Birthplace of Peking Opera cover

Birthplace of Peking Opera

Rating 3.8
Word count
90K words
Chapters
17
ISBN
9787547750759

Tags

Summary

With meticulous historical sources and vivid prose, this book brings to life the story of Peking Opera's origins: more than two hundred years ago, the major Hui troupes came to the capital and put down roots in Xicheng along Beijing's Central Axis, where they absorbed the strengths of other regional opera styles and, through continuous integration and development, eventually formed Peking Opera, an art form that remains vital today. It traces in detail the histories of the Hui troupe sites, representative courtyard theaters, and famous playhouses along the Central Axis associated with Peking Opera, and argues with solid evidence that Beijing's Xicheng district is beyond doubt the birthplace of Peking Opera. In vivid, sensitive prose and with dramatic narrative sweep, it depicts the theaters' rise, decline, and rebirth from the ashes, along with intimate details from the lives of many master performers.

The author devoted his life to creating and adapting Peking Opera, and his unique experience allowed him to witness key moments in its development. Combining archival research with on-site verification, he chronicles the ups and downs of Peking Opera's history and preserves on the page the voices and faces of numerous performing artists. Both scholarly and highly readable, the book demonstrates distinctive value in the study of Peking Opera history and also serves as a guide for traditional-arts enthusiasts to the physical traces of Peking Opera in the capital.

Editor's review

Jingju Fawxiangdi is a work of cultural history focused on the origins and early development of Peking opera. With rigorous scholarship and a deep grounding in traditional opera, the author Zhang Yonghe recounts how Peking opera was nurtured in Beijing, took shape, and ultimately rose to brilliance. The book's value lies not only in tracing the historical thread from the Anhui troupes' entry into Beijing to the rivalry among the "Four Great Anhui Troupes" and the eventual fusion of various theatrical traditions into an independent genre, but also in its penetrating analysis of the social and cultural ecology of a particular era—how interaction between the court and the popular sphere jointly shaped Peking opera's DNA. Its depictions of early celebrated actors, classic repertoire, the division of role types, the evolution of vocal styles, and theater culture provide rich and concrete detail that brings this history vividly to life. For readers, this is more than an informative account of Peking opera's origins; it is a deep journey into how traditional Chinese culture was creatively transformed and developed within an urban space. It reveals the inner logic by which Peking opera became a "national essence," and its spirit of synthesis and innovation still holds instructive significance for cultural practice today.

Who it's for

A good fit for

  • Readers interested in the history of Chinese xiqu, especially the origins and development of Peking opera
  • Professionals engaged in research or teaching of traditional culture and art history
  • Enthusiasts eager to deepen their understanding of Beijing's local culture and historical heritage
  • Readers curious about the social and cultural history and urban life of the Qing dynasty

Not a good fit for

  • Readers seeking light, entertaining fiction or narrative works
  • Beginners hoping for systematic instruction in Peking opera performance techniques

Reading tips

  1. Read alongside the historical context of the Qing dynasty to better understand the social and cultural milieu in which Peking opera was born.
  2. Consult early Peking opera footage or audio recordings (such as performances by later generations of inheritors) while reading to strengthen your intuitive grasp.
  3. When puzzled by technical terms or historical figures, make good use of the book's notes or appendices, or consult further sources.

About the publisher

Beijing Daily Press China · Founded in 1981

Beijing Daily Press takes world history, historical reading and foreign literary translations as important publishing directions, alongside science fiction and prose. Its catalogue includes Edward Gibbon's unabridged The History of the Decline and Fall of the Roman Empire, Gu Cheng's Southern Ming History and his works on Ming history, reflecting a balance between general and dynastic history; in literature there are Fu Lei's translations of Balzac and of world classics, as well as science fiction and prose such as The Universe Omnipotent Detective Agency, A Canticle for Leibowitz and The Peregrine, with authors ranging from Gibbon, Gu Cheng and Balzac to Fu Lei, Romain Rolland and Douglas Adams. Building on current affairs, history and culture, Beijing-flavoured culture and children's books, the press combines classic translation with original historical writing, emphasising complete editions and translation quality. Public information is limited, so other details are omitted.

Contents

  1. 版权信息
  2. 戏韵人生——为永和先生新书所作序
  3. 京剧的发祥地在西城
  4. 我与中轴线上西城的戏曲艺术
  5. 众徽班来到北京中轴线上的西城
  6. 中轴线上正当间儿的古戏楼
  7. 说说二百年西城的老茶园
  8. 老北京戏园开门三件事——看座沏茶、卖吃食、扔手巾板儿
  9. 老北京的戏园子与戏单
  10. 二百年“三庆园”今又灿烂辉煌
  11. 北京西城老票房与名票友
  12. 坤伶登上西城新剧场
  13. 记“西城马连良”梁益鸣
  14. 记“天桥大武生”张宝华
  15. 艺德家风两相辉——西城大外廊营胡同走出的好友谭元寿
  16. 回眸一甲子之多的风雷京剧团
  17. 代后记

FAQ

Is this book an academic monograph or a popular work?
The book is positioned as a cultural and historical work with a certain academic depth. The author's research is solid and the narrative clear; although it touches on specialized knowledge, the writing strives for accessibility, making it suitable for general readers with an interest in history and culture who wish to advance their reading, while also offering valuable reference for professional researchers.
What geographical scope does the book mainly explore?
As the title suggests, the book's core geographical scope is Beijing. It discusses in detail how Peking opera absorbed nourishment, integrated, evolved, and ultimately established its principal form in Beijing, the political and cultural center—a key to understanding the deep bond between 'Peking opera' and 'Beijing.'
Does reading this book require much prior knowledge of Peking opera?
Not necessarily. The author provides necessary explanations of key concepts, events, and figures in the narrative. Some basic knowledge of xiqu or Qing history will aid understanding, but the book itself also offers a relatively complete introductory guide.

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About the author

Yung Ho Chang Author · American · 1956

Yung Ho Chang is a Chinese-American architect and architectural educator born in Beijing in 1956. In 1993 he co-founded the Atelier FCJZ with Lu Lijia. He has served as director of the Architecture Research Center at Peking University, head of the Department of Architecture at MIT, and a jury member for the Pritzker Prize, and is currently dean of the Faculty of Architecture at the University of Hong Kong. Beyond architectural practice and teaching, he writes, with works including the collection Feichang Jianzhu, Zuowen Ben, and Tuhua Ben. Two of his books are held in this catalog: Origins of Peking Opera and Elementary Introduction: A Complete Guide to Peking Opera Knowledge and Appreciation, both classified under film and television, showing that his writing also touches on Peking Opera culture and popular education. Public information on the origins and specific background of his Peking Opera writing is limited; the existing works suggest a style focused on organizing common knowledge and guiding beginners, helping general readers understand the basics of Peking Opera.