A Chronicle of Jianshui
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Summary
Editor's review
Who it's for
A good fit for
- 喜欢于坚作品、偏爱诗性散文的文学读者
- 对云南地方史、古城建筑与营造手艺感兴趣的人
- 关注老城保护、城市文化与“诗意栖居”议题的读者
- 准备去建水旅行、希望在行前读懂这座城的行者
Not a good fit for
- 想看简明旅游攻略、路线与食宿清单的读者
- 偏好情节紧凑的虚构故事、不习惯绵密引证式散文的读者
Reading tips
- 不必按顺序通读,可先挑选写宅院、门头、井水与饮食的篇目切入,感受全书语气。
- 把照片当作正文的一部分来读,文字写到的门楣、窗格、器物,尽量在图片里找到对应。
- 对书中引用的地方志与古籍留个心眼,读完后再回头查证,能更清楚作者的问题意识。
- 若有机会去建水,可带着书在临安大街与巷子里走一遍,按“从元代走到现代”的线索看城。
About the publisher
Founded in 1988 and affiliated with China CITIC Group, CITIC Press focuses on business and economics, social sciences, literature and children's books, with common categories covering social sciences, finance, literature, Eastern philosophy and literary appreciation. Its library holds 91 titles, including Yuval Noah Harari's Sapiens trilogy, Thomas Piketty's Capital in the Twenty-First Century, Wu Xiaobo's Thirty Years of Strife: Chinese Enterprises 1978–2008, Nelly Sachs's The Weight of Butterflies: Selected Poems of Nelly Sachs, as well as New Interpretations of the Analects and Chiang Hsun's lectures on Dream of the Red Chamber. Its authors and translators include Lin Junhong, Ba Shusong, Chen Li and Chang Fen-ling. Overall, the press introduces influential works in finance and social sciences while balancing classic translation and local appreciation in literature and Eastern philosophy, combining academic depth with accessible reading.
FAQ
这本书是旅行指南吗?
没去过建水也能读吗?
书里为什么会频繁引用海德格尔、荷尔德林?
这本书获过什么关注?
适合一次读完吗?
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About the author
Yu Jian is a contemporary Chinese writer known chiefly for his essays and miscellaneous prose, though publicly available information about him remains relatively limited. His works tend to revolve around travel, place, and everyday experience, focusing on the relationship between people and the land and between people and daily life through concrete scenes and details. His representative works, Records of Moving and At the Source, both fall under the category of essays and miscellaneous writings, suggesting a style that emphasizes narrative and observation. His language is plain and restrained, often recording journeys and inner reflections in an understated tone. Judging from existing records, the volume of his work is not large, but his themes are fairly concentrated, stressing firsthand experience and presence, and maintaining an approach close to the texture of ordinary life within contemporary Chinese prose. Readers wishing to understand his style may begin with these two works and appreciate their calm, texture-conscious prose.