Feihualing: Pine
Tags
Summary
Well organized and richly illustrated, this book is a popular cultural reader that combines knowledge, aesthetic appreciation, and cultural interest.
Editor's review
Who it's for
A good fit for
- General readers who want to approach classical poetry through a thematic thread
- Primary and secondary school Chinese teachers seeking supplementary poetry reading materials
- Culture enthusiasts interested in the pine motif and the "cold of year's end" theme
- Office workers who want to read poetry casually in fragmented time
Not a good fit for
- Researchers who need a systematic history of poetry or in-depth scholarly textual criticism
- Readers who prefer long continuous narratives and are unaccustomed to the anthology format
- Those with high demands regarding the limited length of annotations and brief analyses and the relatively concise commentaries
Reading tips
- Read three to five poems a day in the book's order: first the original poem, then the annotations and brief analysis, and finally the commentary.
- Pause and recite silently when you encounter a familiar line, noticing the position and function of "松" within it.
- Keep a pen handy and jot down favorite commentaries or background notes in the margins for easy review.
- For teaching, select different poems on the same image for comparison and organize a small Flying Flower Order activity.
About the publisher
China Culture and History Press has long devoted itself to modern and contemporary literature and culture-and-history reading matter, with publishing directions centered on classic works, social novels, prose and miscellaneous writings, and Eastern philosophy, alongside culture-and-history periodicals such as Zongheng. Among the more than 1,500 titles in the collection, representative books include Zhang Henshui's Ti Xiao Yin Yuan, Lu Xun's Complete Classic Works (10 volumes) and Wild Grass, and Lao She's Four Generations Under One Roof series and the boxed set of Lao She's Classic Works (10 volumes), while its author resources are concentrated on figures such as Zhang Henshui, Lu Xun, Lao She and Sima Qian. Its publishing character lies in solid editorial work on culture-and-history source texts and in issuing famous authors' works in sets, balancing the readability of individual texts with the systematic presentation of complete collections for focused reading and collecting. Beyond these directions, public information on the press's contemporary original publishing is limited, so it is not elaborated here.
Contents
- 版权信息
- 解读飞花令
- 佚名
- 山有桥松,隰有游龙。不见子充,乃见狡童
- 淇水滺滺,桧楫松舟
- 遥看是君家,松柏冢累累
- 平陵东,松柏桐,不知何人劫义公
- 古墓犁为田,松柏摧为薪
- 白杨何萧萧,松柏夹广路
- 刘桢
- 风声一何盛,松枝一何劲
- 曹植
- 虚无求列仙,松子久吾欺
- 左思
- 郁郁涧底松,离离山上苗
- 谢灵运
- 攀崖照石镜,牵叶入松门
- 萧衍
- 果欲结金兰,但看松柏林
- 吴均
- 松生数寸时,遂为草所没
- 阴铿
- 远戍唯闻鼓,寒山但见松
- 武则天
- 故验家山赏,惟有风入松
- 徐惠
- 偃松千岭上,杂雨二陵间
- 王勃
- 日落山水静,为君起松声
- 兰气熏山酌,松声韵野弦
- 刘希夷
- 已见松柏摧为薪,更闻桑田变成海
- 孟浩然
