The Burning Fields Collection
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy modern free verse and are willing to follow young authors' early work
- Readers who resonate with lyrical writing on youth, growth, and reflections on life
- Readers who want short poems to dip into in spare moments
- Readers interested in the juxtaposition of prose poetry and classical-style imitations
Not a good fit for
- Readers who prefer long novels with strong plots and fast-paced narrative
- Readers who demand a high level of technical maturity from a debut and lack patience
- Readers seeking systematic poetry theory or in-depth criticism
Reading tips
- Read through in chapter order first, to sense the collection's overall emotional arc and shifts in form.
- Don't force yourself to finish in one go; pick two or three poems a day and jot down your feelings whenever something strikes you.
- Where classical imitations sit alongside free verse, notice how the same theme is expressed differently across forms.
- After finishing, pick the poems that moved you most and reread them, and try writing a brief response.
Contents
- 版权信息
- 作者序
- 红尘若水 投如镜花
- 思乡
- 幻
- 未阑
- 遥想之地
- 赞歌
- 昼夜梦行记
- 小别离
- 双栖
- 无根之水
- 创世纪
- 万物颂
- 时间的平原
- 夜的创作
- 故城
- 禅
- 你的身影翩立于岁月之巅。
- 林下
- 南国之春
- 春梦
- 受难
- 盲鱼
- 一季黄粱
- 白日梦
- 佯谬
- 她是走失对岸的犀鸟情人
- 我拾起了一座山的孤独。
- 伤岁
- 誓言
- 野兽
- 复活
- 钉诫
- 告解
- 梦剧
- 寻藏
- 暮鸦
- 狼
- 野望
- 理想
- 早起
- 茁
- 一枚苔藓也暗自流芳百年。
- 碎笔
- 人蜕
- 后英雄时代
- 流民手记
- 纪念之书
- 伊甸之碑
- 箴言录
- 日月是光阴门户 四季在窗间过马
- 无羁
- 生人桥
- 无名氏
- 间记
- 清明漫歌
- 雷雨
- 莲湖天
- 夏至听梦半价
- 快行烟火路 绝尘日月万斛
- 风月素谈(四则)
- 世情留书(四则)
- 游灯
- 诀辞
- 忆江北
- 别韶光
- 古遗小注
- 过风丘与重冈
FAQ
What kinds of work are collected in this book?
Can I get into it without any background in reading poetry?
Why does the collection mix several forms?
Comments
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About the author
Wen Zhan is a Chinese author about whom little public information is available; neither the dates of birth and death nor the place of origin are clearly recorded. What can be confirmed is that a single work is attributed to this name, the collection Fen Ye Ji (Burning the Wilds), commonly classified as classical poetry. On this evidence, Wen Zhan's writing centers on traditional verse, though the themes and style can only be cautiously inferred from the title and the poetic genre: the collection presumably consists of poems in a classical vein, while its specific contents and artistic features remain difficult to describe because the original is hard to obtain and the sources are scattered. Lacking biographical material, one cannot establish the author's life, associates, period of composition, or the circumstances in which the book was compiled, and conjecture should be avoided. Readers are advised to regard Wen Zhan as a poet known through Fen Ye Ji, to attend to the rhymes, imagery, and emotional threads in the text, and to base their understanding chiefly on the work itself, pending more reliable editions or scholarly attention.