Paper Horse
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Summary
Editor's review
Who it's for
A good fit for
- Readers interested in the fates of ordinary people within modern historical episodes such as the National Southwestern Associated University and the educated youth period
- Readers who enjoy regional family narratives like Blossoms, or works with cultural root-seeking elements like The Right Bank of the Argun
- Literary enthusiasts who appreciate delicate prose, intricate structure, and can enjoy a slow-paced reading process
- Explorers curious about anthropological topics such as Yunnan folk customs and shamanic culture
Not a good fit for
- Entertainment-oriented readers seeking strong plot, fast pacing, and clear dramatic conflict
- Readers who find nonlinear narration and frequent time-space shifts impatient or confusing
Reading tips
- While reading, pay attention to the revelation of the different functions of "jiama" as a cultural symbol; it is the key metaphor for understanding the book's structure.
- Try to view the clues scattered across different eras as pieces of a puzzle, and enjoy the epiphany when they finally converge into a complete family map.
- If you are unfamiliar with the Yunnan historical background involved, take a moment to look it up between reading sessions to deepen your appreciation of the text's weight.
About the publisher
Zhejiang Literature and Art Publishing House is a Chinese publisher specializing in literary publishing. Judging from the 808 titles in the database, its publishing areas cover world classics, foreign literature, social novels, folk literature and classic works, as well as modern and contemporary literature and prose. Representative titles include foreign literary translations such as Anna Karenina, The Temple of the Golden Pavilion, In Praise of Shadows and The Complete Tragedies and Comedies of Shakespeare, alongside classic works by Lao She and Lu Xun such as Camel Xiangzi, Teahouse and Wandering. Its authors and translators include Leo Tolstoy, Cao Ying, Lao She, Yukio Mishima, Jun'ichirō Tanizaki and Zhu Shenghao. The press emphasizes the translation and introduction of classic texts and the compilation of native literary works, giving equal weight to Chinese and foreign literature. Owing to limited public information, its specific series and editorial policies are not elaborated here.
Contents
- 版权信息
- 第一部分 上海 1998
- 1. 烧甲马的男孩
- 2. 邂逅
- 3. 故人
- 4. 厄运之眼
- 5. 女人
- 6. “追魂”
- 第二部分 昆明 1941
- 1. 烧甲马的男人
- 2. 预言与流言
- 3. “替身”
- 第三部分 上海 1998
- 1. 甲马的伤害
- 2. 记忆的必要性
- 3. 疗愈者
- 4. 红石
- 5. “虚空过往”
- 第四部分 景洪东风农场—弥渡—上海 1975—1979
- 1. 丧失甲马的男人
- 2. 从勐龙河到毗雌河
- 3. “非虎”
- 4. 墙内的庄周
- 5. “哭神”
- 尾声 上海 1999
- 附录 苏怀殊1941年的日记
FAQ
What exactly does the title Jiama refer to?
Is this book a historical novel or a fantasy novel?
Is the reading threshold high? Do I need to know a lot of history?
Comments
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About the author
Moyin is a writer about whom little public information is available; her nationality, dates of birth and death, and English name have not been clearly recorded. Four of her works are held in the collection: Her Life, Collected Works of Moyin (two-volume set), The Weight of the Pen, and Jiama. They span social fiction, prose and miscellaneous writings, and narratives with a flavor of otherworldly continents, and are also grouped under classic works. Taken together, these works suggest a writer who moves between close observation of real life and imaginative world-building: on the one hand attending to the everyday circumstances and emotional experience of ordinary people, on the other showing an interest in surreal premises. This tendency to cross between realism and fantasy gives her writing a relatively varied character among comparable Chinese works. Because verifiable biographical information is limited, any judgment of her style and influence must await further material.