- 岩扉松径长寂寥,惟有幽人自来去
- 忽逢青鸟使,邀入赤松家
- 永怀愁不寐,松月夜窗虚
- 綦毋潜
- 香刹夜忘归,松青古殿扉
- 王维
- 月明松下房栊静,日出云中鸡犬喧
- 松风吹解带,山月照弹琴
- 声喧乱石中,色静深松里
- 明月松间照,清泉石上流
- 山中习静观朝槿,松下清斋折露葵
- 萋萋春草秋绿,落落长松夏寒
- 泉声咽危石,日色冷青松
- 鹤巢松树遍,人访荜门稀
- 松菊荒三径,图书共五车
- 李白
- 花暖青牛卧,松高白鹤眠
- 无人知所去,愁倚两三松
- 洗砚修良策,敲松拟素贞
- 九江秀色可揽结,吾将此地巢云松
- 红颜弃轩冕,白首卧松云
- 南轩有孤松,柯叶自绵幂
- 长歌吟松风,曲尽河星稀
- 为我一挥手,如听万壑松
- 要须回舞袖,拂尽五松山
- 地远松石古,风扬弦管清
- 我宿五松下,寂寥无所欢
- 脱巾挂石壁,露顶洒松风
- 感叹发秋兴,长松鸣夜风
- 忽闻悲风调,宛若寒松吟
- 杜甫
- 梅熟许同朱老吃,松高拟对阮生论
- 古庙杉松巢水鹤,岁时伏腊走村翁
- 刘长卿
- 泠泠七弦上,静听松风寒
- 过雨看松色,随山到水源
- 郎士元
- 溪上遥闻精舍钟,泊舟微径度深松
- 戴叔伦
- 松下茅亭五月凉,汀沙云树晚苍苍
- 韦应物
- 空山松子落,幽人应未眠
- 韩愈
- 山红涧碧纷烂漫,时见松枥皆十围
- 刘禹锡
- 碧虚无云风不起,山上长松山下水
- 李翱
- 练得身形如鹤形,千株松下两函经
- 白居易
- 松树千年终是朽,槿花一日自为荣
- 柳湖松岛莲花寺,晚动归桡出道场
- 松排山面千重翠,月点波心一颗珠
- 贾岛
- 野火烧冈草,断烟生石松
- 松下问童子,言师采药去
- 绝顶人来少,高松鹤不群
- 施肩吾
- 半夜寻幽上四明,手攀松桂触云行
- 杜牧
- 雨过一蝉噪,飘萧松桂秋
- 李商隐
- 今日涧底松,明日山头檗
- 韩偓
- 怪石奔秋涧,寒藤挂古松
- 杜荀鹤
- 好将膏雨同功力,松径莓苔又一层
- 郑谷
- 露湿秋香满池岸,由来不羡瓦松高
- 韩翃
- 疏松影落空坛静,细草香闲小洞幽
- 丘为
- 草色新雨中,松声晚窗里
- 曾公亮
- 枕中云气千峰近,床底松声万壑哀
- 李觏
- 春水别来应到海,小松生命合禁霜
- 司马光
- 宝髻松松挽就,铅华淡淡妆成
- 松露冷,海霜殷
- 王安石
- 一弄松声悲急管,吹梦断,西看窗日犹嫌短
- 苏轼
- 料得年年肠断处,明月夜,短松冈
- 松间沙路净无泥
- 若到松江呼小渡
- 云鬓鬅松眉黛浅
- 贺铸
- 松门石路秋风扫
- 叶梦得
- 归来三径重扫,松竹本吾家
- 李清照
- 瑞脑香消魂梦断,辟寒金小髻鬟松
- 祝千龄,借指松椿比寿
- 岳飞
- 旧山松竹老,阻归程
- 杨万里
- 偶听松梢扑鹿
- 曹组
- 松竹翠萝寒,迟日江山暮
- 辛弃疾
- 连云松竹,万事从今足
- 一松一竹真朋友,山鸟山花好弟兄
- 屋上松风吹急雨
- 何处飞来林间鹊,蹙踏松梢微雪
- 昨夜松边醉倒
- 老合投闲,天教多事,检校长身十万松
- 石龙舞罢松风晓
- 康与之
- 相逢九里松
- 姜夔
- 曲终过尽松陵路,回首烟波十四桥
- 李用
- 冬岭秀孤松,松枝傲霜雪
- 张抡
- 松醪常与野人期,忘形共说清闲话
- 俞桂
- 要记此时分袂处,暮烟细雨过松江
- 萨都剌
- 落日无人松径里,鬼火高低明灭
- 郑燮
- 咬定青山不放松,立根原在破岩中
- 纳兰性德
- 春归归不得,两桨松花隔
- 陈毅
- 要知松高洁,待到雪化时
FAQ
Can I understand this book without any background in poetry?
Is the "Flying Flower Order" in this book a game rule or an organizing method?
Is this book suitable as a gift for a friend who loves poetry?
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About the author
Su Xin Luoxue is a young writer and Doctor of Literature who graduated from the School of Chinese Language and Literature at Beijing Normal University. A lover of classical poetry since childhood, she has long devoted herself to literature and history, and her writing is known for blending classical culture with modern sensibilities. The library currently holds twenty-eight of her works, represented by the Feihualing series of classical poetry appreciation books, with themes such as snow, the moon, flowers, plum blossom, autumn, chrysanthemum, summer, and spring; her works are commonly classified under literary appreciation and ancient poetry. Publicly available information about her birth and death dates, English name, and detailed biography is limited, so the present introduction rests mainly on her educational background and the character of her works. Her writing addresses general readers, using themed selections and commentary to guide them toward the imagery and emotions of classical poetry, building a bridge between tradition and the present and giving her a recognizable place among popular readings on classical poetry.