The Chaste Woman Zhazi
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers with a strong interest in the regional culture and customs of the Qinghai-Tibet Plateau
- Literary lovers concerned with the living conditions of marginalized groups and themes of women's fate
- Readers who appreciate stories of life's vitality conveyed through plain narration
- Readers hoping to broaden their reading horizons and encounter works in different narrative styles
Not a good fit for
- Readers seeking fast pacing, strong plot twists and dense dramatic conflict
- Readers hoping for highly rigorous historical or anthropological documentary content
Reading tips
- It is suggested to read the introduction or preface first (if any) to understand the author's creative background and intentions.
- While reading, you may consult relevant images of the Qinghai-Tibet Plateau to help build a sense of scene, but focus more on the description in the text itself.
- After finishing, pause for a moment to consider the cultural logic and individual agency behind the characters' choices, without rushing to simple moral judgments.
About the publisher
China International Culture Press Limited, headquartered in Hong Kong, is a comprehensive publisher serving Chinese-reading communities worldwide. Its publishing covers classics, art, literary appreciation, modern poetry, documentary literature and cultural studies. Representative titles include Gleaning Delights in the Sea of Art, Notes on Reading Zhuangzi, Studies in Rubbings and Appreciation of Fine Rubbings, Research on Mahler's Symphonies: Genre, Symbol and Intertextuality, An Appreciation of Mao Zedong's Couplet Collection, A Cool Stroll through a Mountain Village, A Cultural History of the Imperial Examination in the Late Imperial Period, and Moving Beyond Intergenerational Trauma from the Family of Origin, with authors such as Xu Jiaqiang, Lin Zhengong, Sun Honglin, Wu Ning, Liu Chunyong, Niu Qiushi and Jin Shang. The books in its catalogue show a balance between art appreciation and cultural scholarship, serving both general readers and specialized research. As public information is limited, other publishing features are not detailed here.
Contents
- 版权信息
- 《烈女扎子》内容提要
- 第一章 丹江湖平空凭吊 鹳河流断人断肠
- 第二章 寺河湾折戟沉沙 黄齿儿舞刀弄枪
- 第三章 烈女决绝歪脖树 严霜无怜芳菲花
- 第四章 羊角沟阴阳两面坡 刘樱桃人鬼一世界
- 第五章 耕儒耕世耕书耕读传家 英男多女扎子三花并蒂
- 第六章 憨厚男展坤入赘 持家女英男招亲
- 第七章 三姐妹惊魂老屋 二狐仙旧话新说
- 第八章 小姨子嬉戏姐夫哥 大庙会初逛马蹬街
- 第九章 赏西厢多女遭儿戏 仗侠义扎子遇英雄
- 第十章 得金孙耕儒夫妇如意 丢魂魄多女孑然相思
- 第十一章 立业矢志娶多女 有田决意换门风
- 第十二章 阮大脚巧言保红媒 羊耕儒审慎批八字
- 第十三章 贾王氏逞能出糗 俏洪玫携女相亲
- 第十四章 五月天阖家抢农时 端阳节老祖说古经
- 第十五章 朝武当沿途讶异俗 登金顶一览众山小
- 第十六章 堪破世尘英雄悟道 巧遇机缘少年萌情
- 第十七章 逢乱世刘苍拉杆子 成仇雠白氏结血案
- 第十八章 风吹草长三月天 祖孙扫墓清明节
- 第十九章 说战事刘苍扎子定亲 释疑虑耕儒洪玫嫁女
- 第二十章 逛集日双娇遇尴尬 慕权势初做贵妇梦
- 第二十一章 做新娘扎子恨嫁 感离乱游子思乡
- 第二十二章 图安乐闺中且运筹 码“长城”权作温柔乡
- 第二十三章 刘苍义救邢福云 扎子害口回娘家
- 第二十四章 为抗日招安石白二匪 降龙凤仙逝姑祖双亲
- 第二十五章 倒春寒三月罹雪灾 临战事腥风满山城
- 第二十六章 不战而退马蹬失守 有心保全母子分离
- 第二十七章 多情种无奈见花泄 愚昧翁甘当扒灰头
- 第二十八章 羊多女遇厄脱险 贾立业捉奸毁家
- 第二十九章 日本人侵占马蹬街 白大头失节当汉奸
- 第三十章 修工事倭寇祸害老百姓 端敌营刘苍初创日本兵
- 第三十一章 郑婶舍身救“傻女” 扎子机智除魔鬼
- 第三十二章 亲夫卖妻多女遭侮辱 义母献计扎子离魔窟
- 第三十三章 斗智勇孤女戬除敌酋 逞异象天兆日落西山
- 第三十四章 邱月桂大义灭亲 白世通死有余辜
- 第三十五章 凭天险刘苍激战香花寨 应日落山边败退马蹬街
- 第三十六章 当汉奸贾立业轻如鸿毛 明大义羊耕儒重若泰山
- 第三十七章 “慰安”兽行旷古绝今 姐妹落难饮恨终生
- 第三十八章 小情小调小女人 大恨大爱大胸怀
- 第三十九章 幸男争宠邱月桂运交桃花 弃妇孤寂羊扎子初怼刘苍
- 第四十章 花开二度多女不甘寂寞 鸠占鹊巢路通人财兼收
- 第四十一章 扶危济困扎子倾情 承露沐霖众人感恩
- 第四十二章 畏权势刘苍负扎子 萌爱意世才恋彩枝
- 第四十三章 羊扎子难弥裂隙镜 王彩枝喜结好姻缘
- 第四十四章 庆解放马蹬街山欢水笑 被边缘羊扎子惶惑不安
- 第四十五章 遭霸凌多女沦为贫贱妇 划成份扎子冠名地主婆
- 第四十六章 扎子扫街失颜面 刘苍战败走湖北
- 第四十七章 刘苍伏法龙巢寺 学兰受欺恸母心
- 第四十八章 刘学兰稚眼看世界 羊多女世故惩乡恶
- 第四十九章 祛桎梏扎子遭猥亵 图报恩老杜战群丑
- 第五十章 苦海无涯渡苍茫 彼岸乐极知也未
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About the author
Qiu Fu is a Chinese-language author about whom relatively limited public information is available; details such as nationality, dates of birth and death, and educational background are not clearly documented. Three of the author's works are held in the collection: Lie Nü Zha Zi, Variations of a Great Era, and Jiazi Goucun. Their subjects span documentary literature, social fiction, and biography, reflecting exploration across both nonfiction writing and narrative fiction. Judging from the titles and categories, Qiu Fu focuses on the tension between individual lives and historical change, combining documentary observation with literary technique—meticulously tracing specific figures and events while offering a literary rendering of social reality. Although the number of works is modest, the thematic direction is clear: grounded in realism and centered on the relationship between people and their times, these works should appeal to readers interested in documentary and biographical writing.