to the lines to understand how allusion and emotion echo each other.
Contents
- 版权信息
- 石屏词
FAQ
What do Dai Fugu's lyrics mainly write about?
Do I need to know Southern Song history first to read Shi Ping Ci?
Is this collection suitable as an introduction to Song ci?
Comments
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About the author
Dai Fugu was a poet of the Southern Song dynasty. Details of his life, including his dates of birth and death and his native place, are no longer known, and publicly available information is limited. Judging from his extant works, he was active in the poetry world for a long time and was skilled in both shi and ci, and his works were often included by later anthologists. The library holds two of his works: the ci collection Shiping Ci and the poetry collection Songshi Chao: Shiping Shichao, which shows that his writing centers on classical poetry, with both shi and ci receiving attention. His poems mostly deal with travels, landscapes, and personal reflections, and his language is plain and natural rather than heavily polished; his ci carry on the lingering traditions of both the delicate and the bold styles of the Song dynasty and stress the sincere expression of feeling and aspiration. Dai Fugu's works circulated continuously after the Song dynasty, and Ming and Qing anthologies repeatedly included them, giving later readers some reference for understanding the life and emotions of middle- and lower-ranking literati in the Southern Song. Because historical sources are scattered and lost, the details of his life are difficult to verify, and research should rely mainly on the works themselves.