Poetry Talks of the Qing Dynasty cover

Poetry Talks of the Qing Dynasty

Rating 4.1
Word count
539K words
Chapters
145
ISBN
9787532576609

Tags

Summary

Poetry criticism reached its zenith in the Qing dynasty. The modern scholar Ding Fubao compiled Qing Shihua, for which Mr. Guo Shaoyu wrote a preface and a summary of each included work. Since its publication it has been well received and highly praised by the academic community. The book contains 43 titles of Qing-dynasty poetry criticism, most of them the most famous and important works.

Editor's review

Qing Shihua is an anthology of poetry criticism compiled by the famous Qing scholar Wang Fuzhi. This meticulously collated edition from Shanghai Classics Publishing House, with its rigorous textual criticism and clear organization, provides a reliable text for scholars and lovers of classical literature. Unlike personal works of poetry criticism, this book draws widely on the discussions of poetry by various Qing authors and systematically presents the pluralistic character and evolving trajectory of Qing poetic theory, making it an indispensable primary source for the study of Qing poetry criticism.

From an editorial perspective, the value of this book lies in three aspects. First, its documentary value. It gathers many Qing discussions of poetry that were scattered in various places, sparing readers the labor of collecting and comparing them themselves, and is especially suited to serving as a desk reference for research on Qing poetics. Second, its theoretical value. By reading the different views collected in the book in comparison, readers can directly grasp the clashes and convergences among the major schools of Qing poetics, such as the "spirit and tone" theory, the "style and meter" theory, and the "native sensibility" theory, and understand the cultural currents behind them. Third, its appreciative value. The book contains a great many evaluations of individual poets and poems, written in exquisite language with original insights, which can greatly enhance readers' aesthetic perception and interpretive ability with regard to classical poetry, especially Qing poetry.

It should be noted that this is not a popular reader. Its content is written in classical Chinese and involves a large number of traditional poetics terms and historical allusions, so the threshold for reading is relatively high. Precisely for this reason, however, for readers who wish to enter deeply into the inner chambers of Chinese classical literature, patient study of this book is tantamount to obtaining a key to the treasure house of Qing poetics, allowing one to move from "technique" to "way" and to experience profoundly the depth and subtlety of classical poetry criticism.

Who it's for

A good fit for

  • Scholars and students engaged in the study of ancient Chinese literature, especially Qing literature and literary theory
  • Lovers of classical literature with a good foundation in classical Chinese who wish to understand Qing poetic theory and criticism systematically
  • Practitioners who write classical-style poetry and hope to draw on traditional poetics for creation and appreciation
  • Readers interested in Chinese intellectual history and the history of thought who wish to observe Qing scholarship from the perspective of poetics

Not a good fit for

  • General readers seeking only light reading or appreciation of modern poetry
  • Beginners who have significant difficulty reading classical Chinese and do not yet possess the relevant background knowledge

Reading tips

  1. It is recommended to gain a preliminary understanding of Qing poetry history and representative theorists such as Wang Shizhen, Shen Deqian, and Yuan Mei before reading this book, so as to better situate the views of each school
  2. Readers may read the relevant chapters of Mr. Guo Shaoyu's History of Chinese Literary Criticism alongside this book to build a macro framework of theoretical history before delving into the primary materials here
  3. It is not necessary to read the book straight through; reading selectively and comparatively by poet, school, or issue as thematic topics will yield better results

About the publisher

Shanghai Classics Publishing House China · Founded in 1956

Shanghai Classics Publishing House is a professional publisher centered on the collation of ancient texts and academic research works. Its publishing areas cover historical readings, classical poetry, folk literature, literary appreciation, canonical works, and Eastern philosophy. Its books include Chen Yinke's A Brief Discussion of the Origins of the Sui and Tang Institutions, Xin Qiji's Chronological Annotated Edition of Jiaxuan's Ci (Simplified Edition), Tang Xianzu's The Peony Pavilion, Liu Xie's The Literary Mind and the Carving of Dragons, as well as New Annotations to Three Hundred Tang Poems (Collector's Edition), Annotated Edition of Han Changli's Collected Works (Simplified Edition, 3 volumes), and Youyang Zazu. Its authors include Chen Yinke, Xin Qiji, Tang Xianzu, Liu Xie, Deng Guangming, Hengtang Tuishi, Han Yu, and Ma Qichang. In terms of publishing characteristics, the house emphasizes collation, annotation, and compilation of ancient texts alongside academic research works, and continues to issue simplified and collector's editions that balance scholarship and accessibility. Public information about the publisher's fuller publishing profile is limited.

