Record of the Flying Sword
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Summary
As an immortal, Lü Dongbin does not forget the sufferings of the world. Compassionate at heart, he vows to save all who are destined to be saved. Assuming countless forms—now a Daoist, now a merchant, now a scholar, even a beggar or a drunkard—he moves among the rivers and lakes and city streets, using his flying-sword arts to rid the people of evil and rescue the masses. With his help many escape hardship and find new life. Through various trials he also steadily refines his cultivation, ultimately becoming a grand master whose deeds are handed down through the ages as a celebrated tale.
Editor's review
Who it's for
A good fit for
- Readers interested in Ming supernatural fiction and classical vernacular narrative
- Readers who want to learn about the origins of Lü Dongbin legends and the Eight Immortals stories
- General readers who enjoy tales of immortals undergoing trials in the mortal world and saving beings
- Students of literature and history researching the relationship between folk belief and ancient fiction
Not a good fit for
- Readers who prefer fast-paced modern narrative and lack patience
- Beginners who find the mixed classical and old-vernacular style difficult
- Readers expecting strict historical scholarship rather than supernatural legend
Reading tips
- Read the opening section on past and present lives first, to clarify the relationship between the lad's banishment and Lü Dongbin's reincarnation before continuing
- Treat the various transformation-and-salvation stories as standalone short pieces; there is no need to finish in one sitting
- Look up classical vocabulary as you go, and focus on enjoying the dialogue and marketplace scenes
- After finishing, compare with Eight Immortals legends or other Lü Dongbin stories to note similarities and differences in plot
About the publisher
Chiers is a publishing brand used by Beijing Chiers Culture Media Co., Ltd., established in 2022; publicly available information is limited. Judging from the 13 titles in its catalogue, its publishing focus centres on classical Chinese literature and traditional culture, covering ancient philosophy, historical works, huaben fiction and poetic texts. Representative titles include Ge Hong's Baopuzi, Ye Longli's History of the Khitan State, Qu You's New Tales Under the Lamplight, Hong Pian's Qingping Shantang Huaben, Zhang Zhidong's Shumu Dawen and Ma Zong's Yilin, alongside note-style fiction such as Yue Jun's Ershilu and social novels such as Jiang Guangci's Short Trousers. Its author resources consist mainly of the authors of public-domain classics, and its publishing character lies in reissuing ancient works and classic literature in e-book form, with attention to the systematic organisation of source texts and the popularisation of traditional cultural knowledge.
Contents
- 版权信息
- 第一回 诸仙朝玉皇大帝 慧童投吕家出世
- 第二回 吕纯阳遇钟离师 钟离子五试洞宾
- 第三回 秘授纯阳子丹诀 吕纯阳发大誓愿
- 第四回 洞宾得遁天剑法 飞仙剑斩蛟杀虎
- 第五回 吕纯阳宿白牡丹 纯阳飞剑斩黄龙
- 第六回 纯阳子卖梳货墨 纯阳踏石并化钱
- 第七回 纯阳游大庾谒斋 纯阳召将收狐精
- 第八回 纯阳子醉死复生 纯阳子罗浮画山
- 第九回 献美人画并泛管 活已死鱼并吹笛
- 第十回 吕纯阳杭州卖药 吕纯阳三醉岳阳
- 第十一回 纯阳游广陵妓馆 纯阳游寺访书斋
- 第十二回 纯阳子掷剑化女 纯阳子见火龙君
- 第十三回 吕纯阳度何仙姑 吕纯阳升入仙班
FAQ
Can I read Feijian Ji without any grounding in classical Chinese?
What is the relationship between this book and the Eight Immortals legends?
Is the flying-sword art a central part of the book?
Is it suitable as introductory material for studying supernatural fiction?
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About the author
Deng Zhimo was a writer of popular fiction in the Ming dynasty. Very little is known publicly about his life, official career, or dates of birth and death; all that is known today is that eight works survive under his name. Judging from the titles collected here, his writing centers on gods, demons, and Daoist figures. His representative works include The Date Charm, The Flying Sword, The Iron Tree, and narratives such as The Flying Sword of Lü Chunyang of the Tang Dynasty Achieving the Dao and Master Sa Achieving the Dao through the Date Charm. These works mostly revolve around the cultivation journeys and miraculous deeds of Daoist figures such as Master Sa and Lü Chunyang, with fantastical plots that clearly reflect the taste of Ming dynasty supernatural fiction. Written in accessible language for a popular readership, they are later classified as classical literature and classic works, often used for literary appreciation and cultural reading, and are important material for understanding Ming dynasty fiction on Daoist themes.