The Moving Finger
Tags
Summary
Editor's review
Who it's for
A good fit for
- Loyal readers of Agatha Christie eager to explore her standout non-series works
- Readers who enjoy village murder mysteries and the slow unraveling of clues through everyday details and dialogue
- Readers interested in social mystery and psychological suspense, and in the social causes behind crime
- Readers seeking a classical mystery with a gentler pace but exceptionally strong atmosphere
Not a good fit for
- Hardcore fair-play readers seeking fast pacing, intense action, or high-tech crime methods
- Readers expecting iconic detectives such as Poirot or Miss Marple to appear and lead the investigation
Reading tips
- While reading, pay attention to the many supporting characters' remarks and subtle reactions; the clues to the anonymous letters lie hidden in these everyday conversations
- Compare it with Christie's other works from the same period (such as The Body in the Library) to appreciate shifts in the author's state of mind during the war
- After finishing, revisit the opening chapters' descriptions of the village and its residents to more fully appreciate the ingenuity of Christie's plotting
About the publisher
New Star Press focuses on classic works, mystery and detective fiction, science fiction, history, foreign literature and art, and its 602 titles in the library show a balance between popular reading and humanistic depth. Representative books include The Complete Works of Shakespeare: Illustrated Collector's Edition, And Then There Were None, Murder on the Orient Express, The Player of Games, Local Government in Qing China, A Good Man Is Hard to Find and A Collection of Fine Ukiyo-e Prints, spanning classic literature, detective fiction, science fiction, local history and visual art. Its authors and contributors include William Shakespeare, Agatha Christie and Iain M. Banks, as well as translators such as Zhu Shenghao and Su Fuzhong and illustrators such as John Gilbert and George Cruikshank. Known for the detective series Midnight Library and for social-science and humanities titles, the press emphasizes edition design and reading experience; public information is limited, so this profile highlights the publishing features reflected in the library's books.
Contents
- 版权信息
- 阿加莎·克里斯蒂侦探作品年表
- 出版前言
- 致中国读者
- 第一章
- 第二章
- 第三章
- 第四章
- 第五章
- 第六章
- 第七章
- 第八章
- 第九章
- 第十章
- 第十一章
- 第十二章
- 第十三章
- 第十四章
- 第十五章
FAQ
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About the author
Agatha Christie (1890–1976) was a British detective novelist, widely known as the "Queen of Crime." Over her lifetime she wrote more than eighty detective novels, generally classified as foreign literature and suspense or mystery fiction, and is noted for tightly constructed plots, steadily mounting suspense, and unexpected endings. She created two contrasting detectives: the Belgian investigator Poirot, who relies on deduction and his "little grey cells," and the elderly village spinster Miss Marple, who sees through appearances by drawing on everyday human nature and close observation. Her representative works include And Then There Were None, The Murder of Roger Ackroyd, and Murder on the Orient Express; the first is admired for its closed-circle structure of a nursery rhyme killing on an isolated island, while the second is often praised for its narrative technique. Her books have been translated into many languages and have had a lasting influence on later mystery writing, and they have long attracted a wide readership in the Chinese-speaking world as well.
Cheng Xingxing is an author about whom little public information is available. The only confirmed work is The Devil's Hand, commonly classified as suspense and mystery fiction. Because no reliable records exist concerning the author's life, nationality, or writing chronology, no speculation is made here about personal experience; the discussion is limited to the work itself. The Devil's Hand belongs to the suspense and mystery genre, a mode of writing that typically emphasizes the pacing between planting clues, advancing doubts, and revealing the truth, and that seeks to sustain the reader's interest within a limited space. On the available evidence, Cheng Xingxing remains at the stage of a single published work and has not yet developed a series style or thematic lineage that could be summarized, so any judgment about the writing can only remain at the level of genre. Readers interested in authors and works in Chinese-language suspense and mystery fiction may take The Devil's Hand as an entry point for learning about Cheng Xingxing; as more material becomes public, a clearer picture of the author's work may emerge.