Filial Piety in the Highest Degree
Tags
Summary
Editor's review
Who it's for
A good fit for
- General readers interested in traditional Confucian ethics and filial culture
- Adults wishing to reflect on intergenerational family relations through classic texts
- Teachers and students needing short ethical material for reading groups or classroom discussion
- Readers who prefer concise classical prose and are willing to revisit it repeatedly
Not a good fit for
- Specialist researchers expecting systematic scholarly textual criticism or detailed annotation
- Readers wholly opposed to traditional ethics and unwilling to examine it
Reading tips
- First read the whole text to grasp the main idea, then revisit key phrases sentence by sentence to appreciate the concision of “a single word encompasses it all.”
- Write a reading note drawing on your own family experience, examining the similarities and differences between traditional filial piety and contemporary family affection.
- Read it alongside the chapters on filial piety in The Analects to compare emphases and modes of expression across texts.
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 正文
FAQ
Is this book suitable for readers with no foundation in classical Chinese?
Is the “filial piety” discussed in the book the same as what people call filial obedience today?
The text is so short—how should one read it to gain something?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.