Goose cover

Goose

Rating 3.4
Word count
124K words
Chapters
4
ISBN
9787541154829

Tags

Summary

Geese is relatively simple—it writes about geese, all of them.

Editor's review

Geese is a highly experimental novel by the poet Zhang Xiu that thoroughly overturns the narrative logic and reading expectations of traditional fiction. The book consists of a large number of seemingly loose,跳跃的 short sentences and fragments—wait, need to translate properly. Let me redo.

Who it's for

A good fit for

  • Explorers with a strong interest in experimental and avant-garde writing
  • Poetry lovers, especially readers who enjoy imagist and fragmentary expression
  • Seasoned literary readers hoping to step outside traditional narrative frameworks and experience a wholly new kind of reading
  • Professionals in writing or literary criticism concerned with the boundaries of contemporary Chinese-language writing

Not a good fit for

  • Readers of popular fiction expecting a complete, moving story
  • Readers new to serious literature who hope for a clear theme and emotional resonance

Reading tips

  1. Give up searching for a coherent plot and central idea; try instead to feel the rhythm and imagery of the sentences themselves
  2. Open the book at any page and start reading without following the order, treating it as a 'book you can enter anywhere'
  3. Stay relaxed while reading and focus on the momentary sensations and associations the words evoke rather than on logical comprehension

About the publisher

Sichuan Literature and Art Publishing House is a professional literary and art publishing institution. It mainly publishes books on contemporary and modern literature, foreign literature, poetry and prose, music and art, and literary theory. Judging from the books in the database, the house places considerable emphasis on classic works and foreign literature. Representative titles include Lu Xun's Call to Arms and Dawn Blossoms Plucked at Dusk, Lao She's Camel Xiangzi, Xiao Hong's The Story of Hulan River, J.R.R. Tolkien's The Hobbit, William Shakespeare's Hamlet, and Hermann Hesse's Siddhartha. Its translator resources include Deng Jiawan, Shi Zhongge, Du Yunci, and Zhu Shenghao. Common categories include social fiction, classic works, foreign literature, world classics, literary appreciation, and classical poetry, reflecting a publishing profile that balances Chinese and foreign literary classics with literary appreciation.

Contents

  1. 版权信息
  2. 序
  3. 第一章
  4. 跋,或剩余

FAQ

What story does this book actually tell?
It does not tell a story in the traditional sense. The book is made up of a large number of seemingly unrelated fragments, scenes, and thoughts; it is more like a notebook about 'feeling' and 'language,' meant to present the raw flow of consciousness and the trivial poetry of everyday life.
Why are the reviews so polarized?
Because of its thoroughly anti-traditional form. Those who appreciate it praise the purity of its language and its experimental courage, believing it expands the boundaries of the novel; those who do not take to it feel lost and unable to enter it because it has 'no plot' and 'no characters.' This is essentially a reflection of different expectations about literature.
What preparation is needed to read this book?
The most important thing is to adjust your reading mindset. Temporarily set aside your attachment to 'story' and 'meaning,' and, as you would with an abstract painting or a modern poem, grasp the direct sensations, images, and rhythms the words bring. It may be more suitable to treat it as a stroll through language and consciousness.

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About the author

张羞 Author

Zhang Xiu is an author in the Chinese book market whose identity remains unclear; public information is limited, and no reliable record of nationality, dates of birth and death, or English name is available. Three works by this author are currently held in the collection: Twenty Love Poems and a Song of Despair, a two-volume set titled Nobel Prize in Literature Collection: I Walk into the Quiet Blue Days + Twenty Love Poems and a Song of Despair, and Goose. Judging from the titles and the common categories, the writing touches on ancient poetry, foreign literature, and social fiction, showing both an affinity for poetic tradition and narrative attempts oriented toward social reality. Because biographical material is scarce, a full picture of the author's creative trajectory is difficult to sketch, yet the existing works suggest movement across different genres and a considerable range of subjects. Readers seeking to know more about this author will still need further public information.

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