The Reader cover

The Reader

Rating 4.4
Word count
133K words
Chapters
4
ISBN
9787544727136

Tags

Summary

In postwar Germany, fifteen-year-old Michael Berg suddenly falls ill on the street while riding a tram. A thirty-six-year-old stranger, a ticket conductor named Hanna, cleans him up and takes him home. After recovering, Michael visits to thank her at his mother's instruction, and a secret love affair begins. Michael goes to Hanna's home every day and reads aloud to her from literary classics such as The Odyssey, War and Peace, and The Lady with the Dog; Hanna sometimes cries, sometimes laughs, like a child fed on stories. The forbidden relationship lasts a summer, and then Hanna suddenly disappears without a word. Eight years later, Michael is a law student. While observing a trial of Nazi concentration camp guards, he sees Hanna in the defendants' box. The other defendants shift blame onto her, and Hanna would rather admit to a report she did not write than submit a handwriting comparison. Michael then understands what Hanna has been trying to hide: she is illiterate, ashamed to admit it, and would rather face life imprisonment than surrender this secret. Many years later, Hanna, serving her sentence, receives reading-aloud tapes sent by Michael—the only communication still possible between them. This is a story intertwining love, shame, and collective guilt, concise yet heavy: how far will a person go to protect a secret?

Editor's review

这是一本篇幅精炼却分量沉重的小说:它在两百多页中容纳了一段被禁忌的爱情、一场纽伦堡式的战犯审判和一次关于德国战后第二代人如何面对父辈罪行的追问。施林克的法律人身份使他的叙述格外克制:没有控诉,没有廉价的和解,只有一种冷静的德语式庄重(曹文轩称之为“这份庄重”)。 全书最令人震动的地方在于,最关键的秘密并不是“汉娜是纳粹看守”,而是“汉娜不识字”。羞耻心与罪责感在这里叠在一起,使人读后很难给出一个简单评判。钱定平的中文译文流畅、耐读,读起来像一篇长篇散文。此书是首部登上《纽约时报》畅销榜首位的德语小说,被译成数十种语言,2008年由史蒂芬·戴德利改编为电影,凯特·温丝莱特凭此片获奥斯卡最佳女主角。喜欢战后欧洲文学、人权与历史伦理题材的读者,值得把它放进书架。

Who it's for

A good fit for

  • 喜欢德国战后文学与历史反思题材的读者
  • 对学生偏重伦理、法律与记忆议题的读者
  • 偏好篇幅精炼、叙述克制、后劲很足的小说的人
  • 看过同名电影、想读原著补足细节的影迷

Not a good fit for

  • 只想读轻松娱乐、治愈系故事的读者
  • 对涉及集中营、审判与性关系描写敏感的读者
  • 期待复杂情节线和多视角长篇小说的人

Reading tips

  1. 先读第一部,体会“朗读”这一日常仪式如何撑起整段关系,再进入法庭部分,后劲会更足
  2. 留意汉娜对文字与书本的反应,这是全书埋得最深的一条线索,回读时会完全改观
  3. 可与《铁皮鼓》《辛德勒的方舟》等作品对照,看德国文学如何处理记忆与罪责
  4. 读完不妨写一段自己的判断:米夏保持沉默,是维护还是逃避?这本书的意义正在于读者自己的回答

About the publisher

Yilin Press China · Founded in 1988

Yilin Press focuses mainly on translated foreign literature. Its current catalogue of 318 titles covers common categories such as mystery and detective fiction, foreign literature, world classics, biography, and social novels. Representative books include The Complete Sherlock Holmes 2: The Adventures of Sherlock Holmes, Pride and Prejudice, To the Lighthouse, The Great Gatsby, The Grapes of Wrath, and Lives of the Artists: Michelangelo, often presented in bilingual or English-language editions that serve both original-text reading and language learning. Its author resources include foreign writers such as Arthur Conan Doyle, Jane Austen, Virginia Woolf, and Romain Rolland, as well as translators including Li Jiazhen, Gao Fen, and Ma Ye. The catalogue also includes Chinese works such as Li Jieren's Ripples Across Stagnant Water. The press shows a concentrated publishing strength in foreign classics and bilingual readers; given limited public information, this overview is based only on catalogue data.

Contents

  1. Part One
  2. Part Two
  3. Part Three
  4. Translator's Afterword

FAQ

《朗读者》和《生死朗读》是同一本书吗?
是同一部小说,德文原题为 Der Vorleser。译林出版社早期版本使用《生死朗读》书名(2000年版),后来通行的钱定平译本改用《朗读者》,书页内容一致,只是书名与版次不同。
这本书有哪几种中文译本?
流传最广的是钱定平(译林出版社,2006年纪念版、2009年平装版、2012年纪念版等)和沈锡良(译林出版社,2021年精装版)两种译本;不同版本的册页数、定价和序跋内容略有差异。
读之前需要先看过同名电影吗?
不需要。电影与原著并不互相替代:电影强化了爱情与视觉场景,原著最大的力量来自米夏的第一人称自述和那些关于羞耻、沉默的心理细节,先读原著通常更受冲击。
这本书适合中学生阅读吗?
文本难度不高,但涉及少年与成年女性的性关系、纳粹集中营与法庭审判等严肃内容。更适合高中生以上、在老师或家长引导下阅读,作为历史与伦理讨论的素材。

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About the author

Bernhard Schlink is one of the foreign-literature authors included in our collection, with five works currently listed, including Love's Flight, Summer Lies, Sigrun's Choice, and The Weekend, with Summer Lies appearing twice. Since the collection does not provide his nationality, birth and death dates, or English name, public information is limited, so this profile avoids speculation about his life and focuses instead on the character of his works. Judging from the titles and the common categories, Schlink's writing tends to center on emotional relationships, everyday ethics, and personal choices, and he is skilled at revealing distance, misunderstanding, and hidden tension between people within ordinary settings. His narrative is restrained and understated, leaving room for reflection. His works are classified under foreign literature and classic works, suggesting that readers and editors see them as both readable and literarily substantial. These four works already reflect his thematic interests and stylistic tone; if fuller author information becomes available, his life and creative development could be added later.