Heart-to-Heart Talks in Plain Speech cover

Heart-to-Heart Talks in Plain Speech

Rating 3.2
Word count
40K words
Chapters
16

Tags

Summary

As the saying goes: Know much of the world and your mind broadens; understand human nature and your horizon widens. Knowledge comes from one's own reflection, and it also comes from listening to what others say. One often sees people gathered idly on street corners and in back lanes, under the moon and before the lamp, and they are never without something to say. But most of what they discuss is trivial and does no good to body or mind. Sometimes they talk of karmic retribution, and some listen while others do not; some even get up and walk away. It is not that the words fail to connect, but that the matter lacks interest. Only when a tale is told with interest can it enter the ear, move the heart, and make people linger. A good drummer often strikes the rim of the drum; a good storyteller must speak of something distinctive. If you speak too profoundly, women and children cannot follow. Only by conveying it through ordinary feelings and common speech does everyone understand easily and find it savory and delightful.

Editor's review

Tales in Common Speech takes street-corner talk as its entry point, recounting karmic retribution and the ways of the world in an entertaining, listenable manner—exactly in keeping with its stated editorial aim: "Only what is told with interest can enter the ear and move the heart." The language throughout is colloquial, making good use of everyday sentiment and common sayings to argue its points, turning profound lessons into stories and talk that even women and children can readily grasp; it carries the intent to encourage good and deter evil while preserving the lively tone of late Qing popular storytelling. This edition is based on the printing issued by Shanghai Jinzhang Book Bureau, giving readers access to the original appearance of old popular reading matter. Its value lies not in lofty moral treatises but in informal conversation that benefits body and mind and broadens one's horizons; it serves well as a light reader for understanding traditional folk ethics and the pleasures of vernacular narrative. One need not read quickly—better to browse and savor at leisure, noting the proverbs, metaphors, and techniques of exhortation. If the framework of karmic retribution does not interest you, it can still be read as a sample of folk language and marketplace mentality.

Who it's for

A good fit for

  • General readers who enjoy popular moral tales and folk small talk
  • Enthusiasts wanting to understand late Qing vernacular narrative and marketplace ethics
  • Those needing short, entertaining material for reading groups or storytelling reference
  • Readers interested in traditional proverbs, metaphors, and notions of cause and effect

Not a good fit for

  • Researchers who prefer rigorous academic textual criticism and collation
  • Readers clearly averse to the framework of karmic retribution and moral exhortation
  • Readers expecting full-length novel-style plotting

Reading tips

  1. Read two or three of the conversational short pieces at a time, then reflect on the proverbs and moral intent within.
  2. Keep a pen handy to mark interesting metaphors and marketplace expressions, building material for storytelling or writing.
  3. Treat the karmic retribution sections as samples of folk belief rather than testing each point against modern logic.
  4. Read alongside similar popular moral works to compare argumentative approaches and language styles.

About the publisher

Jinzhang Book Company (Jinzhang Shuju) China · Founded in 1901

Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.

Contents

  1. 版权信息
  2. 序
  3. 卷之一
  4. 横纹柴
  5. 卷之二
  6. 七亩肥田
  7. 卷之三
  8. 邱琼山
  9. 种福儿郎
  10. 闪山风
  11. 九魔托世
  12. 卷之四
  13. 饥荒诗
  14. 瓜棚遇鬼
  15. 鬼怕孝心人
  16. 张阎王

FAQ

Is this book a long story or short conversational pieces?
From the available information, it is closer to conversational short pieces that use everyday sentiment and common sayings to discuss principles and encourage good while deterring evil, rather than a continuous novel. It suits casual browsing and need not be read straight through in order.
The book dwells on karmic retribution—will it be dull to read?
The author states his aim of "telling it with interest," advocating a distinctive manner of speaking that draws listeners in. If the karmic framework does not appeal to you, you can still treat it as a sample of folk language and marketplace mentality, focusing on its rhetorical techniques and use of proverbs.
Can I read it without a foundation in classical Chinese?
The book is characterized throughout by colloquial speech, so the barrier is relatively low. But since it is an old text, some proverbs and names of things may require looking up; an annotated edition or reference tools are recommended.

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About the author

邵彬儒 Author

Shao Binru was an author of popular fiction active in the late Qing period. His real name, native place, and dates of birth and death are unknown, and available public information is quite limited. According to the holdings in this collection, three works are attributed to him, the best known being Suhua Qingtan, a collection of short stories in vernacular Chinese. Written in plain, accessible language, the book draws its material largely from everyday urban life and social realities and is classified as social fiction. It is thus aimed at ordinary readers, focusing on depicting social manners and customs while offering moral counsel and criticism of contemporary abuses. Shao Binru's writing reflects the transition of modern vernacular fiction from the storytelling tradition to written reading: the language is fluent and popular, and the stories are short and pointed. Although the lack of historical sources makes it impossible to know the full facts of his life, works such as Suhua Qingtan provide valuable texts for examining late Qing society and the development of vernacular fiction, and are of some reference value in the study of popular literature.