Coming Up from the Pit
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers of realism drawn to the fate of marginalized communities and life in mining areas
- Readers who enjoy seeing ordinary people's emotional entanglements reflect social change
- Readers who want to understand the long-term impact of mining disasters on miners' families
- Readers interested in contemporary rural and industrial fiction
Not a good fit for
- Readers seeking only light escapist stories and unwilling to face disaster and trauma
- Readers who prefer plot-driven suspense or urban romance
- Readers with no interest at all in coal-mining terminology or life in mining areas
Reading tips
- First follow the central thread of Ke Yaoqiang, then notice how events such as roof collapse, gas explosions, and cave-ins affect the families around him.
- Slow down when reading the disaster passages and pay attention to how the family carries on afterward.
- Use the fifty-year span to trace how changes in the mining area relate to the characters' fates between 1996 and 2004.
- After finishing a section, review the character relationships to sense the pressures of the times behind ordinary people's emotional entanglements.
About the publisher
China Yanshi Press is a comprehensive publisher whose output covers politics, law, economics, management, history, culture, and cadre education, alongside general-interest titles in documentary literature, inspirational growth, essays and miscellaneous works, classics, youth literature, and social novels. Its library currently holds 146 titles. Representative books include classics such as The First Half of My Life: Complete Edition and Liang Qichao's Family Letters, inspirational works such as Dale Carnegie's The Quick and Easy Way to Effective Speaking, and technical titles such as Theory and Technology of Humanoid Robots. Its authors include Aisin-Gioro Puyi, Liang Qichao, Hu Shi, and Dale Carnegie. The press has built considerable strength in documentary literature and classic works while also serving academic theory and general reading, showing a publishing profile that values multiple fields. Public information is limited, and the above is based mainly on the books held in the library.
Contents
- 版权信息
- 升井是希望(代序)
- 第一章 升井
- 第二章 饭馆
- 第三章 命案
- 第四章 惊悚
- 第五章 恐惧
- 第六章 被抓
- 第七章 冲突
- 第八章 悲剧
- 第九章 煎熬
- 第十章 赔礼
- 第十一章 交易
- 第十二章 守候
- 第十三章 回忆
- 第十四章 解救
- 第十五章 茫然
- 第十六章 井口
- 第十七章 下井
- 第十八章 作妖
- 第十九章 出狱
- 第二十章 归来
- 第二十一章 打架
- 第二十二章 澄清
- 第二十三章 矛盾
- 第二十四章 输血
- 第二十五章 打扫
- 第二十六章 劝解
- 第二十七章 往事
- 第二十八章 回首
- 第二十九章 冒顶
- 第三十章 抢救
- 第三十一章 自卫
- 第三十二章 感悟
- 第三十三章 接触
- 第三十四章 释怀
- 第三十五章 无奈
- 第三十六章 吃醋
- 第三十七章 反思
- 第三十八章 诱惑
- 第三十九章
- 第四十章 分手
- 第四十一章 疗伤
- 第四十二章 孕育
- 第四十三章 悔恨
- 第四十四章 担心
- 第四十五章 解铃
- 第四十六 章 蒙圈
- 第四十七章 相亲
- 第四十八章 考验
- 第四十九章 纠结
- 第五十章 生病
- 第五十一章 修复
- 第五十二章 赴约
- 第五十三章 帮助
- 第五十四章 求和
- 第五十五章 分手
- 第五十六章 和解
- 第五十七章 美妙
- 第五十八章 真相
- 第五十九章 疯癫
- 第六十章 自愈
- 第六十一章 内战
- 第六十二章 背叛
- 第六十三章 拯救
- 第六十四章 死亡
- 第六十五章 觉醒
- 第六十六章 流产
- 第六十七章 升华
- 第六十八章 后记
FAQ
Is this book mainly about mining disasters or about miners' lives?
With a span of nearly fifty years, will it be confusing to read?
What does Jia Pingwa's recommendation and inscription of the title indicate?
Can readers unfamiliar with coal mining understand it?
Comments
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About the author
Duan Hongfang is an author about whom relatively limited public information is available. According to existing library records, only one work by this author is known: the social novel Shengjing (Raising to the Surface). Beyond the author's name, details such as nationality, dates of birth and death, and an English name are not clearly documented, making it difficult to provide further information about the author's life or creative background. Based on the available information, attention may be focused on the work itself: classified as a social novel, Shengjing tends toward observing real life and social relations rather than pure fictional entertainment. In the context of mining rescue, the term shengjing often refers to trapped people being lifted to the surface and brought to safety, and the title itself carries a strong realistic orientation and symbolic meaning. Duan Hongfang's choice of such subject matter reflects a concern for social reality and the fate of ordinary people. Because public information is limited, a full assessment of the author's writing style, creative development, and the work's influence must await further disclosure; for now, the subject matter of the work is a reasonable starting point for understanding this author.