A Lover's Eye cover

A Lover's Eye

Rating 4.1
Word count
62K words
Chapters
46
ISBN
9787108054746

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Summary

Frankly, this book—a wintry river scene rendered in words—belongs in a gallery labeled "Not for Sale." A spring issuing from the hills runs on in a thin, steady stream, and who knows into whose courtyard or pond it flows, whose dusty heart it might cleanse, whose unprejudiced and interesting face it might reflect. …After all the vicissitudes, this is still a book I am partial to. — Wang Dingjun

The eternity carved out of passing time may be the only kind that holds truly boundless power, as we see in "Encounter": when a woman's serene silhouette is broken by her weeping, the beauty on the surface is fixed forever in the instant of that encounter.

Editor's review

Lover's Eye is one of the most distinctly personal of Wang Dingjun's essay collections, gathering more than thirty finely wrought pieces written in 1970s Taiwan. It is not a conventional collection of love essays: the title, from the saying "beauty is in the eye of the beholder," refers to observing, recording, and interpreting ordinary life and commonplace things with a gaze full of affection and cherishing, elevating them into something aesthetic and philosophical. In spare, restrained prose of deep implication, Wang depicts figures from memory, scenes from his travels, natural scenery, and the light and shadow of the times, finding a world in a square inch and spirit in the smallest particulars. These pieces are at once the delicate projection of the author's personal feeling and the bearer of a generation's displacement and nostalgia; the writing combines the rhythmic beauty of classical literature with the rational contemplation of modern thought. His prose flows like deep, still water, rich in imagery and restrained in emotion—intimate and warm to read, yet prompting reflection, embodying the double value of the essay as both "fine writing" and "a vehicle for thought," and standing apart in Chinese-language prose.

Who it's for

A good fit for

  • Readers with a strong interest in modern Chinese-language prose, especially "scholar's essays" that fuse lyricism and philosophy.
  • Readers who appreciate literature that is concise in language, rich in imagery, restrained in feeling, and profound in thought.
  • Readers hoping to glean the flavor of life and a sense of history from everyday narrative, and to find calm for the mind.
  • Literary researchers or enthusiasts interested in the literary landscape and cultural mood of 1970s Taiwan.

Not a good fit for

  • Readers seeking strong plot, fast-paced reading, or entertainment may find the pacing slow.
  • Beginning readers who require extensive background knowledge, or who lack patience for lyrical and philosophical essays, may find it challenging.

Reading tips

  1. Slow the pace and savor each piece one by one, perhaps with soft music or in quiet intervals, to better feel the mood and emotional flow behind the words.
  2. As you read, note how the author links personal memory, cultural nostalgia, and ordinary things, and understand the aesthetic transformation under the "lover's eye" perspective.
  3. If the background is unfamiliar, start with the author's biography or related criticism to better understand the era's imprint and intellectual threads beneath the work.

About the publisher

SDX Joint Publishing Company China · Founded in 1932

SDX Joint Publishing Company is a publisher known for its humanities and social science titles, covering classics, culture, history, social fiction and politics. Its catalogue of 826 books includes Chinese and foreign literary classics such as The Scholars, Camel Xiangzi and Selected Short Stories of Chekhov, scholarly works such as Studies of Chinese Cave Temples, A Study of the Tuoba History (Revised Edition) and The Nine-Rank System: A Prehistory of the Imperial Examination, and translations such as Red Star Over China and Notes from the House of the Dead. Its authors include renowned Chinese and foreign writers such as Wu Jingzi, Lao She, Su Bai and Chekhov, as well as scholars and translators such as Chen Xiaoming, Wang Benhua, Guo Changbao and Zhu Xiansheng. Its publishing character lies in balancing the popularisation of classics with academic depth, with attention to textual quality and the transmission of knowledge.

Contents

  1. 版权信息
  2. 旧梦(代序)
  3. 告诉你
  4. 没有爱
  5. 石头记
  6. 雨中行
  7. 我看见
  8. 我要疯
  9. 想你
  10. 爱情意识流(上)
  11. 爱情意识流(下)
  12. 与我同囚
  13. 旧曲
  14. 看插花
  15. 那树
  16. 邂逅
  17. 网中
  18. 武家坡
  19. 种子
  20. 自然
  21. 兴亡
  22. 狗皮上的眼睛
  23. 人头山
  24. 捕鸟
  25. 放鸟
  26. 教室
  27. 诗
  28. 游踪
  29. 苹果
  30. 英雄到老都学书
  31. 旗袍
  32. 最美和最丑
  33. 胜利的代价
  34. 洗手
  35. 地图
  36. 有一种艺术家
  37. 谁想念谁
  38. 体验色空
  39. 图书馆
  40. 金手铐
  41. 水族启示录
  42. 水百科
  43. 红了再红
  44. 世缘茫茫天苍苍
  45. 诗料(一)
  46. 诗料(二)

FAQ

Is this a collection of essays about romantic love?
Not in the narrow sense. The title "Lover's Eye" is a metaphor for the author's gaze—full of feeling and cherishing—as he observes and writes the world. The contents range over remembered figures, nature writing, travel reflections, and reflections on life, with aesthetics and contemplation at the core.
What are the main stylistic features of Wang Dingjun's prose?
Wang's prose is known for precise, spare language, rich and profound imagery, restrained and inward emotion, and dense philosophical reflection. He often fuses classical literary cultivation with modern consciousness, lodging deep feeling for country and life in plain narrative, forming a mellow and enduring style.
Is this book suitable as an introduction to reading essays?
The book is highly literary and focused on creating atmosphere and expressing thought, requiring some sensitivity to language and patience. Beginning essay readers might start with the author's more narrative memoirs (such as Yesterday's Clouds) before turning to a more reflective and lyrical collection like Lover's Eye.

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About the author

Wang Dingjun Author · Taiwan, China · 1925

Wang Dingjun, born in 1925 in Lanling, Linyi, Shandong, is a contemporary Taiwanese essayist who also writes under the pen name Fang Yizhi. He joined the military in the final years of the War of Resistance, moved to Taiwan in 1949, and later served as a review chief at the Broadcasting Corporation of China and as editor of the literary supplement of China Times before settling in the United States in 1978. Twenty-two of his works are included in this collection. He is best known for his four-volume memoir, comprising Yesterday's Clouds, The Angry Youth, Seizing the Pass, and Literary Jianghu, as well as the "Three Books on Life." He has also written widely used guides to composition, including Six Keys to Writing, Nineteen Questions on Writing, Seven Clever Techniques for Writing, Four Books on Writing, and Talks on Primary School Composition. His essays span documentary writing and inspirational growth, marked by plain, polished prose that draws life lessons from everyday experience, while his writing guides are clearly organized and richly exemplified, exerting wide influence in language education and literary appreciation. He has received the Golden Tripod Award and the Wu Luqin Essay Award.