Contents

  1. 版权信息
  2. 再版説明
  3. 前言
  4. 清詩話序
  5. 清诗话 上
  6. 薑齋詩話
  7. 薑齋詩話卷上
  8. 薑齋詩話卷下
  9. 答萬季埜詩問
  10. 答萬季埜詩問
  11. 鈍吟雜録
  12. 鈍吟雜録
  13. 江西詩社宗派圖録
  14. 序
  15. 江西詩社宗派圖録
  16. 梅村詩話
  17. 序
  18. 梅村詩話
  19. 寒廳詩話
  20. 自序
  21. 寒廳詩話
  22. 跋
  23. 茗香詩論
  24. 序
  25. 茗香詩論
  26. 律詩定體
  27. 律詩定體
  28. 然鐙記聞
  29. 然鐙記聞
  30. 師友詩傳録
  31. 師友詩傳録
  32. 師友詩傳續録
  33. 師友詩傳續録
  34. 漁洋詩話
  35. 序
  36. 自序
  37. 漁洋詩話卷上
  38. 漁洋詩話卷中
  39. 漁洋詩話卷下
  40. 王文簡古詩平仄論
  41. 序
  42. 王文簡古詩平仄論
  43. 趙秋谷所傳聲調譜
  44. 趙秋谷所傳聲調譜
  45. 五言詩平仄舉隅
  46. 五言詩平仄舉隅
  47. 七言詩平仄舉隅
  48. 七言詩平仄舉隅
  49. 七言詩三昧舉隅
  50. 七言詩三昧舉隅
  51. 談龍録
  52. 序
  53. 談龍録
  54. 聲調譜
  55. 聲調譜論例
  56. 聲調譜
  57. 聲調譜拾遺
  58. 自序
  59. 論例
  60. 聲調譜拾遺
  61. 蠖齋詩話
  62. 蠖齋詩話
  63. 跋
  64. 漫堂説詩
  65. 題辭
  66. 漫堂説詩
  67. 跋
  68. 而菴詩話
  69. 小引
  70. 而菴詩話
  71. 跋
  72. 詩學纂聞
  73. 詩學纂聞
  74. 跋
  75. 蓮坡詩話
  76. 蓮坡詩話
  77. 跋
  78. 清诗话 下
  79. 説詩晬語
  80. 説詩晬語卷上
  81. 説詩晬語卷下
  82. 原詩
  83. 叙
  84. 原詩卷一
  85. 原詩卷二
  86. 原詩卷三
  87. 原詩卷四
  88. 跋
  89. 全唐詩話續編
  90. 弁言
  91. 目録
  92. 全唐詩話續編卷上
  93. 全唐詩話續編卷下
  94. 一瓢詩話
  95. 自序
  96. 一瓢詩話
  97. 跋
  98. 拜經樓詩話
  99. 序
  100. 自序
  101. 拜經樓詩話卷一
  102. 拜經樓詩話卷二
  103. 拜經樓詩話卷三
  104. 拜經樓詩話卷四
  105. 唐音審體
  106. 唐音審體
  107. 遼詩話
  108. 序
  109. 自序
  110. 遼詩話
  111. 附録
  112. 跋
  113. 秋窗隨筆
  114. 序
  115. 秋窗隨筆
  116. 跋
  117. 野鴻詩的
  118. 野鴻詩的
  119. 跋
  120. 履園譚詩
  121. 履園譚詩
  122. 説詩菅蒯
  123. 説詩菅蒯
  124. 跋
  125. 秋星閣詩話
  126. 小引
  127. 秋星閣詩話
  128. 跋
  129. 貞一齋詩説
  130. 貞一齋詩説
  131. 跋
  132. 漢詩總説
  133. 漢詩總説
  134. 跋
  135. 山静居詩話
  136. 山静居詩話
  137. 峴傭説詩
  138. 峴傭説詩
  139. 書峴傭説詩後
  140. 消寒詩話
  141. 消寒詩話
  142. 跋
  143. 續詩品
  144. 續詩品
  145. 跋

FAQ

How does Qing Shihua differ from Lidai Shihua and Song Shihua Quanbian?
Qing Shihua is devoted exclusively to Qing poetry criticism; its chronological focus is concentrated, enabling it to reflect more fully the distinctive achievements and internal debates of Qing poetics. The other two either span successive dynasties or focus on a single dynasty, with different scope and emphasis. This book is the dedicated core source for the study of Qing poetics.
Wang Fuzhi was himself a famous thinker; does the Qing Shihua he compiled bear a strong personal stamp?
In compiling the work, Wang Fuzhi mainly played the role of collector and organizer; the book aims to gather the words of various authors rather than to express the editor's own poetic views in a concentrated way. To understand Wang Fuzhi's own poetic thought, one should read his monographs such as Jiangzhai Shihua.
For modern readers, what is the greatest difficulty in reading this book?
The main difficulties lie in the obstacle of classical Chinese expression and in understanding traditional poetics terms (such as qixiang, xingxiang, and jili). It is advisable to keep a dictionary of classical Chinese and poetics reference works at hand and to consult modern scholarly annotated editions as aids to reading.

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About the author

Wang Fuzhi Author · Chinese · 1619–1692

Wang Fuzhi (1619–1692), courtesy name Er Nong and pseudonym Jiang Zhai, was known as Mr. Chuanshan. A native of Hengyang, Hunan, he was a thinker, philosopher, historian and literary figure of the late Ming and early Qing periods. He lived through the Ming–Qing transition, once raised troops to resist the Qing, and later lived in seclusion at Shichuan Mountain for more than forty years, producing over a hundred works. His writings cover philosophy, history, literary appreciation and social thought, with representative works including the Du Tongjian Lun, Song Lun, Huang Shu and Jiang Zhai Wen Ji. He is regarded as the great synthesizer of traditional Chinese materialist thought and, together with Huang Zongxi and Gu Yanwu, is counted among the three great thinkers of the late Ming and early Qing. His historical commentaries draw lessons from the past with rigorous reasoning; his philosophical works carry forward and develop Zhang Zai's thought; and his literary criticism is perceptive and original. His posthumous writings have had a profound influence on later generations.