Wu Gorge cover

Wu Gorge

Rating 3.7
Word count
3.2K words
Chapters
49

Tags

Summary

Yang Jiong (c. 650–c. 693), a native of Huayin, Huazhou (present-day Huayin City, Shaanxi), was a Tang dynasty man of letters and poet. He is ranked alongside Wang Bo, Lu Zhaolin, and Luo Binwang and is known to later ages as one of the Four Paragons of the Early Tang.

Editor's review

In "Wu Gorge," Yang Jiong brings together the Early Tang poet's observation of landscape and his own breadth of spirit. As one of the Four Paragons of the Early Tang, he often lets a virile force show through the lingering manner of the Qi and Liang dynasties; when writing of the gorge scenery, he is not content to sketch outward appearance but tends to open up a sense of time and space with a broad sweep of the brush. In reading works of this kind, the point is not to seek meaning word by word but to feel the traces of Early Tang poetry's transition from ornament to strength of character: the phrasing is still orderly, yet the atmosphere has already begun to open out. This edition, printed by Jinzhang Shuju, is brief and well suited as an introductory sample for understanding Yang Jiong and the poetic style of the Four Paragons. It may be read alongside works on similar themes by Wang Bo, Lu Zhaolin, and Luo Binwang, with attention to how the four differ in their restraint in describing scenery and their force of feeling. Used as classroom material, it can guide students to notice how the poem unfolds its spatial levels and how the poet uses the peril of the gorge to express the spirit within. Overall, this is a work that calls for a slower pace and an appreciation of tone and momentum; it should not be read by hunting for isolated phrases.

Who it's for

A good fit for

  • Readers of classical literature who want an introductory sample of the Four Paragons' poetic style
  • Primary and secondary school teachers of Chinese looking for short texts on the development of Tang poetry
  • Enthusiasts of classical poems on the Three Gorges who wish to read them in comparison
  • Students preparing to compare the four poets' approaches to landscape

Not a good fit for

  • Beginners seeking full annotation and line-by-line translation
  • Readers who prefer long works and lack patience for short poems
  • Specialist researchers needing textual collation and detailed biographical study

Reading tips

  1. First read it aloud to feel the orderliness of the phrasing and the unfolding momentum, then go back and look at the levels of description line by line.
  2. Place the poem beside works on similar themes by Wang Bo and Luo Binwang, and compare how the four poets take different approaches to the gorge.
  3. While reading, map the spatial directions in the poem and note how the poet moves from nearby scenes toward a distant force.
  4. In class, have students retell the scene first, then discuss the spirit the poet expresses through the landscape.

About the publisher

Jinzhang Book Company (Jinzhang Shuju) China · Founded in 1901

Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.

Contents

  1. 版权信息
  2. 卷716_61【除夜】曹松
  3. 卷716_62【题甘露寺】曹松
  4. 卷716_63【贻住山僧】曹松
  5. 卷716_64【题鹤鸣泉】曹松
  6. 卷716_65【吊贾岛二首】曹松
  7. 卷716_66【忆江西并悼亡友】曹松
  8. 卷七百一十七
  9. 卷717_1【九江送方干归镜湖】曹松
  10. 卷717_2【庐山访贾匡】曹松
  11. 卷717_3【顾少府池上(一作顾少府池亭苇)】曹松
  12. 卷717_4【喜友人归上元别业】曹松
  13. 卷717_5【曲江暮春雪霁】曹松
  14. 卷717_6【立春日】曹松
  15. 卷717_7【宿溪僧院】曹松
  16. 卷717_8【石头怀古】曹松
  17. 卷717_9【浙右赠陆处士】曹松
  18. 卷717_10【哭胡处士】曹松
  19. 卷717_11【赠馀干袁明府】曹松
  20. 卷717_12【赠雷乡张明府】曹松
  21. 卷717_13【岳阳晚泊】曹松
  22. 卷717_14【览春榜喜孙鄠成名】曹松
  23. 卷717_15【己亥岁二首(僖宗广明元年)】曹松
  24. 卷717_16【乱后入洪州西山】曹松
  25. 卷717_17【送僧入庐山】曹松
  26. 卷717_18【送僧入蜀过夏】曹松
  27. 卷717_19【江西逢僧省文】曹松
  28. 卷717_20【水精念珠】曹松
  29. 卷717_21【南海旅次】曹松
  30. 卷717_22【春草】曹松
  31. 卷717_23【金谷园】曹松
  32. 卷717_24【夏日东斋】曹松
  33. 卷717_25【南朝】曹松
  34. 卷717_26【言怀】曹松
  35. 卷717_27【寒食日题杜鹃花】曹松
  36. 卷717_28【钟陵寒食日郊外闲游】曹松
  37. 卷717_29【中秋对月】曹松
  38. 卷717_30【陪湖南李中丞宴隐溪(璋)】曹松
  39. 卷717_31【别湖上主人】曹松
  40. 卷717_32【赠广宣大师】曹松
  41. 卷717_33【钟陵寒食日与同年裴颜李先辈、郑校书郊外闲游】曹松
  42. 卷717_34【江外除夜】曹松
  43. 卷717_35【七夕】曹松
  44. 卷717_36【罗浮山下书逸人壁】曹松
  45. 卷717_37【天台瀑布】曹松
  46. 卷717_38【桂江】曹松
  47. 卷717_39【南海】曹松
  48. 卷717_40【洞庭湖】曹松
  49. 卷717_41【霍山(在龙川县)】曹松

FAQ

What distinguishes Yang Jiong among the Four Paragons of the Early Tang?
Yang Jiong is ranked with Wang Bo, Lu Zhaolin, and Luo Binwang and is known as one of the Four Paragons of the Early Tang. In an early Tang when the lingering manner of the Qi and Liang had not yet faded, his poems already show a more virile atmosphere; he does not devote himself to ornament in describing scenery but attends to momentum and the opening and closing of space. His work may be read in the context of the Four Paragons as a whole, to see how Early Tang poetry moved step by step toward strength of character.
Do I need to understand prosody first to read a poem like "Wu Gorge"?
Systematic study of prosody is not necessary. You can begin by reading aloud, feeling the pauses in the lines and the rise and fall of tones, and then gain a general sense of the rhythm of five-character verse. Knowledge of prosody can be added after repeated recitation; at that point, looking again at tonal patterns and parallelism will make it easier to understand why the poet arranged the words as he did.
Is this poem suitable for classroom teaching?
Yes. It is short and its imagery is concentrated, making it easy to complete reading aloud, explanation, and discussion within one class period. The teacher can first have students describe the scene in the poem, then guide them to notice the progression of spatial levels, and finally connect it to the overall style of the Four Paragons as a summary—thus avoiding digression while placing the poem in literary history.

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About the author

杨炯 Author

Yang Jiong is an author active across several fields, though publicly available information about him is limited; his dates of birth and death, nationality, and English name are not clearly recorded. Seven of his works are held in the collection, spanning four common categories—finance and economics, classical poetry, culture, and health—which indicates a fairly broad range of writing interests. Among his representative works, Global Political Economy: Interpreting the International Economic Order offers analysis and interpretation of the international economic order and falls within finance and economics. The Complete Poems of Yang Jiong, Yang Jiong's Poems, and Wu Gorge focus on his classical poetry, bearing the imprint of traditional verse in style and subject. The Enjoying a Healthy Life series addresses everyday health topics such as liver protection and diabetes prevention, with an emphasis on practical popularization. Overall, Yang Jiong's writing combines scholarly interpretation, classical poetry, and accessible health education, and the wide span of its categories gives readers a sense of his diverse creative output.