The Dragon God's Rain
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy Japanese mystery fiction and prefer psychological portrayal and family themes
- Readers who accept warm turns in suspense stories and care about young people's growth
- Readers looking for a tightly paced novel suitable for reading through over a weekend
- Fiction lovers interested in blended families and parent-child emotions
Not a good fit for
- Mystery readers expecting pure honkaku puzzle-solving with tricks as the core selling point
- Readers who prefer light, bright stories entirely free of painful depictions
- Readers sensitive to typhoons, bereavement, and similar content and easily affected
Reading tips
- Try to arrange continuous time for reading; the stormy-night passages are best pushed through in one go for a fuller sense of suspense.
- Pay attention to subtle changes in the siblings' attitude toward their new mother, and look back at earlier foreshadowing when you reach the turn.
- After finishing, sort out in a few sentences the confusion each young person faces and understand how "growth" happens.
- If interested in family themes, compare Michio's psychological portrayal with his other works.
About the publisher
Founded in 1987, Qingdao Publishing House has long focused on education, science and technology, children's books, and lifestyle titles, while steadily publishing classical and foreign literature. Its 827 titles in the catalog reflect a balance between making classics widely accessible and serving young readers. They include the four great classics of Chinese literature—Romance of the Three Kingdoms, Water Margin, Dream of the Red Chamber, and Journey to the West—as well as foreign literary translations such as Sei Shōnagon's The Pillow Book, works associated with Zhou Zuoren, and Victor Hugo's Les Misérables. The press also offers a color-illustrated series of recommended classics for primary and secondary school Chinese curriculum reading, using pictures and text to support student readers. Its common categories cover classical literature, essays and miscellaneous writings, folk literature, and foreign literature, with authors including Luo Guanzhong, Shi Nai'an, Cao Xueqin, Gao E, Wu Cheng'en, Sei Shōnagon, Zhou Zuoren, and Victor Hugo. Public information is limited, so this profile emphasizes the publishing directions shown by the catalog.
Contents
- 版权信息
- 序章
- 第一章
- (一)祸起风雨
- (二)因雨而弑
- (三)河流奔涌
- (四)弑意萌生
- (五)冒雨出行
- (六)雨中转移
- (七)雨呈罪证
- (八)因雨而败
- 第二章
- (一)龙爪染红
- (二)与龙对峙
- (三)因恨而生
- (四)为她而动
- (五)始作俑者
- 第三章
- (一)龙栖之处
- (二)未知目的
- (三)向龙靠近
- (四)獠牙伤人
- 第四章
- (一)墓前真相
- (二)龙被捉住
- (三)他的面容
- (四)恶魔现身
- (五)谁捉了龙
- (六)双面恶魔
- (七)一念之差
- (八)探寻魔窟
- (九)恶魔契约
- (十)魔窟龙吟
- (十一)万流交汇
- 终章
- (一)河流尽头
- (二)龙神之雨
FAQ
Is this book pure mystery or more of a family story?
Can I read it without having read other works by Shusuke Michio?
Are the typhoon-night passages too heavy?
What kind of award is the Osamu Hayakawa Award?
Comments
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About the author
Michio Shusuke is a foreign author whose works have been translated into Chinese. Publicly available information is limited, and his nationality, dates of birth and death, and English name are not yet confirmed. Four of his works are currently included in the collection: The Summer the Sunflowers Don't Bloom (Commemorative Edition), Dragon God's Rain, Moon and Crab, and Moon Lovers. They are commonly classified under foreign literature, mystery and suspense, and modern romance. Judging from these titles and categories, his writing spans mystery suspense and emotional narrative, involving stories with puzzles and suspense as well as themes built around interpersonal relationships and emotional entanglements, showing a creative profile that moves between different genres. For Chinese readers, these four works are the available entry points for understanding his writing style, while more biographical information remains to be supplemented by public sources.
Public information about Ma Yifei is very limited. The only confirmed details are the representative work The Rain of the Dragon God and the fact that this work is classified under foreign literature. Judging from this category and the imagery of the title, The Rain of the Dragon God carries a distinct fantastical flavor: the words "Dragon God" and "rain" suggest a narrative possibly built around myth, legend, natural forces, or surreal settings, while the foreign-literature classification indicates that the book is treated as a translated work from outside China in cataloging and shelving. Since only one work by this author is held in the collection, and basic details such as nationality, dates of birth and death, and English name remain unclear, it is not yet possible to trace a full creative trajectory, the evolution of a writing style, or literary influence. Readers wishing to learn more about Ma Yifei may begin with the text of The Rain of the Dragon God itself, observing its narrative perspective, language, and thematic orientation as a way to form a basic understanding of the author.