Feihualing: Poplar
Tags
Summary
The book is well organized and richly illustrated, making it a popular cultural reader that combines knowledge, aesthetic appeal, and cultural value.
Editor's review
Who it's for
A good fit for
- General readers who like classical poetry and want to accumulate famous lines in a relaxed way
- Primary and middle-school language teachers who need poetry activities or classroom extension materials
- Parent-child reading families who want children to encounter classical poetry through play
- Book-club or poetry-society members looking for feihualing material
Not a good fit for
- Researchers who need a systematic literary-historical context or in-depth academic textual criticism
- Readers who prefer long-form discussion and are not used to anthology-style organization
- Experienced readers who expect annotations and brief analyses at the level of professional textual notes
Reading tips
- Start with familiar poets according to the table of contents, then go back to unfamiliar authors, lowering the pressure of entry.
- For each poem, first cover the brief analysis and interpret the poem yourself, then compare with the critiques; the impression will be deeper.
- Keep a pen handy and copy out the best lines containing "yang" separately to build material for feihualing.
- If used for parent-child reading, read only two or three poems at a time and chat about the background stories.
About the publisher
China Culture and History Press has long devoted itself to modern and contemporary literature and culture-and-history reading matter, with publishing directions centered on classic works, social novels, prose and miscellaneous writings, and Eastern philosophy, alongside culture-and-history periodicals such as Zongheng. Among the more than 1,500 titles in the collection, representative books include Zhang Henshui's Ti Xiao Yin Yuan, Lu Xun's Complete Classic Works (10 volumes) and Wild Grass, and Lao She's Four Generations Under One Roof series and the boxed set of Lao She's Classic Works (10 volumes), while its author resources are concentrated on figures such as Zhang Henshui, Lu Xun, Lao She and Sima Qian. Its publishing character lies in solid editorial work on culture-and-history source texts and in issuing famous authors' works in sets, balancing the readability of individual texts with the systematic presentation of complete collections for focused reading and collecting. Beyond these directions, public information on the press's contemporary original publishing is limited, so it is not elaborated here.
Contents
- 版权信息
- 解读飞花令
- 佚名
- 昔我往矣,杨柳依依
- 泛泛杨舟,载沉载浮
- 白杨多悲风,萧萧愁杀人
- 白杨何萧萧,松柏夹广路
- 杨柳青青著地垂,杨花漫漫搅天飞
- 释宝月
- 君不见,孤雁关外发,酸嘶度杨越
- 王之涣
- 羌笛何须怨杨柳,春风不度玉门关
- 杨柳东门树,青青夹御河
- 王昌龄
- 忽见陌头杨柳色,悔教夫婿觅封侯
- 李颀
- 变调如闻杨柳春,上林繁花照眼新
- 王维
- 昔时飞箭无全目,今日垂杨生左肘
- 杨柳渡头行客稀,罟师荡桨向临圻
- 李白
- 旧苑荒台杨柳新,菱歌清唱不胜春
- 杨花落尽子规啼,闻道龙标过五溪
- 昨夜东风入武阳,陌头杨柳黄金色
- 垂杨拂绿水,摇艳东风年
- 储光羲
- 日暮待情人,维舟绿杨岸
- 杜甫
- 王杨卢骆当时体,轻薄为文哂未休
- 糁径杨花铺白毡,点溪荷叶叠青钱
- 桃花细逐杨花落,黄鸟时兼白鸟飞
