The Eagle's Throne
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy Latin American literature and Fuentes's works
- Readers of fiction interested in epistolary form, multiple perspectives, and other formal experiments
- Readers concerned with political fable and critiques of power
- Readers who hope to understand Mexican society and political culture through fiction
Not a good fit for
- Readers who prefer linear narrative and need a clear protagonist
- Readers looking for light entertainment or warm-hearted stories
- Readers not interested in political satire and absurdist tones
Reading tips
- Start by making a list of letter writers, noting each letter's signature and stance as you read, to help identify the network of relationships.
- Don't rush to judge whether the information in the letters is true or false; read on and then look back at earlier letters to appreciate how the lies are laid.
- You may group the seventy letters by stages of the power struggle and observe how the situation spirals out of control step by step.
- After finishing, reread the opening letters to reinterpret the obscured motives and foreshadowing within them.
About the publisher
Zhejiang Literature and Art Publishing House is a Chinese publisher specializing in literary publishing. Judging from the 808 titles in the database, its publishing areas cover world classics, foreign literature, social novels, folk literature and classic works, as well as modern and contemporary literature and prose. Representative titles include foreign literary translations such as Anna Karenina, The Temple of the Golden Pavilion, In Praise of Shadows and The Complete Tragedies and Comedies of Shakespeare, alongside classic works by Lao She and Lu Xun such as Camel Xiangzi, Teahouse and Wandering. Its authors and translators include Leo Tolstoy, Cao Ying, Lao She, Yukio Mishima, Jun'ichirō Tanizaki and Zhu Shenghao. The press emphasizes the translation and introduction of classic texts and the compilation of native literary works, giving equal weight to Chinese and foreign literature. Owing to limited public information, its specific series and editorial policies are not elaborated here.
Contents
- 版权信息
- 信一 玛利亚·德尔·罗萨里奥·加尔万致尼高拉斯·巴尔迪维亚
- 信二 “智囊塞内加”哈维尔·撒拉格萨致玛利亚·德尔·罗萨里奥·加尔万
- 信三 玛利亚·德尔·罗萨里奥·加尔万致尼高拉斯·巴尔迪维亚
- 信四 安第诺·阿尔玛森致罗伦索·特兰总统
- 信五 尼高拉斯·巴尔迪维亚致玛利亚·德尔·罗萨里奥·加尔万
- 信六 贝尔纳·埃雷拉致罗伦索·特兰总统
- 信七 玛利亚·德尔·罗萨里奥·加尔万致尼高拉斯·巴尔迪维亚
- 信八 “智囊塞内加”哈维尔·撒拉格萨致罗伦索·特兰总统
- 信九 玛利亚·德尔·罗萨里奥·加尔万致贝尔纳·埃雷拉
- 信十 财政部部长阿尔玛森的妻子“金瓜子”致塔西托·德拉·卡纳尔
- 信十一 尼高拉斯·巴尔迪维亚致玛利亚·德尔·罗萨里奥·加尔万
- 信十二 贝尔纳·埃雷拉致玛利亚·德尔·罗萨里奥·加尔万
- 信十三 尼高拉斯·巴尔迪维亚致玛利亚·德尔·罗萨里奥·加尔万
- 信十四 杜尔塞·德拉·卡尔萨致玛利亚·德尔·罗萨里奥·加尔万
- 信十五 前总统塞萨尔·莱昂致现任总统罗伦索·特兰
- 信十六 尼高拉斯·巴尔迪维亚致玛利亚·德尔·罗萨里奥·加尔万
- 信十七 西塞罗·阿鲁萨将军致猛龙·冯·巴尔特拉将军
- 信十八 贝尔纳·埃雷拉致玛利亚·德尔·罗萨里奥·加尔万
- 信十九 尼高拉斯·巴尔迪维亚致玛利亚·德尔·罗萨里奥·加尔万
- 信二十 “智囊塞内加”哈维尔·撒拉格萨致罗伦索·特兰总统
- 信二十一 前总统塞萨尔·莱昂致塔西托·德拉·卡纳尔
- 信二十二 安第诺·阿尔玛森致妻子“金瓜子”
- 信二十三 西塞罗·阿鲁萨将军致猛龙·冯·巴尔特拉将军
- 信二十四 尼高拉斯·巴尔迪维亚致玛利亚·德尔·罗萨里奥·加尔万
- 信二十五 安第诺·阿尔玛森致罗伦索·特兰总统
- 信二十六 “金瓜子”阿尔玛森太太致塔西托·德拉·卡纳尔
- 信二十七 西塞罗·阿鲁萨将军致猛龙·冯·巴尔特拉将军
- 信二十八 杜尔塞·德拉·卡尔萨致托马斯·蒙特祖玛·莫罗
- 信二十九 塔西托·德拉·卡纳尔致罗伦索·特兰总统
- 信三十 尼高拉斯·巴尔迪维亚致玛利亚·德尔·罗萨里奥·加尔万
- 信三十一 玛利亚·德尔·罗萨里奥·加尔万致尼高拉斯·巴尔迪维亚
- 信三十二 玛利亚·德尔·罗萨里奥·加尔万致贝尔纳·埃雷拉
- 信三十三 尼高拉斯·巴尔迪维亚致玛利亚·德尔·罗萨里奥·加尔万
- 信三十四 玛利亚·德尔·罗萨里奥·加尔万致尼高拉斯·巴尔迪维亚
- 信三十五 尼高拉斯·巴尔迪维亚致赫苏斯·里卡多·玛贡
