The Past and Present of the Almanac
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers with a strong interest in traditional Chinese culture and the history of folk customs
- Learners who want a systematic understanding of traditional calendrics and the origins and evolution of auspicious-day culture
- Professionals in history, anthropology, or related fields seeking reference material
- General readers with a rational curiosity about traditional cultural phenomena still visible in daily life
Not a good fit for
- Pragmatists hoping for a simple modern almanac to look up good and bad days directly
- Readers seeking mystical or esoteric interpretation who are not interested in rigorous historical inquiry
Reading tips
- Read the first two chapters first to build a broad picture of the almanac's historical development, then go deeper into the topical chapters that interest you.
- As you read, use the excerpts from historical documents and the charts to see how ancient astronomy and philosophy were concretely translated into the almanac's entries.
- Read alongside works on modern and contemporary Chinese social change to deepen your understanding of how traditional knowledge systems have fared in modern society.
About the publisher
Shanghai Classics Publishing House is a professional publisher centered on the collation of ancient texts and academic research works. Its publishing areas cover historical readings, classical poetry, folk literature, literary appreciation, canonical works, and Eastern philosophy. Its books include Chen Yinke's A Brief Discussion of the Origins of the Sui and Tang Institutions, Xin Qiji's Chronological Annotated Edition of Jiaxuan's Ci (Simplified Edition), Tang Xianzu's The Peony Pavilion, Liu Xie's The Literary Mind and the Carving of Dragons, as well as New Annotations to Three Hundred Tang Poems (Collector's Edition), Annotated Edition of Han Changli's Collected Works (Simplified Edition, 3 volumes), and Youyang Zazu. Its authors include Chen Yinke, Xin Qiji, Tang Xianzu, Liu Xie, Deng Guangming, Hengtang Tuishi, Han Yu, and Ma Qichang. In terms of publishing characteristics, the house emphasizes collation, annotation, and compilation of ancient texts alongside academic research works, and continues to issue simplified and collector's editions that balance scholarship and accessibility. Public information about the publisher's fuller publishing profile is limited.
Contents
- 版权信息
- 前言
- 第一章 黄历的前世
- 第一节 古代天学和术数
- 第二节 孕育时期:“五帝”时代至春秋战国
- 第三节 成长期:秦汉至唐宋
- 第四节 成祖期:元至清
- 第五节 挫折期:历史上的“历狱”
- 第二章 黄历择吉和术数文化
- 第一节 黄历择吉在术数文化中的位置
- 第二节 《钦定协纪辨方书》和“正五行”择日
- 第三节 黄历择吉的具体内容
- 第三章 择日的元素和方法
- 第一节 “正五行”择日的原则和步骤
- 第二节 生辰参数和时空参数
- 第三节 五行、天干与地支
- 第四节 择吉宜、忌神煞
- 第五节 从神煞倒推日课
- 第四章 造葬择日
- 第一节 造葬择日的基本元素
- 第二节 “补龙”、“扶山”、“相主”
- 第五章 黄历的今生
- 第一节 当今黄历习俗在民间的状况
- 第二节 思考和展望
- 参考书目及文献
FAQ
Is this a book about fortune-telling?
What is He Chongjian's background? Are his views credible?
Does this book have a Douban rating? How is it reviewed?
Related on WeRead
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
He Jianzhong is an author who writes on traditional culture. Public information about him is limited: details such as his place of origin, dates of birth and death, and educational background are not clearly recorded, so a full account of his life cannot yet be given. According to the library's holdings, he has only one work to his name, The Past and Present of the Chinese Almanac, which is classified under culture. The book takes the almanac, a calendar widely used in everyday folk life, as its subject, tracing its origins and development and touching on its relationship with traditional calendrical systems and folk customs. A topic of this kind requires some grounding in calendrical knowledge and folk culture, and the writing tends to address general readers, turning specialized knowledge into readable narrative rather than dense academic inquiry. Because his output is small, He Jianzhong's public profile is relatively modest, and his influence as a writer is mainly confined to readers interested in this subject; a fuller assessment must await more material.