Dragon Tongue Sword
Tags
Summary
Editor's review
Who it's for
A good fit for
- Wuxia readers who want to sample Bai Yu’s work and understand his style
- Readers interested in the publishing and organization of Republican-era popular literature
- Literary enthusiasts who enjoy reading social allegory into tales of legend
- Readers who need Republican-era wuxia texts as teaching or research material
Not a good fit for
- Readers accustomed to modern vernacular who lack patience for old-style expression
- Casual readers expecting dense martial-arts action and fast-paced reversals
- Readers with little overall interest in Republican-era wuxia
Reading tips
- Begin with the table of contents and the publisher’s note to establish the book’s place in the collection before reading the text.
- Annotate satirical passages as you go, then review them after finishing to trace Bai Yu’s critical perspective.
- Skip unfamiliar old terms at first to keep the reading flowing, and deal with them in a second pass.
- Read alongside another volume in the same collection to compare characterization and narrative rhythm.
About the publisher
China Culture and History Press has long devoted itself to modern and contemporary literature and culture-and-history reading matter, with publishing directions centered on classic works, social novels, prose and miscellaneous writings, and Eastern philosophy, alongside culture-and-history periodicals such as Zongheng. Among the more than 1,500 titles in the collection, representative books include Zhang Henshui's Ti Xiao Yin Yuan, Lu Xun's Complete Classic Works (10 volumes) and Wild Grass, and Lao She's Four Generations Under One Roof series and the boxed set of Lao She's Classic Works (10 volumes), while its author resources are concentrated on figures such as Zhang Henshui, Lu Xun, Lao She and Sima Qian. Its publishing character lies in solid editorial work on culture-and-history source texts and in issuing famous authors' works in sets, balancing the readability of individual texts with the systematic presentation of complete collections for focused reading and collecting. Beyond these directions, public information on the press's contemporary original publishing is limited, so it is not elaborated here.
Contents
- 版权信息
- 我的生平
- 第一章 乱柴沟剧贼劫镖
- 第二章 铁算盘妙计寻仇
- 第三章 余公明善后赴援
- 第四章 飞毛腿失函惹祸
- 第五章 群雄败走
- 第六章 怪龙岭高僧赐宝
- 第七章 青阳镇奇人示警
- 第八章 郑州城盗狱劫牢
- 附录
- 整理后记
FAQ
Is Dragon-Tongue Sword a standalone story or part of a series?
Does reading this book require background knowledge of Republican-era literature?
What is the relationship between this book and A Wild Goose of Lake Tai · The Yellow Flower Calamity?
Is this book suitable as an introductory reading for understanding Republican-era wuxia?
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About the author
Bai Yu (1899–1966), originally named Gong Wanxuan and later Gong Zhuxin, was a prominent Republican-era Chinese writer of martial arts fiction. His ancestral home was Dong'e, Shandong, and he was born in Machang, Tianjin. In his early years he received guidance from Lu Xun and Zhou Zuoren and engaged in new literature writing before turning to martial arts fiction; he rose to fame in 1938 with The Twelve Money Darts. His works combine martial arts fiction with social fiction, and his representative works also include Stealing Boxing, Records of Martial World Strife, The Joint Escort Chronicle, and Blood-Washed Cold Light Sword. He is counted among the "Five Masters of Northern School Martial Arts Fiction." Bai Yu's novels emphasize social observation and character portrayal and hold a place in Republican-era popular literature. In his later years he turned to the study of oracle bones and epigraphy. Public information on the details of his life is limited; the collection contains 77 works, mostly on martial arts, social, and folk themes.