The Ci Poetry of Liu Yong cover

The Ci Poetry of Liu Yong

Rating 4.1
Word count
57K words
Chapters
224
ISBN
9787532554065

Tags

Summary

Among Liu Yong's ci, the works later generations branded 'licentious songs' are richest in anti-feudal spirit, voicing the emerging urban citizen class's demand for freedom in love and individuality. Early Song poets, like the Five Dynasties Flower School writers, also wrote of romance without incurring censure; Liu Yong's were condemned precisely for their anti-traditional bent. The townswomen he portrays break free of feudal moral norms: in 'Jintang Chun,' a woman's voice traces a psychology of defiance and strong self-awareness unlike the gentle, long-suffering, resigned women of traditional poetry — an image of anti-feudal significance that moved the urban populace. 'Ding Feng Bo,' likewise, voices a young wife's loneliness and bold longing for happiness in love; these modest desires struck feudal rulers as violations of womanly duty, and Liu Yong was later rebuked by Chancellor Yan Shu, revealing their differing social aesthetics. Traditional literature rarely gave voice to oppressed lower-class women. Long acquainted with the urban poor, Liu Yong sympathized with them: inspired by citizen thought, young women defied feudal ethics in their demands for love and disregard of chastity, only to pay dearly, be toyed with, and abandoned — a theme repeated in 'Man Juan Chou' and 'Man Jiang Hong.'

Editor's review

As a collection of works by the representative figure of the Song-dynasty Wanyue (delicate and restrained) ci school, The Collected Ci of Liu Yong includes more than two hundred extant ci by Liu Yong. This edition from Shanghai Classics Publishing House is particularly rigorous in editorial work: it is complete and is accompanied by detailed annotations and collation, providing readers with a reliable text for an in-depth understanding of the artistic world of Liu Yong's ci. Liu Yong's ci are of pivotal significance in the history of Chinese literature. He wrote extensively in the manci long-tune form, broadening the capacity and expressive power of ci and leading its subject matter from the refined studies of scholar-officials into the broad realm of urban life and personal feeling. His language is both elegant and accessible, his melodies harmonious and graceful, creating the remarkable reach summed up in the saying that wherever there was well water, Liu Yong's ci could be sung. The editor believes that the value of this book lies not only in literary appreciation but also in its being a window onto Northern Song urban manners, the mentality of city dwellers, and the spiritual world of literati. Liu Yong's laments on the life of travel and lodging and his direct writing of love between men and women broke through earlier conventions and present a true and complex human face. In reading, attention is recommended to his pioneering artistic techniques, rich emotional layers, and the deep historical and social information contained in his ci.

Who it's for

A good fit for

  • Literature lovers with a strong interest in classical Chinese poetry, especially Song ci
  • Readers who wish to study Liu Yong's ci systematically for textual analysis or academic research
  • Those who enjoy delicate, emotionally sincere lyric literature with beautiful melody
  • Readers exploring history and culture who wish to understand Northern Song society and urban culture through poetry

Not a good fit for

  • Readers seeking light entertainment or fast-paced narrative; Liu Yong's ci are chiefly lyrical and atmospheric
  • Complete beginners unfamiliar with classical ci prosody and literary Chinese who are unwilling to invest time adapting

Reading tips

  1. Read alongside the poet's life (e.g., his examination failures and years among the entertainment quarters) to better appreciate the deep feeling in his ci
  2. Try reading aloud to savor the ingenious musical arrangement and the musical beauty of Liu Yong's language
  3. Compare ci from different periods to sense the consistency of style and the diversity of subject matter

About the publisher

Shanghai Classics Publishing House China · Founded in 1956

Shanghai Classics Publishing House is a professional publisher centered on the collation of ancient texts and academic research works. Its publishing areas cover historical readings, classical poetry, folk literature, literary appreciation, canonical works, and Eastern philosophy. Its books include Chen Yinke's A Brief Discussion of the Origins of the Sui and Tang Institutions, Xin Qiji's Chronological Annotated Edition of Jiaxuan's Ci (Simplified Edition), Tang Xianzu's The Peony Pavilion, Liu Xie's The Literary Mind and the Carving of Dragons, as well as New Annotations to Three Hundred Tang Poems (Collector's Edition), Annotated Edition of Han Changli's Collected Works (Simplified Edition, 3 volumes), and Youyang Zazu. Its authors include Chen Yinke, Xin Qiji, Tang Xianzu, Liu Xie, Deng Guangming, Hengtang Tuishi, Han Yu, and Ma Qichang. In terms of publishing characteristics, the house emphasizes collation, annotation, and compilation of ancient texts alongside academic research works, and continues to issue simplified and collector's editions that balance scholarship and accessibility. Public information about the publisher's fuller publishing profile is limited.

