Kokoro
Tags
Summary
Editor's review
Who it's for
A good fit for
- 想系统阅读日本近代文学、从漱石入门的中文读者
- 偏好心理描写与第一人称内省式叙事的小说爱好者
- 对人性、道德愧疚、自我审判等主题有兴趣的读者
- 希望以中译本对照了解夏目漱石后期创作的学生与研究者
Not a good fit for
- 期待强情节、快节奏或悬疑反转的读者
- 排斥压抑、沉重氛围与自杀描写的读者
- 只想读《我是猫》式诙谐讽刺风格的读者
Reading tips
- 先读「先生与我」,留意「我」对先生每一次沉默的追问,后半部分才会显出伏笔的力量。
- 读到「先生与遗书」时放慢速度,这封长信是小说的核心,也是理解全书主旨的钥匙。
- 可在读完后顺势读同书的《哥儿》,对照漱石的讽刺笔法与内省笔法两种写法。
- 可配合明治时代背景(明治天皇驾崩、知识分子精神转型)理解书中「时代终结」的隐喻。
About the publisher
Founded in 1987, Qingdao Publishing House has long focused on education, science and technology, children's books, and lifestyle titles, while steadily publishing classical and foreign literature. Its 827 titles in the catalog reflect a balance between making classics widely accessible and serving young readers. They include the four great classics of Chinese literature—Romance of the Three Kingdoms, Water Margin, Dream of the Red Chamber, and Journey to the West—as well as foreign literary translations such as Sei Shōnagon's The Pillow Book, works associated with Zhou Zuoren, and Victor Hugo's Les Misérables. The press also offers a color-illustrated series of recommended classics for primary and secondary school Chinese curriculum reading, using pictures and text to support student readers. Its common categories cover classical literature, essays and miscellaneous writings, folk literature, and foreign literature, with authors including Luo Guanzhong, Shi Nai'an, Cao Xueqin, Gao E, Wu Cheng'en, Sei Shōnagon, Zhou Zuoren, and Victor Hugo. Public information is limited, so this profile emphasizes the publishing directions shown by the catalog.
Contents
- Translator's Note
- Kokoro
- Part One: Sensei and I
- Part Two: My Parents and I
- Part Three: Sensei's Testament
- Botchan
FAQ
《心》是长篇小说还是中篇?篇幅大约多少?
这个版本只有《心》一篇吗?
《心》适合中学生阅读吗?
林少华译本有什么特点?
《心》和《哥儿》风格差别大吗?
Comments
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About the author
Natsume Sōseki, whose real name was Natsume Kinnosuke, is a representative author of modern Japanese literature. Born in Edo, he graduated from the English Department of Tokyo Imperial University and later studied in Britain. He rose to fame with I Am a Cat in 1905 and went on to write works such as Botchan, The Three-Cornered World, Sanshirō, and Kokoro, earning recognition as Japan's "national writer." He died of a stomach ulcer in 1916. His works often take the daily lives and inner worlds of intellectuals as their subject, with a humorous yet restrained style that combines satire of social manners with careful exploration of loneliness, selfhood, and moral dilemma. His writing spans novels, essays, and other forms, and his style gradually shifted from early light satire to deeper psychological portrayal, exerting a profound influence on the development of modern Japanese literature.