Jade Encounter cover

Jade Encounter

Rating 3.3
Word count
80K words
Chapters
19
ISBN
9787302596332

Tags

Summary

This is a collection of essays based on fieldwork. It is also a rare book on Hetian jade that sets aside market and price, and the author brings a strong humanistic sensibility. Using various people connected with Hetian jade as entry points, the book describes stones kept out of sight and Hetian jade in street-side shop windows, and in fact it is about the different values reflected in stone. In this book, in the author's eyes, the quality of a stone has nothing to do with price or structure; it has to do with the people who look at the stone and the state of mind with which they look.

Editor's review

Yujian is a rare humanistic essay collection on Hetian jade. It bypasses the评判 criteria commonly found in the market—price, place of origin, structure—and turns its gaze to the people and states of mind behind the stone. Based on field visits, author Zhang Yun threads the book together with one person after another who deals with Hetian jade, writing both of stones buried in remote mountains and of jade objects priced in street-side shop windows, ultimately arriving at a contrast between different value systems. The book's strength lies in this reversal of perspective: the quality of a stone is decided not only by its texture but also by the people who look at it and the state of mind with which they look. This approach lifts the subject of jade out of the收藏 guide formula and brings out a broader humanistic resonance. The writing is restrained and warm, suited to slow reading. Readers interested in jade culture can treat it as a book of observation; readers interested in prices, appraisal or investment will find that it deliberately avoids these subjects. It is best read as a set of character sketches and field notes rather than as a reference book.

Who it's for

A good fit for

  • General readers interested in Hetian jade and jade culture who want to understand its humanistic dimension
  • Readers who enjoy fieldwork-based essays and prefer stories about people
  • Collectors weary of market-price discourse who hope to understand jade from another angle
  • Readers who need material for humanistic prose and prefer slow-paced reading

Not a good fit for

  • Readers hoping to systematically learn Hetian jade appraisal, grading and valuation methods
  • Readers who want to understand jade market conditions and investment or collecting strategies
  • Readers who prefer strong plotting or fast-paced narrative

Reading tips

  1. Read slowly in chapter order, pausing briefly after each character story to absorb the author's value stance.
  2. While reading, note the different ways of looking at jade that appear in the book, and finally compare them with your own perspective.
  3. Treat it as an essay collection rather than a collecting guide, and do not read it with the purpose of verifying prices or places of origin.
  4. It can be read alongside some basic knowledge of Hetian jade, but there is no need to read professional books first.

About the publisher

Tsinghua University Press China · Founded in 1980

Founded in 1980, Tsinghua University Press has 57 titles in our collection, covering popular science, medicine, health, law, philosophy and social sciences. Representative works include medical popular-science books such as Cancer Truth: Doctors Are Reading It Too and New Knowledge on Cancer by Bo Luo (Li Zhizhong), legal titles such as Sunshine Is the Best Preservative: Express Delivery of Major Global Anti-Corruption Cases, and works like Qi Ge's A Brief History of Philosophy with Big Ideas and Liu Yunhao's From the Internet to a New Industrial Revolution. Its authors include science writers, medical researchers, the Renmin University of China anti-corruption master's class and university scholars, reflecting a publishing profile that balances academic seriousness with accessible reading. As public information is limited, this profile is based only on the titles in our collection.

Contents

  1. 版权信息
  2. 序 幻爱和田玉
  3. 第一部 石头记
  4. 初到市井
  5. 当昆仑山系的玉石统称为和田玉
  6. 各种空间里的玉石商圈
  7. 当上贡的神物成为商品
  8. 和田玉籽料都是孤品和珍品
  9. 一白遮百丑
  10. 天子衣青衣、服青玉
  11. 导演最爱让皇帝拿的碧玉手串
  12. 带甜味的糖玉
  13. 通常判断青花,首先看是否黑白分明
  14. 黄口料与黄玉是两种性格
  15. 当光穿过墨玉的瞬间,看到的是那夜空中的银河
  16. 感受石头上映照的自己
  17. 第二部 去和田
  18. 第三部 手艺人
  19. 后记

FAQ

Is this book mainly about appraising and pricing Hetian jade?
No. The book deliberately sets aside market prices and structural judgments, focusing instead on the people and states of mind connected with Hetian jade, and on the different values reflected in stone. If you want to learn appraisal, grading or valuation, this book will not help.
Can I understand it without any knowledge of jade?
Yes. The book uses people and stories as entry points, and its narrative is essayistic, not dependent on technical terms. Readers need only a little interest in jade culture to follow the characters' experiences.
Is this book suitable for collectors?
Yes, but from a different angle. It does not offer market judgments; instead it helps collectors reflect on their own state of mind when looking at jade: the quality of a stone is decided not only by price and structure but also by the people who look at it.
What reading pace does this book require?
Slow reading is recommended. The book consists mostly of field essays and character sketches; its density lies not in data but in observation and feeling. Reading one piece at a time and pausing briefly makes it easier to appreciate the author's humanistic stance.

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About the author

张允 Author

Public information about Zhang Yun is currently limited: details such as place of origin, education, and dates of birth and death are not clearly recorded. What can be confirmed is that the author has published one work, the prose collection Yu Jian (Meeting Jade). Judging from the title and its classification as miscellaneous prose, the book appears to take jade as its theme, likely exploring jade, objects, and the aesthetic and cultural meanings they carry, expressing personal feelings through things while combining observation and reflection. Works of this kind usually value everyday experience, personal temperament, and the texture of language, so it may be inferred that Yu Jian leans toward essayistic narration rather than systematic academic writing. Since only this one work is available and there is a lack of author statements, prefaces, and reviews, it is difficult to make a more specific judgment about the overall character and influence of the author's writing; readers may learn more about its stylistic features and concerns from the book itself.