Contents

  1. 版权信息
  2. 导读
  3. 卷上
  4. 黄莺儿
  5. 玉女摇仙佩
  6. 雪梅香
  7. 尾 犯
  8. 早梅芳
  9. 斗百花
  10. 又
  11. 又
  12. 甘草子
  13. 又
  14. 送征衣
  15. 昼夜乐
  16. 又
  17. 柳腰轻
  18. 西江月
  19. 倾杯乐
  20. 笛家弄
  21. 倾杯乐
  22. 迎新春
  23. 曲玉管
  24. 满朝欢
  25. 梦还京
  26. 凤衔杯
  27. 又
  28. 鹤冲天
  29. 受恩深
  30. 看花回
  31. 又
  32. 柳初新
  33. 两同心
  34. 又
  35. 女冠子
  36. 玉楼春
  37. 又
  38. 又
  39. 又
  40. 又
  41. 金蕉叶
  42. 惜春郎
  43. 传花枝
  44. 卷中
  45. 雨霖铃
  46. 定风波
  47. 尉迟杯
  48. 慢卷紬
  49. 征部乐
  50. 佳人醉
  51. 迷仙引
  52. 御街行
  53. 又
  54. 归朝欢
  55. 采莲令
  56. 秋夜月
  57. 巫山一段云
  58. 又
  59. 又
  60. 又
  61. 又
  62. 婆罗门令
  63. 法曲献仙音
  64. 西平乐
  65. 凤栖梧
  66. 又
  67. 又
  68. 法曲第二
  69. 秋蕊香引
  70. 一寸金
  71. 永遇乐
  72. 又
  73. 卜算子
  74. 鹊桥仙
  75. 浪淘沙
  76. 夏云峰
  77. 浪淘沙令
  78. 荔枝香
  79. 古倾杯
  80. 倾 杯
  81. 破阵乐
  82. 双声子
  83. 阳台路
  84. 内家娇
  85. 二郎神
  86. 醉蓬莱
  87. 宣 清
  88. 锦堂春
  89. 定风波
  90. 诉衷情近
  91. 又
  92. 留客住
  93. 迎春乐
  94. 隔帘听
  95. 凤归云
  96. 抛球乐
  97. 集贤宾
  98. 殢人娇
  99. 思归乐
  100. 应天长
  101. 合欢带
  102. 少年游
  103. 又
  104. 又
  105. 又
  106. 又
  107. 又
  108. 又
  109. 又
  110. 又
  111. 又
  112. 长相思
  113. 尾犯
  114. 木兰花
  115. 又
  116. 又
  117. 又
  118. 驻马听
  119. 诉衷情
  120. 戚氏
  121. 轮台子
  122. 引驾行
  123. 望远行
  124. 彩云归
  125. 洞仙歌
  126. 离别难
  127. 击梧桐
  128. 夜半乐
  129. 祭天神
  130. 过涧歇近
  131. 卷下
  132. 安公子
  133. 菊花新
  134. 过涧歇近
  135. 轮台子
  136. 望汉月
  137. 归去来
  138. 燕归梁
  139. 八六子
  140. 长寿乐
  141. 望海潮
  142. 如鱼水
  143. 又
  144. 玉蝴蝶
  145. 又
  146. 又
  147. 又
  148. 又
  149. 满江红
  150. 又
  151. 又
  152. 又
  153. 洞仙歌
  154. 引驾行
  155. 望远行
  156. 八声甘州
  157. 临江仙
  158. 竹马子
  159. 小镇西
  160. 小镇西犯
  161. 迷神引
  162. 促拍满路花
  163. 六么令
  164. 剔银灯
  165. 红窗听
  166. 临江仙
  167. 凤归云
  168. 女冠子
  169. 玉山枕
  170. 减字木兰花
  171. 木兰花令
  172. 甘州令
  173. 西 施
  174. 又
  175. 又
  176. 河 传
  177. 又
  178. 郭郎儿近
  179. 透碧霄
  180. 木兰花慢
  181. 又
  182. 又
  183. 临江仙引
  184. 又
  185. 又
  186. 瑞鹧鸪
  187. 又
  188. 忆帝京
  189. 塞 孤
  190. 瑞鹧鸪
  191. 又
  192. 洞仙歌
  193. 安公子
  194. 又
  195. 长寿乐
  196. 倾 杯
  197. 倾 杯
  198. 倾 杯
  199. 鹤冲天
  200. 木兰花
  201. 又
  202. 又
  203. 倾杯乐
  204. 祭天神
  205. 瑞鹧鸪
  206. 归去来
  207. 梁州令
  208. 燕归梁
  209. 夜半乐
  210. 清平乐
  211. 迷神引
  212. 辑佚
  213. 爪茉莉
  214. 女冠子
  215. 十二时
  216. 红窗迥
  217. 凤凰阁
  218. 西江月
  219. 西江月
  220. 如梦令
  221. 千秋岁
  222. 西江月
  223. 绛都春
  224. 总评

FAQ

What is special about this edition of The Collected Ci of Liu Yong?
The Shanghai Classics Publishing House edition is based on an authoritative source text, with excellent collation, concise annotations, and appended research materials. It is a reliable reading edition balancing scholarship and accessibility.
What are the main subjects and characteristics of Liu Yong's ci?
Subjects are mainly travel and lodging, love between men and women, and urban scenery. Characteristics include skillful plain description and extended narration, accessible language with sincere feeling, and harmonious melody; he greatly developed the manci long-tune form.
What background knowledge is needed to read Liu Yong's ci?
Some knowledge of the basic forms of Song ci (cipai) and Song historical and social background helps, but the annotations in this edition resolve most difficulties, so readers can learn as they read.

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About the author

柳永 Author

Liu Yong is an important author in the history of classical Chinese ci poetry. Publicly available information about his life and official career is limited, and details such as his dates of birth and death and his nationality are unconfirmed in our records, so this introduction relies mainly on his surviving works. The collection holds ten of his works, including the two volumes of The Complete Works of Liu Yong, Yuezhang Ji, Liu Yong's Ci Collection, and pieces such as "Pozhen Yue," as well as selections in the Ci Series, Famous Ci Collections of Successive Dynasties, and Essence of Famous Ci Collections of Successive Dynasties. Liu Yong is known for his ci, whose subjects often involve travel and lodging, urban scenes, and feelings between men and women. He excelled at long-form composition and exposition, and his language is accessible with harmonious tonal patterns; his influence on the later development and transmission of the ci form has been lasting. His works are commonly classified under classical poetry, historical reading, and literary appreciation, and are suitable for reading from both literary-historical and close-textual perspectives.