Fate Volume cover

Fate Volume

Rating 3.3
Word count
98K words
Chapters
32
ISBN
7560125298

Tags

Summary

This volume includes "Bai Guang" by Lu Xun, "Zhu Fu" by Lu Xun, "Qiu He" by Yu Dafu, "Qi Yuan" by Yu Dafu, "Xiao Xiao de Xin" by Lu Yan, "Jiu Zhai"

by Mu Shiying, "Chu Lu"

by Peng Jiahuang, "Jiao Xun"

by Peng Jiahuang, "Fen He de Yuan Yue" by Xiao Hong, "Jia Xiang de Zhu Zi Hui Tiao Wu" by Yuan Qun, "Xue Bi Ma Bu Geng Bai" by Bennett, "Qi Ma" by Maupassant, "Shang Di Yu Gou" by Nuel, "Liang Suo Ke Zhan" by Daudet, "Ru Lao Tang" by Daudet, "Di Jiao" by J. Cesbron, "Wu Zui de Nü Yong" by Maupassant, "Mao de Tian Tang" by Zola, "Tu Sha Bu Xiu de Ren" by Jean Revich, "Tong Xiang Tian Tang de Wan Lu" by E. Hawouofa, "Bu Hui Xiao de Ren" by Shimazaki Tōson, "Ning Meng Nü" by Kawabata Yasunari, "Ai Mei Er" by Hoshi Shin'ichi, "Jin Nao de Gong Ji" by Cela, "Ji Nian Ce" by Chekhov, "Heng Huo" by Chekhov, "Huan Xiang Qu" by Gorky, "You Da de Mian Kong" by da Vinci, "Er Cao Yuan" by Sienkiewicz, "Shi Yi Ge Er Zi" by Kafka, "Yang Ni Lao Tai Tai Jiang de Gu Shi"

by Kazantzakis, and others.

Editor's review

With "fate" as its thread, Fate weaves Chinese and foreign short works into a cross-temporal collection for comparative reading. Lu Xun's "Bai Guang" and "Zhu Fu" depict the struggles of traditional lives crushed by fate, while Yu Dafu's "Qiu He" and "Qi Yuan" turn toward the undercurrents of inner feeling; the rural and urban fragments by Lu Yan, Mu Shiying, Peng Jiahuang, and Xiao Hong present the powerlessness and resistance of different classes at turning points of the era. The foreign selections range from Maupassant, Daudet, Zola, and Chekhov to Kafka, Kawabata Yasunari, and Hoshi Shin'ichi, spanning realism, naturalism, modernism, and short-form fantasy, with themes likewise centered on chance, suffering, conscience, and life's crossroads. The book's value lies not in deep exploration of a single style but in the intertextual reading that juxtaposition enables: under the same proposition, Chinese and foreign writers handle fate in markedly different ways, making this suitable as an introduction to the short story and as a comparative sample. The pieces are many and short, allowing single-sitting reading on commutes or before sleep, and suitable for book clubs to divide for thematic discussion.

Who it's for

A good fit for

  • General readers who enjoy Chinese and foreign short stories and want multiple styles in one volume
  • Language teachers and reading promoters seeking thematic group-reading selections
  • Office workers who want short pieces in fragmented time and prefer not to commit to long fiction
  • Comparative-reading enthusiasts interested in both modern Chinese literature and foreign classics

Not a good fit for

  • Readers who prefer in-depth study of a single author and systematic reading of one writer
  • Readers uncomfortable with the jumpy rhythm of short stories and needing a continuous long narrative
  • Readers sensitive to stylistic differences among translations from many languages and seeking uniformity

Reading tips

  1. Read first by country or author, then pair pieces on the same theme, such as "Zhu Fu" with "Wu Zui de Nü Yong."
  2. After each piece, note in one sentence its "turning point of fate"; review halfway through to see the editorial design.
  3. For foreign pieces set in unfamiliar contexts, read the ending first, then return to the text to lower the barrier to understanding.