- 信三十六 玛利亚·德尔·罗萨里奥·加尔万致罗伦索·特兰总统
- 信三十七 贝尔纳·埃雷拉致罗伦索·特兰总统
- 信三十八 塔西托·德拉·卡纳尔致玛利亚·德尔·罗萨里奥·加尔万
- 信三十九 玛利亚·德尔·罗萨里奥·加尔万致塔西托·德拉·卡纳尔
- 信四十 前总统塞萨尔·莱昂致国会议长奥内西莫·卡纳瓦尔
- 信四十一 塔西托·德拉·卡纳尔致玛利亚·德尔·罗萨里奥·加尔万
- 信四十二 贝尔纳·埃雷拉致玛利亚·德尔·罗萨里奥·加尔万
- 信四十三 众议员奥内西莫·卡纳瓦尔致女众议员保利娜·达尔特卡达
- 信四十四 尼高拉斯·巴尔迪维亚致玛利亚·德尔·罗萨里奥·加尔万
- 信四十五 西塞罗·阿鲁萨将军致猛龙·冯·巴尔特拉将军
- 信四十六 尼高拉斯·巴尔迪维亚致赫苏斯·里卡多·玛贡
- 信四十七 “智囊塞内加”哈维尔·撒拉格萨致罗伦索·特兰总统
- 信四十八 女众议员保利娜·达尔特卡达致众议员奥内西莫·卡纳瓦尔
- 信四十九 玛利亚·德尔·罗萨里奥·加尔万致贝尔纳·埃雷拉
- 信五十 “智囊塞内加”哈维尔·撒拉格萨致玛利亚·德尔·罗萨里奥·加尔万
- 信五十一 尼高拉斯·巴尔迪维亚致赫苏斯·里卡多·玛贡
- 信五十二 尼高拉斯·巴尔迪维亚致塔西托·德拉·卡纳尔
- 信五十三 塔西托·德拉·卡纳尔致安第诺·阿尔玛森
- 信五十四 “门廊老翁”致女众议员保利娜·达尔特卡达
- 信五十五 “金瓜子”阿尔玛森太太致塔西托·德拉·卡纳尔
- 信五十六 杜尔塞·德拉·卡尔萨致“门廊老翁”
- 信五十七 塔西托·德拉·卡纳尔致“金瓜子”阿尔玛森太太
- 信五十八 尼高拉斯·巴尔迪维亚致前总统塞萨尔·莱昂
- 信五十九 猛龙·冯·巴尔特拉将军致尼高拉斯·巴尔迪维亚
- 信六十 奥内西莫·卡纳瓦尔致尼高拉斯·巴尔迪维亚
- 信六十一 赫苏斯·里卡多·玛贡致尼高拉斯·巴尔迪维亚
- 信六十二 尼高拉斯·巴尔迪维亚致玛利亚·德尔·罗萨里奥·加尔万
- 信六十三 玛利亚·德尔·罗萨里奥·加尔万致尼高拉斯·巴尔迪维亚
- 信六十四 玛利亚·德尔·罗萨里奥·加尔万致贝尔纳·埃雷拉
- 信六十五 保利娜·达尔特卡达致尼高拉斯·巴尔迪维亚
- 信六十六 猛龙·冯·巴尔特拉将军致尼高拉斯·巴尔迪维亚
- 信六十七 奥内西莫·卡纳瓦尔致尼高拉斯·巴尔迪维亚
- 信六十八 贝尔纳·埃雷拉致玛利亚·德尔·罗萨里奥·加尔万
- 信六十九 玛利亚·德尔·罗萨里奥·加尔万致贝尔纳·埃雷拉
- 信七十 (罗伦索·埃雷拉·加尔万)
FAQ
Is this a traditional first-person or third-person novel?
Can I read it without background knowledge of Latin American politics?
Isn't the epistolary form very fragmented to read?
Comments
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About the author
Carlos Fuentes is an important author in the field of foreign literature. His representative works include Aura, The Death of Artemio Cruz, The Years with Laura Díaz, The Blind Man's Song, The Glass Border, Diana, the Lonely Huntress, The Five Suns of Mexico, and The Eagle's Throne. Public information about his nationality, birth and death dates, and similar details is limited and cannot be confirmed. The library holds nine of his works, covering novels and short stories. His writing often interweaves reality and fantasy, with intricate narrative structures, and he is skilled at connecting history with individual destiny in a language full of tension. Translated into Chinese, his works provide an important reference for readers to understand Latin American literature, and they have influenced the narrative ideas of many later writers, occupying a unique place in contemporary foreign literature.
Zhao Deming is a Chinese translator long engaged in introducing Spanish-language literature to Chinese readers. Public information about him is limited, and his dates of birth and death, nationality, and educational background are not clearly recorded. Judging from the thirteen works held in the collection, his translation focuses on Latin American and Spanish-language fiction, including Mario Vargas Llosa's The City and the Dogs, The Feast of the Goat, Aunt Julia and the Scriptwriter, and A Fish in the Water: A Memoir, as well as Roberto Bolaño's 2666: Collector's Edition, Last Evenings on Earth, and a two-volume set of short stories. These translations mostly belong to foreign literary classics, nonfiction, and essays, with some suspense and detective fiction, showing his ability to handle the narrative structures and complex character relationships of long novels. His translations are faithful to the originals, plain and fluent in language, and provide Chinese readers with relatively reliable access to contemporary Spanish-language literature.