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Moving Up

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Summary

Moving Up is a long serialized officialdom novel by the web novelist Lonely Opium (real name Duan Huibo). Serialization began on 17K.com in 2012, and in its first month on the shelves it ranked second in new-book subscriptions; after launching on the Tianyi Reading platform it entered the top twenty in the wireless officialdom category subscription rankings and the top one hundred overall, and it reached twenty-third place in the urban romance category of Baidu Novel's search rankings. In May 2014 the author was invited to the platform's seventh annual authors' conference. According to the records of Zhixuan Books, a carefully proofread complete edition circulates. Set against the contemporary officialdom, the story centers on Duan Zetao, a college graduate of humble origins who has neither family connections nor an existing network; starting from a grassroots post, he gradually works out his own way of surviving and advancing amid intricate networks of personal ties, a rigidly hierarchical bureaucratic order, and all manner of temptations of interest. The work does not take the simple route of scheming and intrigue but attempts to portray a different face of officialdom beyond power games: the author states that his aim is "an official who does not stand up for the people might as well go home and sell sweet potatoes," emphasizing that officialdom is not only corruption and plotting but also integrity and responsibility, which led some readers to call it one of the more positive officialdom novels of its time. The author's own training is in engineering, and he has long worked in civil construction; he says that in writing he pays more attention to plot logic and fidelity to reality and avoids boundless fantasy. The book follows Duan Zetao's growth from a grassroots clerk to a position of increasing influence, interweaving office personnel matters, local governance, and emotional choices as it portrays an ordinary young man's struggles, trade-offs, and advancement within the system. This entry corresponds to the proofread complete edition collected by Zhixuan Books and suits readers who want to read the whole story in one go.

Editor's review

官场小说是网络文学中门槛不低的一类:写浅了像职场鸡汤,写深了容易滑向厚黑学。《上位》的可贵之处,在于它选择了第三种写法——让一个没有背景的工科毕业生,靠做事、靠判断、靠一点点积累起来的口碑往上走,而不是靠开挂与算计。作者寂寞鸦片本名段辉波,本职是土建工程师,他在创作自述里反复强调“理性”与“逻辑”,这一点在文本中确实能感受到:机关里的层级关系、借调与轮岗的门道、汇报与表态的分寸,写得比许多同类作品更接近现实质感。它的成绩也说明了读者的认可——上架首月订阅第二,无线端进入官场分类榜前列。当然,作为2012年前后开始连载的作品,它的节奏带有明显的网络连载特征:前期铺垫较长,人物关系铺得开,部分情节的爽感设计也比较直白。但对于想了解“草根如何在体制内成长”这条主线的读者来说,它提供了一个相对干净、不油滑的样本。知轩藏书的精校全本解决了长篇网文常见的错字、乱码、段落错位问题,几十万到上百万字的阅读体量,校对的可靠性直接决定体验,这一点对本书尤其重要。

Who it's for

A good fit for

  • 喜欢官场、职场题材,想看草根青年一步步成长的读者
  • 对机关运行规则、基层公务员生态抱有好奇的普通读者
  • 偏好“正能量”取向、不喜欢过度厚黑与算计的官场文读者
  • 习惯用墨水屏或手机一次性读完长篇完本小说的读者

Not a good fit for

  • 追求快节奏、强冲突、开局即高潮的爽文读者
  • 希望看到大量情色、暴力或极端权谋桥段的读者
  • 对网络小说文笔和结构要求接近纯文学的读者

Reading tips

  1. 建议先读前二十章,确认自己是否适应本书偏写实的铺垫节奏,再决定是否通读
  2. 可把段泽涛每一次岗位变动当作章节节点,梳理其能力与人脉的积累路径,读起来更有脉络感
  3. 阅读时留意作者对会议、汇报、人事安排等细节的处理,这是本书区别于同类作品的地方
  4. 读完后不妨对照王清平等作家的实体官场小说,比较网络连载与纸质出版两种写法的差异

FAQ

《上位》这本书的作者是谁?
网络连载版《上位》的作者是寂寞鸦片,本名段辉波,湖南人,1997年毕业于长沙理工大学,本职为土建工程师,2012年签约17K小说网开始创作网络文学,《上位》是他的成名作。另需注意,2012年中国书籍出版社出版过王清平所著同名长篇小说,二者并非同一本书。
这本书大概讲什么故事?
故事主角段泽涛是一名草根出身的大学生,没有家世背景,从基层岗位起步,在复杂的机关人际关系与权力博弈中逐步成长。作者自述写作立意是“当官不为民做主,不如回家卖红薯”,希望写出官场中正气与担当的一面,而非单纯的厚黑算计。
知轩藏书的精校版和网上其他版本有什么区别?
知轩藏书收录的是“校对版全本”,由校对者对连载文本中的错字、标点混乱、段落重叠和防盗乱码逐章清理并统一排版,章节完整、无缺章。对动辄数十万字的长篇网文来说,精校版的阅读流畅度明显优于网页抓取的原始文本。
这本书适合入门官场小说吗?
比较适合。它的语言通俗、主线清晰,主角的成长路径有现实依据,不像部分同类作品那样一开篇就陷入极端阴谋。不过本书铺垫较长、节奏偏稳,如果你习惯快节奏爽文,可能需要一点耐心才能进入状态。

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About the author

Lonely Opium Author

Lonely Opium (Chinese pen name: Jimo Yapian) is a Chinese web-novel author. Public information about the author, including nationality and dates of birth and death, is limited. Five of the author's works are currently included in the library, with Upper Position (Shangwei) as the representative title. The works mainly fall into the categories of officialdom fiction and urban fiction, and are often grouped under premium fiction and fiction for male readers. Judging from the available titles, the writing tends to focus on workplace rivalry, power relations and urban life, aimed at male readers who prefer realistic themes and officialdom narratives. Because reliable public records of the author's personal background, creative career and publication history are lacking, this introduction can only outline the author's thematic focus based on library data, and further biographical details remain to be added.