Ke Ting's Remarks on Ci Poetry cover

Ke Ting's Remarks on Ci Poetry

Rating 3.8
Word count
9.1K words
Chapters
49

Tags

Summary

Cai Zhen's "Cottage Pavilion Remarks on Ci" consists of forty-seven entries. They roughly cover the rules of composing ci, the appreciation of ci, and evaluations of ci poets of successive dynasties. On the whole it is concise and to the point, with many apt observations and sensible judgments; inevitably, there are also points open to discussion.

Editor's review

"Cottage Pavilion Remarks on Ci" consists of forty-seven entries. Though modest in length, it touches on several levels: the rules of composing ci, the appreciation of ci works, and evaluations of ci poets of successive dynasties. The author, Cai Songyun, writes concisely and to the point, and his discussions are mostly sensible and apt: they offer beginners in ci guidance on the way in, and give readers with some reading experience a reference point when evaluating the ci of earlier poets. Not every judgment is unassailable, and some conclusions are open to discussion—which reminds readers to read with a critical eye rather than passively accepting conclusions. The physical form of the original Republican-era Commercial Press edition gives this ci treatise a distinct mark of its era. It is suitable as a supplementary reader for an introduction to ci studies and also for keeping on the desk for casual consultation; reading three to five entries at a time is easier to digest than reading straight through.

Who it's for

A good fit for

  • Readers interested in an introduction to ci studies who want to know the basic rules of composition and approaches to appreciation
  • Those with some grounding in classical poetry who wish to improve their appreciation of ci
  • Students of classical Chinese literary theory or Chinese majors who need to engage with Republican-era ci treatises
  • Readers who enjoy short, note-style literary criticism for casual consultation

Not a good fit for

  • Complete beginners who have never read Tang and Song ci and lack a basic familiarity with ci works
  • Those seeking a systematic textbook history of ci or a detailed metrical manual
  • Academic readers who prefer long-form argument and strictly systematic theory

Reading tips

  1. Read only five to eight entries at a time, and after each, restate the author's view in your own words, to avoid the vagueness that comes from reading straight through.
  2. When you reach evaluations of earlier ci poets, first recall the relevant ci works you have read, then judge whether the author's discussion is apt.
  3. Keep a pen ready to mark judgments open to discussion, and review them together afterward to form your own critical notes.

About the publisher

The Commercial Press China · Founded in 1897

"Republic-era Commercial Press Original Editions" refers to original books printed by The Commercial Press during the Republican period, not a separate publishing house. Judging from the 300 titles held in the collection, its publishing focus centers on classical poetry and lyrics, literary appreciation, classic works, military texts, prose and miscellaneous writings, and Eastern philosophy. Representative titles include Wang Guowei's Renjian Cihua, Zhong Rong's Shipin, the lyric collections of Xin Qiji and Liu Yong, Sun Wu's The Art of War, and Lü Buwei's Xianshi Lan. Its author resources are mainly classical writers, together with modern scholars such as Li Jingbang and Guo Huaruo, whose collations and annotations are also represented, giving the list a character centered on original texts while attending to annotation and appreciation. Public information on the precise Republican-era catalog and printings is limited; this overview is based only on the titles held in the collection.

Contents

  1. 版权信息
  2. 序
  3. 守四声并无牵强之病
  4. 守四声滥觞於南宋
  5. 初学不必守四声
  6. 自然与人工各占地位
  7. 填词须讲字法句法章法
  8. 作词须立新意
  9. 意贵清新境贵曲折
  10. 陈言务去
  11. 小令首重造意
  12. 治小令途径
  13. 慢词与小令作法不同
  14. 词赋少而比兴多
  15. 小令慢词各有天地
  16. 词学通於书道
  17. 填词贵能以轻御重
  18. 填词三步
  19. 词须熟诵
  20. 叠字句法创自易安
  21. 咏物词贵有寓意
  22. 学词勿先看近人词
  23. 清词三期
  24. 作慢词分二派
  25. 看词宜细分析
  26. 看词偏见与陋见
  27. 正中词别具一种风格
  28. 正中鹊踏枝十四章
  29. 正中词难学在不用力处
  30. 东坡词笔无点尘
  31. 少游小令出自六一
  32. 屯田词得失参半
  33. 柳词胜处在气骨
  34. 周词全自柳出
  35. 周吴小令及慢词
  36. 周吴慢词最难学处
  37. 稼轩词不尽豪放
  38. 白石词骚雅绝伦
  39. 碧山玉田各具面貌
  40. 纳兰慢词不如小令
  41. 大鹤词吐属骚雅
  42. ︹村词融合苏吴之长
  43. 蕙风词及其词话
  44. 水龙吟句法
  45. 木兰花慢有句中韵
  46. 河传创自飞卿
  47. 小梅花系东山创调
  48. 戚氏为屯田创调
  49. 梦窗莺啼序

FAQ

What main aspects does "Cottage Pavilion Remarks on Ci" cover?
According to the materials, the book has forty-seven entries and roughly covers the rules of composing ci, the appreciation of ci, and evaluations of ci poets of successive dynasties. It is concise, offering both guidance on the way into composition and comments on specific works and poets, and is suited to reading entry by entry.
Are all the views in the book reliable?
The materials explicitly say that "there are also points open to discussion." This means the author's judgments are often apt and sensible, but not every one is definitive. Readers should read critically and judge against the ci works they know rather than accepting everything wholesale.
What background is needed to read this book?
It is best to have read some famous Tang and Song ci and to have a basic impression of ci tunes and meter. The book involves rules of composition and evaluations of ci poets; without any familiarity with ci works, it will feel remote. With some grounding, it is easier to appreciate its merits and flaws.

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About the author

蔡嵩云 Author

Cai Songyun is an author about whom very little is known publicly; his nationality, dates of birth and death, and educational background are not clearly recorded. What can be confirmed is that two works are extant under his name, both concerned with the study of ci poetry. His representative work, Keting Cihua (Discussions of Ci from the Keting Studio), is a critical and scholarly study of ci poetry, often classified in book catalogues under history readings and Eastern philosophy, which accords with its focus on the classical ci form and its evaluation of ci writers and their works. Judging from the available material, Cai Songyun's writing follows traditional ci scholarship in format and terminology, using notes and discursive essays to examine ci prosody, styles, and individual authors and works, in a concise prose that recalls the note-books of older scholarship. Because biographical material is lacking, his life, intellectual lineage, and public activities cannot be described in detail, and readers must come to know him mainly through texts such as Keting Cihua itself.