About the publisher

Jilin University Press China · Founded in 1983

Jilin University Press is a comprehensive university press based in Jilin Province, China. Its publishing covers university textbooks, academic monographs and general-interest titles, with common categories including inspirational growth, foreign literature, mystery and detective fiction, history and classic works. The database contains 171 titles, including representative books such as Don Quixote, Jane Eyre, Selected Works of Chekhov, The Moon and Sixpence, The Lady of the Camellias, The Adventures of Sherlock Holmes, The Family Instructions of Master Yan and The Sorrows of Young Werther, spanning foreign literary classics and traditional Chinese texts. Its author resources include Chinese and foreign figures such as W. Somerset Maugham, Yan Zhitui, Lü Siming and Ba Jin, as well as editors and authors such as Study Group and Zhang Ying. The press has developed a certain character in introducing foreign literary classics and compiling traditional readings, balancing adolescent reading with academic popularization. As public information is limited, the above focuses on the publishing directions reflected in its database titles.

Contents

  1. 版权信息
  2. 白光
  3. 祝福
  4. 秋河
  5. 祈愿
  6. 小小的心
  7. 旧宅
  8. 出路
  9. 教训
  10. 汾河的圆月
  11. 家乡的竹子会跳舞
  12. 雪比亚麻布更白
  13. 骑马
  14. 上帝与狗
  15. 两所客栈
  16. 乳酪汤
  17. 地窖
  18. 无罪的女佣
  19. 猫的天堂
  20. 屠杀不朽的人
  21. 通向天堂的弯路
  22. 不会笑的人
  23. 柠檬女
  24. 艾美儿
  25. 金脑的公鸡
  26. 纪念册
  27. 横祸
  28. 幻想曲
  29. 犹大的面孔
  30. 二草原
  31. 十一个儿子
  32. 杨尼老太太讲的故事

FAQ

Is this book suitable for readers with no foundation in short fiction?
Yes. Most selected pieces are short with concentrated plots, and Lu Xun, Yu Dafu, Chekhov, and Maupassant are common classics with a low barrier to entry. A few modernist pieces, such as works by Kafka and Hoshi Shin'ichi, may need a second reading, but overall they pose no obstacle.
With Chinese and foreign pieces mixed together, does reading order matter?
There is no required order. You can read in the table of contents order or group by country, theme, or author. To sense the contrasts, read Chinese and foreign pieces on the same theme together, such as rural fate, accidental disaster, or tests of conscience.
What is the relationship between this book and Youth?
Both are short-story anthologies compiled by the Readers' Club and published by Jilin University Press, themed respectively on "fate" and "youth," with some overlapping authors but different selections. They can be read separately or in comparison to see the same writers under different themes.
How can the quality of the foreign translations be judged?
The translator information is not indicated, so specific translations cannot be evaluated on the record. While reading, note whether sentences flow and names and places are consistent; if something seems awkward, compare another version of the same piece, though this does not affect overall understanding.

Comments

Find this book

This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

Reader's Club Author

Reader's Club is an editorial team in the field of book publishing rather than an individual author, and public information about its nationality, birth and death years is limited. The team mainly engages in the selection and compilation of literary anthologies, with 124 works held in the catalog, covering categories such as classic works, prose and miscellaneous writings, and inspirational growth. Representative works include Fate Volume, Love Sayings, Voices of Growth, Young Thoughts, Reflections on Life, Youth Volume, The True Meaning of Emotion, and Emotion Volume. Its selections focus chiefly on prose and fiction by renowned Chinese and foreign authors as well as emotional stories of notable figures, and are mostly published by Jilin University Press and Jilin Audio-Visual Publishing House. Overall, Reader's Club's editorial direction leans toward emotional reading and inspirational growth titles for general readers, offering an accessible path into Chinese and foreign literature and emotional narratives through selection and compilation.