The Book of the Demon Dragon
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Summary
The book gathers nearly thirty engaging short stories closely tied to dragons, among them the evil dragons familiar from Western fantasy worldbuilding, unexpectedly endearing and emotionally rich dragons, and dragon keepers and dragon slayers whose lives are bound up with dragons.
Editor's review
Who it's for
A good fit for
- Fantasy readers who love dragons and Western fantasy worldbuilding
- Readers who want to quickly sample the styles of many contemporary fantasy authors through short fiction
- Readers who need reading in fragmented time and prefer self-contained stories
- Writers interested in fantasy short fiction who want to study a variety of approaches
Not a good fit for
- Readers expecting a single long-form main plot who dislike short-story collections
- Readers uninterested in dragons who prefer realistic fiction or hard science fiction
- Readers hoping for a unified worldbuilding setting rather than stylistically varied shorts
Reading tips
- You don't have to read in order; start with stories by familiar authors, then go back for unfamiliar ones to lower the barrier to entry.
- After each story, jot down a sentence or two of impressions; halfway through, look back to see more clearly which kinds of dragon stories you prefer.
- Treat the stories as bedtime or commute reading, one or two at a time, to avoid the fatigue of mixed styles from continuous reading.
- If using the book as a writing reference, pick favorite pieces and break down how they shift perspective and emotion within the same motif.
Contents
- 版权信息
- 致谢
- 前言
- 英雄主义的启迪
- 入学礼
- 神龙圣人希卡亚特·斯里·布扬
- 尤里
- 一抹蓝
- 尼德霍格
- 当河流变成混凝土
- 栖息地
- 水痘
- 九曲河
- 卢辛达的龙
- 我把自己变成龙
- 放逐
- 周六除外
- 神速号
- 骑士遗言
- 漫途
- 菲兹先生,再给我一支羽毛笔吧
- 宝藏
- 李尔飞龙
- 最后一次狩猎
- 生生不息
- 小鸟的请求
- 龙
- 屠龙人
- 伪装
- 我们不会讨论龙
- 也许该上去看看
- 一杯好茶
FAQ
I haven't read other works by these authors—can I read this collection directly?
Are all the dragons in the book the ferocious Western type?
Is a short-story collection suitable for reading from start to finish?
Is this book suitable for children?
Comments
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About the author
Jonathan Strahan is an author with a limited number of works in this Chinese library collection—three titles in total—and publicly available information about him is likewise quite limited, so his nationality, dates of birth and death, and full writing career cannot yet be confirmed. Judging from the works held here, he is mainly active in the field of science fiction and fantasy anthologies. His representative works include The Best Science Fiction Anthology: Blurry Edges (2 volumes), The Book of Dragons, and Born to Obey: A Guide to Robot Malfunctions. These works center on science fiction imagination, otherworldly settings, and robot ethics, and fall under categories such as fine fiction, otherworldly continents, and science fiction. Blurry Edges gathers short science fiction in anthology form, The Book of Dragons leans toward fantasy and dragon themes, and Born to Obey: A Guide to Robot Malfunctions focuses on imagined robot behavior and obedience. Overall, his editorial vision spans the borderland between science fiction and fantasy, and his works are distinguished by thematic anthologizing.
Qin Hanpu is an author about whom limited public information is available. Two works by this author are currently held in the library: Fuzzy Edge: The Best Science Fiction Anthology (2 Volumes) and The Book of the Magic Dragon. Judging from the titles and categories of these two works, Qin Hanpu's creative and editorial interests lie mainly in science fiction and fantasy, involving imaginative settings such as otherworldly continents, and the works are often classified as premium fiction. Fuzzy Edge, presented as a science fiction anthology, indicates the author's involvement in selecting and compiling short science fiction, while The Book of the Magic Dragon, based on its title, leans toward fantasy and dragon-themed narrative. As information such as dates of birth and death, nationality, and English name is not recorded, the author's personal history and full body of work remain difficult to ascertain; this introduction can only outline the author's thematic orientation based on the works held in the library, and further background awaits additional public information.