Hell Screen cover

Hell Screen

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Word count
250K words
Series
Hell Screen
ISBN
9787559467010

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Summary

Hell Screen is one of the representative works of the Japanese writer Ryūnosuke Akutagawa, first published in 1918. This book is a Chinese translation in the Dook Three Circles Classics Library, translated by Xu Jianxiong. Opening with Hell Screen, it selects 18 short stories of the weird and allegorical kind by Akutagawa. The title story tells of the painter Yoshihide, who is ordered by Lord Horikawa to paint a Hell Screen folding screen. In pursuit of artistic truth, he asks to witness a noblewoman being burned alive in a carriage, and the lord ultimately has Yoshihide's daughter locked in an ox cart and burned to death. Having watched his beloved daughter die horribly, Yoshihide passes from extreme agony into an artistic epiphany, completes that breathtaking screen, and then takes his own life. Told in the first person and centered on Yoshihide, his daughter and the lord, the story explores the sharp conflict between art for art's sake and moral human feeling, and between the individual and power. Besides the title story, the volume also includes eight rarely translated pieces such as The Black-robed Holy Mother, A Strange Tale and Two Letters, most of them dealing with ghosts and monsters and using uncanny stories to lay bare the selfishness, greed, arrogance and obsessiveness in human nature. This translation includes nearly three hundred notes, an introduction, Akutagawa's testament and notes, and illustrations for Hell Gallery, balancing readability with documentary value.

Editor's review

《地狱变》常被评论者与《罗生门》并举,视为芥川龙之介短篇中的至高杰作。它把“艺术至上”推到极致,也把这种极致的代价摊开在读者面前:一位父亲为完成一幅屏风,眼看亲生女儿在烈火中死去。芥川的笔始终冷静,几乎不动声色,却让火焰、惨叫与画师的狂喜层层叠加,读来背脊发凉。这个版本的优点是选目与体例都比较扎实:18篇中以怪谈、寓言为主,既有《地狱变》这类名篇,也收入《黑衣圣母》《离奇的故事》等八个鲜见中译的篇目,能让人看到芥川不止有“罗生门式”的冷峻。徐建雄的译文讲究精准,配合近三百条注释与万字导读,对初次接触芥川的读者相当友好;书末的遗书、手记与《地狱画廊》插画,也让“作品中的黑暗”与“作者的人生”形成互文。若你只打算读芥川的一本集子,它是很合适的选择。

Who it's for

A good fit for

  • 喜欢日本近代文学、想系统读芥川龙之介短篇的读者
  • 对怪谈、寓言式叙事和人性暗面书写有兴趣的读者
  • 需要注释和导读辅助理解文本的入门读者
  • 中文系、日语系学生及文学研究者,可作选读与比较译本之用

Not a good fit for

  • 对焚人、死亡等惨烈情节较为敏感、容易不适的读者
  • 期待明快温情、励志治愈类故事的读者
  • 只想要轻松消遣读物、不愿读注释和导读的读者

Reading tips

  1. 先读标题作《地狱变》,再回看导读,对照艺术与道德的冲突线索二次阅读。
  2. 把怪谈篇目与《鼻子》《山药粥》一类作品对读,体会芥川题材与笔法的差异。
  3. 读注释时留意日本佛教地狱图像与近代画坛背景,有助于理解屏风场景的分量。
  4. 最后读附录的遗书与手记,能更清楚芥川笔下阴郁气质与其人生的关联。

About the publisher

Jiangsu Phoenix Literature and Art Publishing House focuses on literary publishing while also covering the humanities, social sciences, and books on art and daily life. Its approximately 1,535 titles in the database span social novels, world history, design, science fiction, classic works, and film and television: they include modern Chinese literary classics by Lu Xun such as A Madman's Diary: The Complete Short Stories of Lu Xun, Call to Arms, Four Generations Under One Roof, and Teahouse, as well as foreign literary memoirs like Stefan Zweig's The World of Yesterday. In science fiction it offers Asimov's Galactic Empire series, while in architecture and art it publishes Liu Dunzhen's Classical Gardens of Suzhou and design titles from Phoenix Space. Its authors are concentrated among classic writers such as Lu Xun, Zweig, and Asimov, with translators including Liang Xijiang, Zhong Haonan, and Ye Lihua. Its overall character is built on classic works while embracing genre fiction and visual culture. Public information is limited, and this introduction is based on the titles in the database.

FAQ

《地狱变》是长篇小说还是短篇集?
《地狱变》本身是一篇短篇小说,芥川龙之介1918年发表。市面上名为《地狱变》的书多为短篇选集,收录篇目与译者因版本而异,购买时应看清出版社、译者和目录。
这个版本和芥川的《罗生门》有什么关系?
两者都是芥川的短篇作品,常被收入同一本选集。《地狱变》被视为与《罗生门》比肩的代表作,但故事内容完全不同,并非同一本书的不同译名。
读这本书需要日本历史背景知识吗?
不必事先专门准备。故事设定在平安时代,涉及画师、公卿与佛教地狱画的观念,书中的注释和导读会提供必要背景,初读也能读懂情节与冲突。
书中收录的篇目都是鬼怪故事吗?
这个版本以怪谈、寓言类为主,但篇目风格并不单一,既有浓重的鬼气,也有对人性欲望与现实困境的冷峻剖析,整体基调偏阴郁。

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About the author

Ryūnosuke Akutagawa Author · Japan · 1892–1927

Ryūnosuke Akutagawa (1892–1927) was a Japanese novelist of the Taishō period. Born in Tokyo, he was originally surnamed Niihara and later took the surname Akutagawa after being adopted into the Akutagawa family. In 1915 he published "Rashōmon," which won the admiration of Natsume Sōseki. He is known for short stories such as "The Nose," "Hell Screen," and "In a Grove," and is regarded as the father of the Japanese short story; the Akutagawa Prize is named after him. His works often draw on history and classical sources, written in a restrained, precise style that reveals the subtle and absurd sides of human nature within a compact form. They are commonly classified as foreign literature and classics, and some pieces appear in examination selections. In 1927 he took sleeping pills and died at the age of thirty-five.