Metro 2033 cover

Metro 2033

Rating 4.0
Word count
358K words
Chapters
21
Series
The Metro Trilogy
ISBN
9787553523040

Tags

Summary

Twenty years after a nuclear war, humanity stands on the brink of extinction, the world reduced to rubble. Buildings have collapsed, forests burned to ash, and the radiation-dusted surface is overrun by mutated creatures. The last survivors huddle in the platforms and tunnels of the Moscow Metro, forging new factions, towns, and civilizations—even as they struggle to survive, they are locked in endless conflict and slaughter. Humanity has been reduced to beasts, and the final refuge has become a permanent prison. Young Artyom lives at VDNKh Station in the north of the Moscow Metro. He cannot forget his mother, who is gone, and he is devoted to imagining the world before the war: the legends circulating on the platform, postcards and objects from the old days—all windows through which he glimpses that vanished world. As the threat of the mysterious creatures known as the Dark Ones grows ever greater, Artyom accepts a grave mission to seek help from other stations in order to save his home. Carrying a token left by a stranger, he crosses the entire Metro network alone: through the territory of the Hanseatic League, the Red Line’s domain, fascist stations, abandoned platforms, and tunnels where the “dead” roam, until he reaches the legendary Polis, guarded by soldiers and where scholars keep knowledge. Along the way he meets all manner of people and sees the many possibilities of human nature in the wasteland: suspicion, fanaticism, trade, and the remnants of kindness. The “rescue” he pursues gradually points toward a choice about humanity itself. The novel uses a closed underground space to mirror the fragility of civilization, blending post-apocalyptic adventure with political allegory and a probing of human nature. This Chinese edition is translated directly from the Russian by Chen Hengzhe and includes the bonus story “Artyom’s Gospel.”

Editor's review

“地铁”系列是由游戏改编回小说的典型:一本诞生于网络连载的俄罗斯废土故事,因为 4A Games 的同名游戏而走向世界,又反过来吸引了无数玩家回到文字里重走隧道。本书是三部曲的第一部,也是整个地铁世界的起点。 它好看的地方不只是怪物与辐射:真正的恐怖来自站台之间的人类。以子弹为货币的市场、用签证与奴役维持秩序的环线、宣讲末世教义的长老、把种族仇恨制度化的“帝国”——格鲁霍夫斯基把二十世纪的政治经验压缩进一条条地铁隧道,让“末日”成为一个观察人类的社会学试验场。 中文版由陈恒哲从俄文直译,参考多个外语版本逐条精修专有名词,并补充莫斯科地理、政治与风俗注释,站名与人名的对应关系清楚,读起来不费力。书中特别收录番外《阿尔乔姆的福音》,对理解正传的结局有意外的补足。无论是游戏玩家想补原著,还是单纯喜欢废土科幻的读者,这都是一本值得放进书架的开篇之作。

Who it's for

A good fit for

  • 喜欢废土、末世题材科幻的读者
  • 玩过《地铁》系列游戏、想读原著补完设定的玩家
  • 对俄罗斯当代类型文学与政治寓言感兴趣的读者
  • 能接受较长篇幅、偏黑暗阴郁氛围的长篇小说读者

Not a good fit for

  • 偏好轻松治愈、明亮向上题材的读者
  • 对暴力描写和压抑氛围比较敏感的读者
  • 希望一上来就读到快节奏动作场面的读者

Reading tips

  1. 可先看卷首的莫斯科地铁线路图与人物表,熟悉站名方位,阅读时对照隧道迁徙路线更容易进入故事。
  2. 全书分章推进,每章多对应一个车站或一段旅程,不妨按章阅读,读完一章再回味其中的社会隐喻。
  3. 注意站台间的政治势力设定(汉萨同盟、红线、第四帝国、波利斯议会),它们是理解故事的关键背景。
  4. 读完正传后再读番外《阿尔乔姆的福音》,并可与《地铁2034》《地铁2035》连读,体会三部曲视角的推进。

About the publisher

Shanghai Culture Publishing House China · Founded in 1955

Shanghai Culture Publishing House focuses on practical living and popular culture, while also building a concentrated list in adjacent knowledge areas such as foreign literature, Western philosophy, military studies, and politics. Representative titles in the library include Nietzsche's The Birth of Tragedy, Thus Spoke Zarathustra, and The World as Will and Representation; Goethe's Faust; the Homeric epics (8 volumes); and Carl von Clausewitz's On War, along with Flatland. In terms of translators and authors, Chen Zhongmei, Tian Linian, Qi Jiafu, and Ruan Huishan have contributed to related titles. The press is characterized by connecting classic texts with the reading needs of a general audience, balancing cultural accumulation with knowledge popularization. Given limited public information, this description emphasizes the publishing directions reflected in the library's books.

Contents

  1. Chapter 1: The End of the World
  2. Chapter 2: The Hunter
  3. Chapter 3: If I Do Not Return
  4. Chapter 4: The Sound of the Tunnel
  5. Chapter 5: For a Few Bullets
  6. Chapter 6: The Right of the Strong
  7. Chapter 7: The Dark Kingdom
  8. Chapter 8: The Empire
  9. Chapter 9: You’re Dead
  10. Chapter 10: No Passage
  11. Chapter 11: I Don’t Believe It
  12. Chapter 12: Polis
  13. Chapter 13: The Great Library
  14. Chapter 14: Above Ground
  15. Chapter 15: The Plan
  16. Chapter 16: Song of the Dead
  17. Chapter 17: The People of the Great Worm
  18. Chapter 18: Supreme Authority
  19. Chapter 19: The Last Battle
  20. Chapter 20: Born to Crawl
  21. Bonus Story: Artyom’s Gospel

FAQ

这本书和游戏《地铁2033》是什么关系?
小说是游戏的原著。格鲁霍夫斯基的《地铁2033》最初于2002年前后发表,后来由 4A Games 改编为同名第一人称射击游戏,游戏的成功又让小说在全球走红,两者相互成就但情节并不完全相同。
没玩过游戏,直接读小说有障碍吗?
没有障碍。小说完全可以独立阅读,游戏设定在书中已有完整交代;相反,先读小说再看游戏,往往更能体会设定背后的社会隐喻。
中文版有哪几个版本,该选哪个?
较早的中文版由中国友谊出版公司于2011年出版,译者为孙越;目前流通更广的是果麦文化出品、上海文化出版社2021年版,陈恒哲据俄文直译,收录番外故事,建议优先选这一版。
这是三部曲中的第几部,需要按顺序读吗?
《地铁2033》是三部曲第一部,之后是《地铁2034》和《地铁2035》。建议按出版顺序读,三部曲的主人公与视角各不相同,但共享同一世界观。
这本书适合多大的读者?
题材为成人向的末世科幻,含暴力、死亡与压抑氛围,更适合高中以上及成年读者,青少年读者建议在家长或老师引导下阅读。

Comments

Find this book

This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

Dmitry Glukhovsky is an author featured on this Chinese book site, known for his science fiction writing. Public information about him is limited, and his nationality and dates of birth and death are not clearly established here. The site holds five of his works, with Metro 2033 and the Metro trilogy (Metro 2033, Metro 2034, and Metro 2035) as his representative titles; they are commonly categorized as premium fiction and science fiction. His writing often centers on a post-catastrophe underground world, interweaving survival adventure with imaginings of social order. The style is stark and immersive, and through the Metro series he has gained a certain influence among science fiction readers.