A Chronicle of Jianshui cover

A Chronicle of Jianshui

Rating 3.6
ISBN
9787508677965

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Summary

A Chronicle of Jianshui is a collection of essays by the poet Yu Jian, a meditation on classical Chinese life, architecture, and craftsmanship, and a local chronicle written around the question of how one might dwell poetically. In the winter of 2015, Yu Jian brought the Belgian sinologist Mai Yuehan, steeped in Chinese culture for decades, to Jianshui in Yunnan; the latter sighed over this frontier town: the China he had sought all his life was right here. The book traces Jianshui's origins: in the late fourteenth century, the Ming court "moved great clans from the central plains to populate Yunnan," and hundreds of thousands of migrants traveled from the Central Plains and Jiangnan to Yunnan, bringing seeds, crafts, genealogies, and the ancestral "construction methods," building a dream city according to classical regulations dating from the Song and Yuan—its name then was Lin'an. Centuries later, most ancient cities of its era have been made new, yet Jianshui survived like a stubborn rock amid the tide of twentieth-century urbanization and mass demolition. To confirm that a poetic world of "carved balustrades and jade steps" once existed, and to recover those traditional architectural forms and ways of life, one can go almost nowhere but here. Over decades Yu Jian has moved constantly through Jianshui's streets and alleys, looking at water vats, windows, and door lintels, experiencing its residences, temples, wells, bridges, purple pottery, and everyday foods such as steam-pot chicken and grilled tofu, and consulting vast numbers of ancient texts and local documents, ultimately forging 37 essays and 134 photographs he selected himself into a written and visual archive of this ancient city.

Editor's review

这是一本需要慢慢走进去的书。作者于坚是华语文学传媒大奖“2016年度杰出作家”,长年生活在云南,对边地小城的街巷、院落、器物有近乎偏执的敏感。他不写旅行攻略式的打卡清单,而是用诗人的眼光打量一口水井、一道门头、一只紫陶汽锅,问的是很朴素也很重的问题:一座城凭什么让人愿意一生住下去,一种生活凭什么称得上“诗意”。 全书37篇文章配134张照片,文字与图像互为注脚,既有对建水数百年营造历史的追索,也有菜市场、烧豆腐摊、送水马车这样带着烟火气的现场记录。读者可以从中看到:传统并不只陈列在博物馆里,它还活在人们怎样吃饭、怎样修屋、怎样待客这些细小的日常里。 对于厌倦了千城一面的读者,这本书提供了一种观看城市的眼光;对于关心文化遗产与老城保护的读者,它又不止于抒情,而是给出了一个仍然活着的样本。文字绵密,引证丰赡,读时需要一点耐心,但读完之后,建水会像一盏灯一样在心里留着。

Who it's for

A good fit for

  • 喜欢于坚作品、偏爱诗性散文的文学读者
  • 对云南地方史、古城建筑与营造手艺感兴趣的人
  • 关注老城保护、城市文化与“诗意栖居”议题的读者
  • 准备去建水旅行、希望在行前读懂这座城的行者

Not a good fit for

  • 想看简明旅游攻略、路线与食宿清单的读者
  • 偏好情节紧凑的虚构故事、不习惯绵密引证式散文的读者

Reading tips

  1. 不必按顺序通读,可先挑选写宅院、门头、井水与饮食的篇目切入,感受全书语气。
  2. 把照片当作正文的一部分来读,文字写到的门楣、窗格、器物,尽量在图片里找到对应。
  3. 对书中引用的地方志与古籍留个心眼,读完后再回头查证,能更清楚作者的问题意识。
  4. 若有机会去建水,可带着书在临安大街与巷子里走一遍,按“从元代走到现代”的线索看城。

About the publisher

CITIC Press China · Founded in 1988

Founded in 1988 and affiliated with China CITIC Group, CITIC Press focuses on business and economics, social sciences, literature and children's books, with common categories covering social sciences, finance, literature, Eastern philosophy and literary appreciation. Its library holds 91 titles, including Yuval Noah Harari's Sapiens trilogy, Thomas Piketty's Capital in the Twenty-First Century, Wu Xiaobo's Thirty Years of Strife: Chinese Enterprises 1978–2008, Nelly Sachs's The Weight of Butterflies: Selected Poems of Nelly Sachs, as well as New Interpretations of the Analects and Chiang Hsun's lectures on Dream of the Red Chamber. Its authors and translators include Lin Junhong, Ba Shusong, Chen Li and Chang Fen-ling. Overall, the press introduces influential works in finance and social sciences while balancing classic translation and local appreciation in literature and Eastern philosophy, combining academic depth with accessible reading.

FAQ

这本书是旅行指南吗?
不是。它不以景点、路线、食宿为主,而是一部以建水为对象的散文随笔与文化沉思录,重点在建筑、手艺、日常生活与城市精神,适合当作行前或行后的深度阅读。
没去过建水也能读吗?
完全可以。全书有大量照片与对城市历史沿革的交代,读者即使从未到过建水,也能借助文字与图像进入这座古城,理解作者关于“诗意栖居”的追问。
书里为什么会频繁引用海德格尔、荷尔德林?
作者以“诗意地栖居”作为问题意识的起点,因而会援引相关的西方哲学与诗歌文本,再与建水的具体场景相互印证。这部分是全书议论的支撑,也是部分读者觉得密度较高的地方。
这本书获过什么关注?
该书2018年1月由中信出版社出版,曾入围中华读书报月度推荐榜与2018深圳读书月“年度十大好书”百本书单,2019年入选“书香昆明·云南十大好书”等。
适合一次读完吗?
不太适合。37篇文章各自独立又彼此呼应,信息与引用密度较大,更适合每天读两三篇,配合照片慢慢体会。

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About the author

于坚 Author

Yu Jian is a contemporary Chinese writer known chiefly for his essays and miscellaneous prose, though publicly available information about him remains relatively limited. His works tend to revolve around travel, place, and everyday experience, focusing on the relationship between people and the land and between people and daily life through concrete scenes and details. His representative works, Records of Moving and At the Source, both fall under the category of essays and miscellaneous writings, suggesting a style that emphasizes narrative and observation. His language is plain and restrained, often recording journeys and inner reflections in an understated tone. Judging from existing records, the volume of his work is not large, but his themes are fairly concentrated, stressing firsthand experience and presence, and maintaining an approach close to the texture of ordinary life within contemporary Chinese prose. Readers wishing to understand his style may begin with these two works and appreciate their calm, texture-conscious prose.