Heart cover

Heart

Rating 4.3
Word count
97K words
Chapters
114
ISBN
9787531741701

Tags

Summary

This novel tells how “Sensei” came to know and love his landlady’s daughter, winning her mother’s approval as well, yet, because of an old wound from his youth, he is unable to confess his feelings for a long time. Later, Sensei’s friend K moves into the lodging house and also falls in love with the daughter; the frank and straightforward K confesses his feelings to his friend Sensei, and after learning of this, Sensei secretly approaches the landlady and asks to marry the daughter. Upon learning the truth of all this, K commits suicide in despair; at the same time, K’s death leaves Sensei with a lifetime of unease and self-reproach, and after his marriage Sensei remains unable to forget K, until at last he too takes his own life.

Editor's review

Kokoro is a late representative work of Natsume Soseki, the great master of modern Japanese literature, published in 1914. With its profound ethical inquiry and psychological analysis, the novel is regarded as one of the summits of modern Japanese literature. Through the relationship between “Sensei” and the young “I,” the story peels back, layer by layer, a buried chapter of the past, revealing the struggles and solitude of Meiji-era intellectuals caught between individualism and ethical responsibility. With a calm, delicate touch, Soseki portrays the lifelong sense of guilt borne by “Sensei” because of the betrayal and selfishness of his youth; this honest gaze into the dark side of human nature enables the novel to transcend its time and speak directly to the spiritual predicament of modern people—how do we make peace with our past, and how do we find a balance between self-interest and altruism? Kokoro is not only a story of confession but also a mirror reflecting the “selfish heart” within every person. Its literary value lies in the fact that it offers no simple answers but lays out complex moral questions in full, leaving readers endless room for thought. Reading this book is a serious journey into one’s own soul.

Who it's for

A good fit for

  • Readers with a strong interest in Japanese literature and the works of Natsume Soseki
  • Lovers of fiction who enjoy deep psychological portrayal and explorations of ethical dilemmas
  • Thinkers who hope to reflect, through literature, on human nature, solitude, and guilt
  • Scholars or students studying the social and cultural transformation of Japan from the late Meiji to the early Taisho period

Not a good fit for

  • Readers seeking light entertainment or fast-paced plots
  • Readers who lack patience for slowly unfolding psychological narrative and extensive inner monologue

Reading tips

  1. It is recommended to read in a relatively quiet environment where you can focus and reflect, so as to fully appreciate the inner turmoil of the characters.
  2. It may help to first gain a brief understanding of the social background of late Meiji Japan, especially the conflict between “Meiji spirit” and modern self-awakening, which helps in understanding the characters’ motives.
  3. After finishing the section of “Sensei’s” testament, you may wish to close the book and reflect, or discuss with others the eternal questions of “crime and punishment” and “the self and the other.”

About the publisher

Northern Literature and Art Publishing House focuses on contemporary and modern literary and artistic works, literary theory, and translations of foreign literature, while also covering categories such as history, popular science, Eastern philosophy, and world classics. Its collection includes 737 titles, with representative publications ranging from traditional Chinese classics such as Records of the Grand Historian, The Exploitation of the Works of Nature, and The Analects to foreign literary works including the complete classic plays of Shakespeare, Balzac's Old Goriot and Eugénie Grandet (in celebrated translations by Fu Lei), and The Complete Sherlock Holmes. Its author resources span classical figures such as Sima Qian, Song Yingxing, and Confucius, foreign writers such as Shakespeare and Balzac, and translators such as Zhu Shenghao and Fu Lei. The press combines the transmission of classics with an orientation toward general reading, developing a distinctive profile in both the editing of traditional texts and the translation of foreign literature. Public information is limited, so the above emphasizes the publishing profile reflected in the books held in the collection.

