The Complete Ci Poems of Xiang Hao
Tags
Summary
Editor's review
Who it's for
A good fit for
- Enthusiasts who wish to understand the character of minor Song ci poets and broaden their reading horizons
- Scholars of ci studies or Song literature in need of separate-collection materials
- General readers who enjoy short ci collections and prefer casual, intermittent reading
- Primary and secondary school language teachers in need of supplementary Song ci reading materials
Not a good fit for
- Beginners in Song ci hoping to read well-known famous works
- Readers who need detailed annotations, translations, and appreciative commentary
- Readers seeking strong stylistic impact or lengthy systematic exposition
Reading tips
- Read through the whole book once to form an overall impression, then pick out the most striking poems and savor them repeatedly.
- While reading, jot down the imagery and emotional words that appear, and observe the author's preferences.
- Compare with other minor poets' works in the Complete Song Ci to compare similarities and differences in subject matter and technique.
- Read alongside books on the history of Song ci to understand Xiang Hao within his historical context.
Contents
- 版权信息
- 水调歌头
- 念奴娇
- 满庭芳
- 青玉案
- 小重山
- 踏莎行
- 蝶恋花
- 临江仙
- 武陵春
- 阮郎归
- 南乡子
- 西江月
- 虞美人
- 南歌子
- 点绛唇
- 减字木兰花
- 朝中措
- 忆秦娥
- 摊破丑奴儿
- 好事近
- 点绛唇
- 阮郎归
- 如梦令
- 长相思
- 菩萨蛮
- 清平乐
- 卜算子
FAQ
What is Xiang Hao's standing in the history of Song ci?
Is this book suitable as an introductory reader for Song ci?
Do the ci poems in the book have annotations and appreciation?
Comments
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About the author
Quan Song Ci (Complete Song Ci) is not a single ci poet but the compiler name used for the dynastic anthology of Song ci; this site lists 114 works under that author entry. Public information is limited, so no personal biography can be confirmed. The titles indicate edited collections of individual Song poets, including complete ci by major figures such as Xin Qiji and Li Qingzhao, as well as works by Chao Buzhi, Zhang Lei, Chen Shidao, Liu Kezhuang, Jiang Kui, and Liu Chenweng from various periods of the Song. These editions generally aim to preserve, collate, recover, and annotate the surviving ci, keeping the original character of the texts while making each poet's works accessible for reading and for research on themes, tonal patterns, and stylistic change. The series reflects the philological approach of dynastic compilations and serves as a bridge between popular access to classical texts and scholarly study of ci, and is commonly classified under ancient poetry.