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Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers in midlife grappling with career and self-worth confusion
- Readers who enjoy Feng Tang's essay style and follow his personal writing
- Those who want candid personal prose and resonance in relaxed writing
- General readers interested in writing about family and the meaning of life
Not a good fit for
- Readers expecting systematic success methodology or practical tools
- Readers who prefer rigorous academic argument and restrained prose
- Those sensitive to blunt, roguish, colloquial expression
Reading tips
- Read by the four chapter themes in separate sittings, pausing after each chapter to reflect on your own situation.
- Start with well-known pieces such as "How to Avoid Becoming a Greasy, Sleazy Middle-Aged Man," then move on to the private chapters about his father and mother.
- Read the relevant text alongside the private photos in the book to feel the emotional interplay between image and word.
- Jot down lines that move you and revisit them later to see how you have changed.
Contents
- 版权信息
- 壹 成功十要素
- 如何避免成为一个油腻的中年猥琐男
- 比成为油腻中年更可怕的是成了油腻青年
- “极品”装腔指南
- 陪护装腔犯生存指南
- 九字真言
- 成功十要素
- 不怕压力不生癌
- 未来已来,君子不器
- 给我写首情诗好吗
- 中国人为什么不爱排队
- 贰 爱情如何对抗时间
- 爱情如何对抗时间
- 找个好看的扑倒
- 自己穿暖,才是真暖
- 女神一号是如何炼成的
- 除了包包,还有诗歌
- 你不要轻易开一家咖啡馆
- 有人相信爱情,有人相信灵修
- 喝几口就成了女神
- 叁 想起一生中后悔的事儿
- 毫无意义的一天
- 真正的故乡
- 我爸认识所有的鱼
- 没有父亲的父亲节
- 如何和老妈愉快相处
- 想起一生中后悔的事儿
- 最简单的快乐
- 一只玉鸟的悟空
- 醒来,在路上
- 靠天堂最近的地方
- 一间自己的书房
- 肆 天用云作字
- 你对我微笑不语
- 小小的一个人
- 把美一点点找回来
- 我为什么写作
- 想起三十五岁的作家冯唐,还真难过啊
- 出门看场电影
- 血战古人,让世界更美好一点
- 佛界易入,魔界难入
- 天用云作字
FAQ
Is this book a novel or an essay collection?
Can I read this directly without having read other works by Feng Tang?
Which well-known pieces are included?
Comments
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About the author
Feng Tang, whose real name is Zhang Haipeng, was born in Beijing in 1971 and is a contemporary Chinese writer and poet. He holds an MD from Peking Union Medical College and later earned an MBA from Emory University in the United States; he has also held management positions at McKinsey and China Resources Medical, an experience that gives his writing both rational reflection and worldly observation. His work spans social fiction, modern poetry, essays, and management titles, with 23 works included in the collection. His representative Beijing Trilogy—Everything Grows, Beijing, Beijing, and Give Me a Girl at Eighteen—is largely set in Beijing and explores youth, desire, and urban life. Essay collections such as Growing Old as I Live, As a Flower I Have Never Lost, and Let's Meet Once display a candid, quick-witted, and slightly teasing style. He has also written management-related works such as Getting Things Done, blending practical insight into his prose.