The Fish and Waterweed Pieces
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers reading the Book of Songs in order and hoping to cover the Lesser Odes
- Students of classical literature studying pre-Qin ritual and musical life and feast poems
- Chinese majors needing the Lesser Odes group texts for comparative reading
- Poetry lovers who enjoy four-character ancient verse and are willing to read slowly and dwell on it
Not a good fit for
- Beginning readers seeking editions with detailed annotations and vernacular translation
- Those interested only in famous love poems in the Book of Songs and not in feasting and praise themes
- Readers accustomed to fast reading who are unwilling to look up ancient word meanings
Reading tips
- Read through the fourteen poems in order once, without seeking full understanding, to feel the shifts in subject and mood across the group.
- On the second pass, work through each poem with annotations and commentary, focusing on marking three categories: feasting, praise, and reflection.
- Compare this group with adjacent groups such as the Hung Yen Chih Shih to observe the internal logic of the Lesser Odes' organization.
- Choose poems with vivid imagery to read aloud and memorize, building a feel for the rhythm and diction of four-character verse.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 序
- ○鱼藻
- ○采菽
- ○角弓
- ○菀柳
- ○都人士
- ○采绿
- ○黍苗
- ○隰桑
- ○白华
- ○绵蛮
- ○瓠叶
- ○渐渐之石
- ○苕之华
- ○何草不黄
FAQ
What does "shih" mean, and why is it called Yü Tsao Chih Shih?
How does this group differ from the Hung Yen Chih Shih?
Is this book suitable as an introduction to the Book of Songs?
Comments
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.