Tears in the Sky
Tags
Summary
Editor's review
Who it's for
A good fit for
- 喜欢细腻抒情笔调、愿意慢慢读青春故事的读者
- 对90后作家早期创作与青春文学出版史感兴趣的读者
- 喜欢多视角叙事、愿意跟随不同人物心理的读者
- 正在经历或刚告别中学时代、想找共情读物的年轻人
Not a good fit for
- 偏好快节奏强情节、追求爽感的网络小说读者
- 对青春恋爱与情绪化叙事兴趣不大的读者
- 期待完整社会议题探讨或厚重现实题材的读者
Reading tips
- 留意四个部分叙述者的轮换，比照三个人对同一事件的不同说法。
- 把“盛夏”当作一条线索来看，注意它在各章中如何从明丽转为灼热、黯淡。
- 读完后可回头重看尾声，体会叶子视角与其他两段叙述之间的落差。
- 不必急于评判人物对错，先体会少年在亲情与爱情之间的犹疑。
About the publisher
Haitian Publishing House publishes in such areas as world history, biography, foreign literature, cultural theory and essays, with a sideline in art documentation. Representative titles held in the collection include Tim Weiner's Legacy of Ashes and The CIA: A History of Sixty Years, Wang Chaozhu's Meritorious Officials and Criminals: The Tragedy of Pan Hannian, a Chinese translation of Marcel Proust's Seventy-Five Pages, the gongbi and comprehensive volumes of The Complete Works of Zou Chuan'an, and A Brief History of the Academy: A Thousand-Year Song. Among the translators and authors associated with these works are Du Mo, Lin Tiangui, Wei Zonglei, Du Qinggang and Cheng Jing. Overall, the press has built up a body of work in historical reportage, biography and the translation of foreign literature, alongside traditional culture and art titles; as public information is limited, this profile is based only on the books held in the collection.
Contents
- Part.1 Following the Traces of Summer, Entwined and Withered
- Part.2 Melting in the Midsummer Sunlight
- Part.3 Half a Summer's Cycle, Mourning the Past
- Part.4 Epilogue: All This, as if Tears in the Sky
- Afterword / Yan An
- Book Reviews: Jian Xin, Su Lin, Xia Sheng
FAQ
《泪空》的作者和出版信息是什么？
这本书和《泪空·隐瞒》是同一部作品吗？
故事的主要人物有哪几位？
这本书篇幅如何，适合多久读完？
Comments
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About the author
Yan An is a Chinese pen name, written as Yan An in English; the author's nationality and dates of birth and death are unknown, and publicly available information is limited. Two works by this author are confirmed in the database: The Glass Song on the Clouds and Tearful Sky, both classified under premium fiction and youth literature. Judging from the titles and categories of these two works, Yan An's writing falls roughly within the scope of youth literature, with themes close to the emotional experience of young readers. The titles carry light yet slightly melancholy imagery, suggesting a preference for lyrical atmosphere and delicate feeling. Because very little information about the author has been made public, their writing career, literary affiliations, and the specific content of the works cannot be further verified; this introduction can only make cautious inferences based on the number, categories, and titles of the works recorded in the database. Readers who wish to understand the author's style may begin with these two works and experience their narrative rhythm and emotional tone for themselves.
