Ode to Flying Flowers cover

Ode to Flying Flowers

Rating 3.0
Word count
88K words
Chapters
18

Tags

Summary

Traditional Chinese thought and culture has a long history and is highly original, inventive and literary. Early forms of thought have their own distinctive character: religious theology, medical classics, ancient military texts, Confucianism, Daoism, Buddhism and the Hundred Schools, feng shui and metaphysics, the Twenty-Four Histories, customs and local gazetteers—all are profound and extensive. This "Essence of Classical Chinese Culture: Original Texts" series preserves the appearance of the original books, with the emphasis on conserving and transmitting traditional Chinese thought and culture. By reading the literary essence left by the ancient sages, readers cultivate their character and quietly absorb the classics of Chinese learning.

Editor's review

Feihua Yong is an ancient novel attributed to an anonymous author and included in the "Essence of Classical Chinese Culture: Original Texts" series. As a text preserved in its original form, its value lies first in the preservation of the text itself: the unknown author and the unclear circumstances of composition make it a specimen for observing how ancient novels were transmitted. Readers can sense the features of traditional narrative in plotting, character relationships and language style, and can also feel the interweaving of popular literature and literati taste in premodern times. The book is best read within the context of the history of ancient fiction, not judged by the standards of the modern novel. For readers studying editions of ancient novels and anonymous works, it is a usable basic text; for general readers, it is better suited as light selected reading for understanding the face of traditional narrative. There is no need to rush; read it in sections to appreciate its language and structure.

Who it's for

A good fit for

  • General readers interested in ancient fiction and traditional narrative
  • Researchers concerned with anonymous works and the transmission of ancient novels
  • Readers who want a light introduction to classical Chinese texts
  • Readers who enjoy classical language and slow, careful reading

Not a good fit for

  • Readers who prefer modern vernacular and fast-paced, plot-driven narrative
  • Beginners who need detailed annotation, introduction and textual scholarship
  • Readers who expect clear information on the author's life and compositional background

Reading tips

  1. Read through once to feel the narrative rhythm; do not get stuck on individual rare characters or words.
  2. On a second pass, focus on character relationships and how the plot advances, to appreciate the structural features of ancient fiction.
  3. Read alongside other ancient novels to compare similarities and differences in language style and narrative technique.
  4. Mark puzzling passages as you go and return to them after finishing the section, rather than getting stuck midway.

About the publisher

Beijing Huiju Wenyuan Cultural Development Co., Ltd. is a cultural institution focused on publishing traditional Chinese classics. Public information about the company is limited, and its publishing profile is mainly reflected in the 83 books in the database. Judging from its representative titles, the company attends to classics across the traditional Four Categories of Chinese literature. The Lotus Sutra relates to Buddhist literature; Comprehensive Institutions, A Record of Reading in the Prefectural Studio, and The Meaning of Textual Criticism are works of history and bibliography; New Songs from the Jade Terrace is a literary anthology; Agricultural Administration in Its Entirety concerns agricultural policy and practice; and Annotations to the Gongyang Commentary on the Spring and Autumn Annals and Discourse on the Song Dynasty reflect the directions of classical scholarship and historical commentary. Its authors include Du You, Chao Gongwu, Xu Ling, Xu Guangqi, He Xiu, Zhang Xuecheng, and Wang Fuzhi, as well as anonymous works. Its common categories center on classic works, social sciences, Eastern philosophy, literary appreciation, and philosophical reading, indicating a publishing orientation characterized by the organization of traditional scholarly primary texts and the promotion of traditional cultural reading.

Contents

  1. 版权信息
  2. 序
  3. 第一回 贤父母姻联才与貌俏孩提缘弄性兼情
  4. 第二回 昌秀才遭祖籍戍边杜娘子随夫军出塞
  5. 第三回 夫妻涉险忍割爱弃孤儿亲戚寻欢忽遭奸攘幼女
  6. 第四回 大强盗劫夺算越奸越拙小儿女飞花咏愈出愈奇
  7. 第五回 秀才军出奇计一时遭际儿女情再题诗对面勾挑
  8. 第六回 言情说义花下订盟遭恶逢恩途中过继
  9. 第七回 唐希尧忍苦时遭恶侄生磨昌天佑无心中救亲人落难
  10. 第八回 昌小姐女思男悲吟一曲端公子男思女痛哭多时
  11. 第九回 香奁才女代傲父做真寿文绛帐庸师为愚徒集假家课
  12. 第十回 端郎阅报惊流离相思欲死昌女评文疑盗袭鉴拔如神
  13. 第十一回 题词写恨忽遗失露出幽情行聘求婚乍闻知惊成死病
  14. 第十二回 昌小姐苦在心头甘死节周总兵变生意外悄移花
  15. 第十三回 唐希尧遭侄害流落到他乡昌天佑赖友扶锦衣归故里
  16. 第十四回 老知县性傲一朝归小榜眼才高三及第
  17. 第十五回 遭迁御史苦思君远塞得生还改姓贵人不忘旧中堂抵死认
  18. 第十六回 飞花咏夫妻小会合玉双鱼父母大团圆

FAQ

Why is the author anonymous?
Premodern popular novels often lost documentation in the course of transmission, making the author difficult to identify; Feihua Yong is such a case. An unknown author does not diminish the reading value of the text; rather, it reminds us to attend to the work's form in transmission instead of relying on the author's biography to understand the content.
Is this book suitable for beginners?
It can serve as light selected reading for approaching ancient fiction, but it is a version that preserves the original appearance, with limited annotation and introduction. Readers with no experience of classical reading are advised to start with an annotated popular edition and then come to an original-form text like this with more ease.
What preparation is needed to read this book?
No special preparation is required, but some familiarity with common narrative conventions of ancient fiction helps. Read slowly; when you meet unfamiliar expressions, infer from context first and sort things out after finishing the passage—this goes more smoothly than checking every word.

Comments

Find this book

This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

Anonymous Author

Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.

More by the same author

Top rated in the same category