Contents

  1. 版权信息
  2. 上 先生与我
  3. 一
  4. 二
  5. 三
  6. 四
  7. 五
  8. 六
  9. 七
  10. 八
  11. 九
  12. 十
  13. 十一
  14. 十二
  15. 十三
  16. 十四
  17. 十五
  18. 十六
  19. 十七
  20. 十八
  21. 十九
  22. 二十
  23. 二十一
  24. 二十二
  25. 二十三
  26. 二十四
  27. 二十五
  28. 二十六
  29. 二十七
  30. 二十八
  31. 二十九
  32. 三十
  33. 三十一
  34. 三十二
  35. 三十三
  36. 三十四
  37. 三十五
  38. 三十六
  39. 中 父母与我
  40. 一
  41. 二
  42. 三
  43. 四
  44. 五
  45. 六
  46. 七
  47. 八
  48. 九
  49. 十
  50. 十一
  51. 十二
  52. 十三
  53. 十四
  54. 十五
  55. 十六
  56. 十七
  57. 十八
  58. 下 先生与遗书
  59. 一
  60. 二
  61. 三
  62. 四
  63. 五
  64. 六
  65. 七
  66. 八
  67. 九
  68. 十
  69. 十一
  70. 十二
  71. 十三
  72. 十四
  73. 十五
  74. 十六
  75. 十七
  76. 十八
  77. 十九
  78. 二十
  79. 二十一
  80. 二十二
  81. 二十三
  82. 二十四
  83. 二十五
  84. 二十六
  85. 二十七
  86. 二十八
  87. 二十九
  88. 三十
  89. 三十一
  90. 三十二
  91. 三十三
  92. 三十四
  93. 三十五
  94. 三十六
  95. 三十七
  96. 三十八
  97. 三十九
  98. 四十
  99. 四十一
  100. 四十二
  101. 四十三
  102. 四十四
  103. 四十五
  104. 四十六
  105. 四十七
  106. 四十八
  107. 四十九
  108. 五十
  109. 五十一
  110. 五十二
  111. 五十三
  112. 五十四
  113. 五十五
  114. 五十六

FAQ

What kind of character is “Sensei” in Kokoro?
“Sensei” is a typical image of a Meiji-era intellectual: rational and aloof, yet mired in moral self-reproach because of his betrayal of his friend K in his youth. He represents the modern, solitary individual who cannot find inner peace during a transitional period when traditional ethics are collapsing and individualism is rising.
What is the deeper meaning of the title Kokoro?
“Kokoro” refers both to the characters’ psychological activity and emotional world and to the “selfish heart” in human beings. Through this story Soseki explores selfishness, jealousy, remorse, and solitude deep in the human heart; the title points directly to the work’s core theme—an inquiry into the essence of human nature.
Why is Kokoro considered an important late work of Natsume Soseki?
Kokoro was written in Soseki’s later years and practices his literary idea of “follow Heaven and abandon the self.” Compared with the satire and social criticism of his earlier works, later works such as Kokoro turn more toward profound introspection on the individual’s inner world, views of life and death, and ethics; the artistic style is more condensed and somber, marking the maturity and peak of his literary creation.

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About the author

Natsume Sōseki Author · Japan · 1867–1916

Natsume Sōseki, whose real name was Natsume Kinnosuke, is a representative author of modern Japanese literature. Born in Edo, he graduated from the English Department of Tokyo Imperial University and later studied in Britain. He rose to fame with I Am a Cat in 1905 and went on to write works such as Botchan, The Three-Cornered World, Sanshirō, and Kokoro, earning recognition as Japan's "national writer." He died of a stomach ulcer in 1916. His works often take the daily lives and inner worlds of intellectuals as their subject, with a humorous yet restrained style that combines satire of social manners with careful exploration of loneliness, selfhood, and moral dilemma. His writing spans novels, essays, and other forms, and his style gradually shifted from early light satire to deeper psychological portrayal, exerting a profound influence on the development of modern Japanese literature.

希年 Author

Xinian is an author about whom little public information is available; neither nationality, dates of birth and death, nor an English name has been clearly recorded. Three works are held under this name: Rashomon, Kokoro, and The Hundred Tales of Demons and Spirits, commonly classified under foreign literature and art. Judging from their titles, these works touch on classic literature and supernatural tales: Rashomon and Kokoro evoke themes associated with modern Japanese literature, while The Hundred Tales of Demons and Spirits carries the flavor of ghost stories and folk legend. Xinian's writing appears to move between literature and art, engaging both classic themes of human nature and narrative and the realms of the strange and the visual. Because verifiable background information is very limited, little can be said about the author's life, education, or writing career; only a brief account of the thematic tendencies shown in the works is possible.