Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in Ayn Rand's philosophical thought (Objectivism, rational self-interest) who hope to begin with a shorter work.
- Literary enthusiasts who enjoy modern allegories or philosophical novels full of dramatic conflict, profound thought, and compact narrative.
- Young readers who are thinking about the relationship between personal ideals and real-world pressure, individual value and collective demands.
- Readers seeking to break away from conventional narrative and experience strong intellectual impact and depictions of moral dilemmas.
Not a good fit for
- Readers expecting a traditional story with complex plot, full-bodied characters, and a warm or hopeful ending.
- Readers who completely cannot accept individualism and have an instinctive rejection of views such as "selfishness is a virtue."
- People seeking light, entertaining reading and unwilling to engage in deep thinking or self-examination during the reading process.
Reading tips
- The book can be read in comparison with Ayn Rand's essay collection The Virtue of Selfishness to gain a more comprehensive understanding of her philosophical claims.
- When reading, there is no need to rush to make simple moral judgments about the characters' actions; focus instead on appreciating Ayn Rand's philosophical intent in setting up this extreme situation.
- After reading, consider: if you were one of the people Kay Gonda turns to for help, how would you react? What values of your own would this reveal?
About the publisher
Chongqing Publishing House is a comprehensive publisher known for its titles in the humanities, social sciences, literature and arts, with about 940 books in its catalogue. Its publishing areas cover world history, science fiction, foreign literature, architecture and philosophy. Representative titles include Xiang Da's A History of Communications Between China and the West, Liang Sicheng's Rules of Qing-Style Construction, Liu Cixin's The Three-Body Problem II: The Dark Forest and III: Death's End, Ann Rand's The Fountainhead (25th Anniversary Edition), and Brandon Sanderson's Stormlight Archive series. Its authors include Xiang Da, Liu Cixin, Liang Sicheng and Ann Rand. The press has developed distinctive strengths in historical source editing, the introduction and creation of science fiction, the translation of foreign literature, and architecture and philosophy titles, balancing scholarly value with general readership. As public information is limited, this profile outlines its publishing directions based only on the books in the catalogue.
Contents
- 版权信息
- 理想:小说
- 序言
- 关于《理想》手稿的一点说明
- 第一章 凯伊·贡达
- 第二章 乔治·S·佩金斯
- 第三章 耶利米·斯里尼
- 第四章 德怀特·朗格力
- 第五章 克劳德·伊格那提亚斯·希克斯
- 第六章 迪特里西·冯·伊斯哈齐
- 第七章 强尼·道斯
- 理想:剧本
- 序言
- 人物一览表(以及时间地点)
- 序幕
- 第一幕
- 第二幕
FAQ
What makes Ideal unique compared with Ayn Rand's more famous The Fountainhead and Atlas Shrugged?
Is this book suitable for readers who do not know Ayn Rand?
Is the book's theme of the shattering of "ideals" too pessimistic?
Comments
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About the author
Ayn Rand (1905–1982) was a Russian-born American writer and philosopher, the founder of Objectivism, best known for her novels The Fountainhead and Atlas Shrugged. Her work spans both literature and thought, often using social novels and classic works to explore the tension between individual will, reason, and creativity; essays such as The Romantic Manifesto set out her literary views. Her writings are classed under foreign literature, social fiction, and inspirational growth, have sold tens of millions of copies worldwide, and have had a profound influence on twentieth-century American thought. Beyond fiction and essays, her writing also touches on ideals and individual value, and Chinese readers can gain a fairly complete picture of her literary and intellectual profile through the many available translations.
Zheng Qi is an author about whom little public information is available, with five works currently held in the collection. Judging from the existing titles, his writing and editorial work span several fields: foreign literature, medicine, and social fiction. Representative works include Ideal, Collected Papers on the Academic Legacy of Lu Guangxin, A Manifesto of Romanticism, and The Night of January 16. Among them, Collected Papers on the Academic Legacy of Lu Guangxin points to the organization of medical scholarship, A Manifesto of Romanticism reflects an interest in literary trends, and works such as Ideal show a concern with social fiction. Because details of birth and death dates, nationality, education, and career are not recorded, a full biography cannot be outlined; based on the works available, however, Zheng Qi's writing covers a broad range, combining literary expression, academic organization, and social observation, and this diversity of subject matter is the main clue to understanding the author.
Zhang Lin is a Chinese author whose works span a notably wide range of subjects, with 107 titles held in the collection. Judging from the available bibliography, his writing covers several fields: social novels and essayistic works such as Galloping Horse, One Person, and Don't Forget Why You Started Because You've Gone Too Far; the compilation of the Fu-Selected Liu Duzhou Medical Case Commentaries series, showing an interest in documenting traditional Chinese medicine; I Confess: Recorded Confessions of Japanese War Criminals, a work of history; and Tang and Song Poetry Anecdotes, aimed at popularizing classical verse. His works are also often classified under foreign literature and social sciences. Public information about Zhang Lin is limited, and his biography, nationality, and dates of birth and death cannot be verified. The range of his output nonetheless suggests a versatile writer who moves between literary creation, historical documentation, and the organization of medical texts, balancing accessible writing with careful compilation of source materials.