Joy cover

Joy

Rating 4.0
Word count
233K words
Chapters
64
ISBN
9787533967246

Tags

Summary

Gao Xing continues the author's abiding concern with peasants, writing about peasants who have moved to the city: the fate of urban waste pickers. It mainly tells the story of Liu Gaoxing, a peasant who comes to the city to scavenge, and how he and several companions survive in the metropolis, while also touching on various groups at the bottom of city life—beggars, migrant workers, prostitutes, and others.

These people share one common trait: they struggle to survive in the city. The work not only honestly portrays the living conditions of these marginalized groups but also, through these heartbreaking stories, reveals their inner worlds, the intersections of their fates, and their spiritual transformations.

Editor's review

"Happy" is an important work in which Jia Pingwa turns his gaze to the marginalized groups at the edges of the city. It continues his enduring concern with the fate of peasants, yet shifts the setting from the countryside to the metropolis. The novel takes the survival story of the scavenger Liu Gaoxing and his companions as its main thread, linking together beggars, migrant workers, and other urban underclass figures. It depicts the bitterness of their struggle to survive in the cracks, and also reveals their respective inner worlds and spiritual transformations. What makes the work valuable is that it does not reduce the underclass to a single symbol of suffering; beneath the surface of bittersweet stories, it probes the interplay of human dignity, desire, and fate. The narrative is plain and restrained, with solid detail, making it suitable for readers who want to understand how contemporary literature handles rural-urban migration and underclass experience. While reading, pay attention to how the author uses everyday trivialities to build character, and how urban space in turn shapes people's psychology. For readers interested in social realist themes and fond of group portraits and fine, understated description, this book offers a quiet yet substantial reading experience.

Who it's for

A good fit for

  • Readers interested in contemporary realist literature and underclass narratives
  • Those who want to understand the living conditions of peasants who move to the city and urban marginalized groups
  • Literature lovers who enjoy group portraits and fine, understated description
  • Students and researchers studying rural-urban migration and social stratification

Not a good fit for

  • Readers who prefer light entertainment and fast-paced plots
  • Readers who are sensitive to hardship and marginalized themes and do not wish to read heavy content
  • Nonfiction readers expecting clear solutions or social policy analysis

Reading tips

  1. Start by following Liu Gaoxing's perspective, noting how his relationships with his companions change, then look back at each person's trajectory.
  2. When you reach a bitter passage, pause and think about the logic of the characters' choices, rather than simplifying underclass experience into sympathy.
  3. Read in comparison with other rural-themed works by Jia Pingwa to appreciate the continuity and shift in his concerns.
  4. After finishing, pick one or two characters and write a few notes to sort out how the author uses everyday details to present their inner worlds.

About the publisher

Zhejiang Literature and Art Publishing House is a Chinese publisher specializing in literary publishing. Judging from the 808 titles in the database, its publishing areas cover world classics, foreign literature, social novels, folk literature and classic works, as well as modern and contemporary literature and prose. Representative titles include foreign literary translations such as Anna Karenina, The Temple of the Golden Pavilion, In Praise of Shadows and The Complete Tragedies and Comedies of Shakespeare, alongside classic works by Lao She and Lu Xun such as Camel Xiangzi, Teahouse and Wandering. Its authors and translators include Leo Tolstoy, Cao Ying, Lao She, Yukio Mishima, Jun'ichirō Tanizaki and Zhu Shenghao. The press emphasizes the translation and introduction of classic texts and the compilation of native literary works, giving equal weight to Chinese and foreign literature. Owing to limited public information, its specific series and editorial policies are not elaborated here.

Contents

  1. 版权信息
  2. 一
  3. 二
  4. 三
  5. 四
  6. 五
  7. 六
  8. 七
  9. 八
  10. 九
  11. 十
  12. 十一
  13. 十二
  14. 十三
  15. 十四
  16. 十五
  17. 十六
  18. 十七
  19. 十八
  20. 十九
  21. 二十
  22. 二十一
  23. 二十二
  24. 二十三
  25. 二十四
  26. 二十五
  27. 二十六
  28. 二十七
  29. 二十八
  30. 二十九
  31. 三十
  32. 三十一
  33. 三十二
  34. 三十三
  35. 三十四
  36. 三十五
  37. 三十六
  38. 三十七
  39. 三十八
  40. 三十九
  41. 四十
  42. 四十一
  43. 四十二
  44. 四十三
  45. 四十四
  46. 四十五
  47. 四十六
  48. 四十七
  49. 四十八
  50. 四十九
  51. 五十
  52. 五十一
  53. 五十二
  54. 五十三
  55. 五十四
  56. 五十五
  57. 五十六
  58. 五十七
  59. 五十八
  60. 五十九
  61. 六十
  62. 六十一
  63. 六十二
  64. 后记 我和高兴

FAQ

What kind of group does this book mainly write about?
It mainly writes about Liu Gaoxing, a peasant who moves to the city to work as a scavenger, and his companions, while also involving beggars, migrant workers, and other urban underclass groups. The work depicts both their living conditions and their inner worlds and spiritual transformations.
I haven't read any other works by Jia Pingwa. Can I read this one directly?
Yes. This book is a standalone novel and does not depend on previous works. If you want to better understand the author's enduring concern with the fate of peasants, you can read his rural-themed works afterward for comparison.
What preparation is needed for reading this book?
No specialized knowledge is needed, but the subject involves the hardships of underclass survival, and reading may feel heavy. It is advisable to slow down and focus on character relationships and psychological changes rather than just following the plot.
Is this book suitable for discussing social issues?
It is suitable as a literary text for discussion, but it is not a social survey report and does not provide data or policy proposals. Discussions should focus on characters and narrative, and the novel should not be directly cited as social analysis material.

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About the author

Jia Pingwa Author · Chinese · 1952

Jia Pingwa, originally named Jia Pingwa, was born in Danfeng, Shaanxi, in 1952. A contemporary writer, he graduated from the Department of Chinese Language and Literature at Northwest University in 1975 and has served as chairman of the Shaanxi Writers Association and vice chairman of the China Writers Association. His work spans social novels and prose, including Ruined City, Qin Opera, Ancient Furnace, Shan Ben and Zhan Zuo; Qin Opera won the seventh Mao Dun Literature Prize. The collection also includes Solo Walking, Moon Traces: Selected Prose of Jia Pingwa (English), Remembering the Wolf, Lao Sheng and Dai Deng, among twenty-six titles. His novels are rooted in rural life and social reality, while his prose is plain and natural, revealing character in everyday detail.

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