- 白居易
- 杨家有女初长成,养在深闺人未识
- 最爱湖东行不足,绿杨阴里白沙堤
- 棠梨花映白杨树,尽是死生别离处
- 韦应物
- 杨柳散和风,青山澹吾虑
- 武元衡
- 杨柳阴阴细雨晴,残花落尽见流莺
- 韩愈
- 杨花榆荚无才思,惟解漫天作雪飞
- 刘禹锡
- 杨柳青青江水平,闻郎江上踏歌声
- 请君莫奏前朝曲,听唱新翻杨柳枝
- 城中桃李须臾尽,争似垂杨无限时
- 许浑
- 一上高城万里愁,蒹葭杨柳似汀洲
- 温庭筠
- 蜂争粉蕊蝶分香,不似垂杨惜金缕
- 杨柳千条拂面丝,绿烟金穗不胜吹
- 李商隐
- 于今腐草无萤火,终古垂杨有暮鸦
- 何处哀筝随急管,樱花永巷垂杨岸
- 斑骓只系垂杨岸,何处西南待好风
- 迢递高城百尺楼,绿杨枝外尽汀洲
- 韦庄
- 紫陌乱嘶红叱拨,绿杨高映画秋千
- 郑谷
- 扬子江头杨柳春,杨花愁杀渡江人
- 刘方平
- 庭前时有东风入,杨柳千条尽向西
- 张敬忠
- 五原春色旧来迟,二月垂杨未挂丝
- 冯延巳
- 六曲阑干偎碧树,杨柳风轻,展尽黄金缕
- 魂梦任悠扬,睡起杨花满绣床
- 钱惟演
- 绿杨芳草几时休,泪眼愁肠先已断
- 柳永
- 杨柳岸,晓风残月
- 衰杨古柳,几经攀折,憔悴楚宫腰
- 刚被风流沾惹,与合垂杨双髻
- 张先
- 中庭月色正清明,无数杨花过无影
- 晏殊
- 绿杨芳草长亭路
- 东风杨柳欲青青
- 春风不解禁杨花,蒙蒙乱扑行人面
- 宋祁
- 绿杨烟外晓寒轻,红杏枝头春意闹
- 欧阳修
- 垂杨紫陌洛城东
- 绿杨楼外出秋千
- 绿杨带雨垂垂重
- 绿杨庭院,暖风帘幕,有个人憔悴
- 庭院深深深几许,杨柳堆烟,帘幕无重数
- 王安石
- 单衫短帽垂杨里
- 刘攽
- 东风忽起垂杨舞,更作荷心万点声
- 王诜
- 杨柳垂垂风袅袅
- 苏轼
- 飞雪似杨花
- 欲吊文章太守,仍歌杨柳春风
- 细看来,不是杨花,点点是离人泪
- 四面垂杨十里荷
- 堕泪羊公却姓杨
- 杨花犹有东风管
- 折杨新曲万人趋,独和先生于蒍于
- 晏几道
- 舞低杨柳楼心月,歌尽桃花扇底风
- 渡头杨柳青青,枝枝叶叶离情
- 梦魂惯得无拘检,又踏杨花过谢桥
- 墙头丹杏雨余花,门外绿杨风后絮
- 黄裳
- 飞出深深杨柳渚
- 朱服
- 小雨纤纤风细细,万家杨柳青烟里
- 秦观
- 西城杨柳弄春柔
- 依旧,依旧,人与绿杨俱瘦
- 贺铸
- 杨柳回塘,鸳鸯别浦
- 晁补之
- 买陂塘、旋栽杨柳,依稀淮岸江浦
- 陈克
- 玉钩双语燕,宝甃杨花转
- 李元膺
- 杨柳于人便青眼
- 仲殊
- 绿杨堤畔问荷花
- 魏玩
- 绿杨堤下路,早晚溪边去
- 范成大
- 年年送客横塘路,细雨垂杨系画船
- 张孝祥
- 杨柳丝丝拂面
- 朱淑真
- 楼外垂杨千万缕,欲系青春,少住春还去
- 绿杨影里,海棠亭畔,红杏梢头
- 辛弃疾
- 曲岸持觞,垂杨系马,此地曾经别
- 芳草不迷行客路,垂杨只碍离人目
- 约清愁、杨柳岸边相候
- 陈亮
- 春归翠陌,平莎茸嫩,垂杨金浅
- 姜夔
- 空城晓角,吹入垂杨陌
- 戴复古
- 问道傍、杨柳为谁春,摇金缕
- 张玉娘
- 书角吹杨柳,金山险马当
- 方岳
- 不见当时杨柳,只是从前烟雨,磨灭几英雄
- 薛昂夫
- 天仙碧玉琼瑶,点点杨花,片片鹅毛
- 吴惟信
- 日暮笙歌收拾去,万株杨柳属流莺
- 志南
- 沾衣欲湿杏花雨,吹面不寒杨柳风
- 蒋捷
- 丝丝杨柳丝丝雨
- 高鼎
- 草长莺飞二月天,拂堤杨柳醉春烟
- 纳兰性德
- 杨柳乍如丝,故园春尽时
- 又到绿杨曾折处,不语垂鞭,踏遍清秋路
FAQ
Doesn't collecting only poems containing "yang" make the book too narrow?
Can readers without a poetry background read it?
Is it suitable for preparing for feihualing competitions?
Does "illustrated" mean there are many pictures?
Comments
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About the author
Su Xin Luoxue is a young writer and Doctor of Literature who graduated from the School of Chinese Language and Literature at Beijing Normal University. A lover of classical poetry since childhood, she has long devoted herself to literature and history, and her writing is known for blending classical culture with modern sensibilities. The library currently holds twenty-eight of her works, represented by the Feihualing series of classical poetry appreciation books, with themes such as snow, the moon, flowers, plum blossom, autumn, chrysanthemum, summer, and spring; her works are commonly classified under literary appreciation and ancient poetry. Publicly available information about her birth and death dates, English name, and detailed biography is limited, so the present introduction rests mainly on her educational background and the character of her works. Her writing addresses general readers, using themed selections and commentary to guide them toward the imagery and emotions of classical poetry, building a bridge between tradition and the present and giving her a recognizable place among popular readings on classical poetry.