Kokoro cover

Kokoro

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ISBN
9787020143894

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Summary

Kokoro is a novel from Natsume Sōseki's late period. Serialized in the Tokyo Asahi Shimbun and Osaka Asahi Shimbun from April to August 1914, it was published in book form by Iwanami Shoten in September of the same year and is regarded as one of the summits of Sōseki's literature. The book consists of three parts—"Sensei and I," "My Parents and I," and "Sensei's Testament": the first three parts are formally independent yet echo one another in content. The story begins with "I" meeting a proud and aloof "Sensei" on the beach at Kamakura. Drawn to Sensei's learning and detachment, "I" visits him often but can never touch the hidden wound deep in his heart; meanwhile, "I" shuttles between my hometown and Tokyo for study, work, and my parents' illness. Before long, "I" receives a long letter from Sensei—his testament to the world. In it, Sensei recounts his youth, when he lived with his close friend K and both loved the daughter of their landlady: out of selfish calculation, he proposed to the landlady first, and K, learning the truth, chose to kill himself. In the years that follow, Sensei carries his guilt toward K and his concealment from his wife, growing ever more isolated amid the tug-of-war between morality and the self, until at last he dies for his principles. With a slow, calm, and deeply moving touch, the novel lays bare the conflict between the selfish heart and the moral heart, and portrays the contradictory, wistful, helpless inner world of intellectuals during the Meiji era's social transformation. Sōseki called it "a book that probes the human heart" and recommended it to anyone who longs to probe their own.

Editor's review

这是一本薄而沉重的书。夏目漱石写下《心》时年近五十,历经久病与家变,笔调由早年的诙谐讽刺转向内省与自剖;正因如此,《心》没有《我是猫》的俏皮,也没有《哥儿》的爽利,却有一种缓慢下沉的力量,读到最后几十页几乎让人喘不过气。全书采用第一人称叙事加书信体的结构,三个部分层层递进,如同推开一扇又一扇紧锁的门:先是“我”眼中的先生——一个不合群、对世事冷淡却始终整洁体面的人;接着是“我”回乡面对父母与家事时,两代人的观念落差;最后是先生的遗书,把整部小说的谜底与重量一并交到读者手里。于荣胜的译文朴素克制、句子干净,不刻意修饰,恰好托住了漱石那种冷静到近乎残酷的心理描写。九久读书人的“中经典精选”底本,排版疏朗,适合一口气读完,也适合反复回看先生那句“我是个应该下地狱的人”之前的每一处伏笔。若你想找一本能把“自私”写得如此清晰、如此不体面的小说,这本值得摆在最近的书架上。

Who it's for

A good fit for

  • 喜欢夏目漱石、想从《我是猫》之外认识他的读者
  • 对日本近代文学与明治社会转型感兴趣的读者
  • 偏好心理描写、书信体与第一人称叙事的读者
  • 希望借文学作品思考人性、道德与自我问题的读者

Not a good fit for

  • 期待轻松明快、情节热闹故事的读者
  • 对持续压抑、阴郁氛围作品接受度较低者
  • 偏好强动作场面的青少年低龄读者

Reading tips

  1. 先读完“先生与我”,在意识中记下先生每一次谈到过去时的回避,再进入后两部分,伏笔会一一回响
  2. 把先生的遗书当作全书的中心慢读一遍,留意他叙述K时那些自我辩解与自我谴责交替出现的句子
  3. 可配合漱石生平与明治末年的时代背景阅读,理解“个人”觉醒与传统伦理之间的张力
  4. 读后不妨回看开头镰仓海边相遇的场景,你会发现“先生”的身份与结局在那里就已写好

About the publisher

People's Literature Publishing House China · Founded in 1951

People's Literature Publishing House publishes across classical literature, foreign literature, documentary writing and folk literature, with 492 titles in its catalogue. Representative books range from the Chinese classic Romance of the Three Kingdoms to Lao She's Teahouse and Longxu Ditch in the Selected Works of Lao She, as well as translated foreign literature such as Faulkner's The Sound and the Fury, Dante's Divine Comedy and Elena Ferrante's Neapolitan Novels, alongside documentary and fictional works including Primo Levi's If This Is a Man and João Guimarães Rosa's The Devil to Pay in the Backlands. Its authors include Chinese writers such as Lao She, translators such as Shen Emeri and Li Wenjun, and foreign authors such as James Wood. Overall, the house has a strong record in editing classic works and translating foreign literature, with a publishing character that bridges Chinese and foreign writing and values textual quality.

FAQ

《心》只有十几万字,为什么读起来压力很大?
因为小说的张力几乎全部来自内心:先生在遗书中的自剖既详尽又诚实到令人不适,读者会被迫跟着一起审视“如果是我会怎么做”。这种压迫感是漱石刻意为之,并非文字密度高。
这个于荣胜译本有什么特点?
于荣胜译本由人民文学出版社2019年推出,收入“中经典精选”,译文朴素克制、句式干净,保留了漱石冷静的心理叙述节奏,正文264页,是大陆流传较广的版本之一。
没读过夏目漱石,可以直接从《心》开始吗?
可以。《心》篇幅不长、结构清晰,是漱石晚期代表作,常被视为了解其文学成就的入门书。只是它风格内省阴郁,若更想感受其诙谐一面,可先读《我是猫》或《哥儿》。
书名“心”指的是爱情故事吗?
不完全是。小说表面写友情与爱情的三角纠葛,实际核心是对“人心”的剖析:利己与道义、真诚与虚伪如何在同一颗心里共存。爱情纠纷只是让这种冲突爆发的引线。

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About the author

Natsume Sōseki Author · Japan · 1867–1916

Natsume Sōseki, whose real name was Natsume Kinnosuke, is a representative author of modern Japanese literature. Born in Edo, he graduated from the English Department of Tokyo Imperial University and later studied in Britain. He rose to fame with I Am a Cat in 1905 and went on to write works such as Botchan, The Three-Cornered World, Sanshirō, and Kokoro, earning recognition as Japan's "national writer." He died of a stomach ulcer in 1916. His works often take the daily lives and inner worlds of intellectuals as their subject, with a humorous yet restrained style that combines satire of social manners with careful exploration of loneliness, selfhood, and moral dilemma. His writing spans novels, essays, and other forms, and his style gradually shifted from early light satire to deeper psychological portrayal, exerting a profound influence on the development of modern Japanese literature.