The Good Soldier
Tags
Summary
Editor's review
Who it's for
A good fit for
- 喜欢现代主义文学与叙事实验的读者
- 对“不可靠叙述者”技巧感兴趣的小说爱好者
- 希望理解20世纪英语小说转型的文学专业学生
- 偏爱心理写实与讽刺笔法的读者
Not a good fit for
- 期待线性流畅情节、动作性强的读者
- 对婚姻背叛、自杀等沉重题材较为敏感的读者
Reading tips
- 先顺着道威尔的讲述读一遍,不必急于判断真假;读完后回头重读开头几章,会发现大量伏笔。
- 阅读时随手记下时间标记(如1904年8月4日)和人物关系,能帮助理清交错的时间线。
- 可与《黑暗之心》《了不起的盖茨比》对读,比较旁观者叙述与印象主义手法的不同处理。
- 若读得吃力,可先看译者后记或相关导读,再回到正文体会福特的句子节奏。
About the publisher
Founded in 1983, Beijing October Arts & Literature Publishing House is a professional literary publisher under the Beijing Publishing Group. Public information is limited; judged from the 21 titles in the catalog, its publishing focuses on social fiction, documentary literature, quality fiction, classical poetry, folk literature and prose miscellany, covering both contemporary full-length works and popular classical readers. Representative books include Ye Guangqin's Last Year's Weather, the Old Pavilion and The Top Scholar's Matchmaker, Zhou Zuoren's Reminiscences of Zhitang, Zhou Meisen's In the Name of the People, Chen Yan's The Broad Mansion of the Human World, and Shi Jiepeng's My Heart Lingers: Twenty Lectures on King Hui of Liang's Classical Poems. Its authors include Ye Guangqin, Zhou Zuoren, Chen Yan, Zhou Meisen, Shi Yifeng, Ma Xiaosheng and Sunan, giving it a solid publishing character in contemporary fiction, prose and poetry.
FAQ
这本书为什么叫《好兵》?
什么是“不可靠叙述者”?本书为什么被当作范例?
这本书和战争有关吗?
读不懂时间线怎么办?
这个译本和其他中译本相比如何?
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About the author
Ford Madox Ford was an English literary figure, though the exact years of his birth and death and his nationality are not specified in the library's records, and publicly available information is limited. The library holds two of his works: Parade's End (four volumes) and The Good Soldier. The former unfolds as a four-part sequence, while the latter is his widely read novel; both fall under the categories of literature and foreign literature. Ford's writing typically advances through restrained and carefully crafted narration, attending to the interplay between characters' inner lives and the atmosphere of their time, with meticulous language and a preference for building structure through volumes and chapters. His works hold a place in twentieth-century English fiction and have influenced later writers concerned with narrative technique and the experience of war. Since confirmable biographical material is scarce, no speculation is offered here regarding education, positions, or awards; only the subjects and style of his works are briefly introduced.