The Fading Wind cover

The Fading Wind

Rating 3.0
Word count
1.5M words
Chapters
263
ISBN
9787505963290

Tags

Summary

He is deeply entangled with two sisters: loving one means deeply wronging the other. She is forced into marriage by a wealthy thug, devoted to her first love, yet fate is cruel and merciless. A gang boss covets her beauty, while her husband remains utterly unaware. The sisters share a mother but not a father, their origins shrouded in mystery.—Love left unfinished in a past life, sorrow upon sorrow in this one, a vow renewed in the next, yet parted in all three lives. Mysterious fate, human struggle, endless grief, lingering echoes…

Editor's review

Wind Passes is a novel by Gao Chun published in 2008 and an important work in his literary career. It is not a popular novel with dramatic plot twists, but rather a scroll of growth and spiritual exploration sketched with delicate strokes. From the perspective of a young intellectual, it deeply examines the inner solitude, search for meaning, and collision between ideals and reality experienced by individuals amid modern social change and value pluralism. Gao Chun's prose is calm and reflective; he does not pursue dramatic conflict, but in seemingly gentle narration, through extensive inner monologue and atmospheric description, he precisely captures a certain pervasive sense of spiritual drifting under a particular era's mood. For readers, the book's value lies not in offering a clear answer or a complete story, but in providing a mirror that allows one to examine similar confusions and loneliness one might encounter in a rapidly changing world. Its literary value lies more in the depth of psychological portrayal and its record of the era's mood; it is suited to immersive reading in a quiet state, following the protagonist's thoughts as they wander and reflect. Although its market recognition may be less than some bestsellers, as a serious work of literary fiction it has unique sample value for understanding the spiritual world of young intellectuals in a particular era.

Who it's for

A good fit for

  • Readers interested in the mindset of intellectuals during the social transition of the 1980s and 1990s
  • Readers who prefer introspective literary fiction with delicate psychological portrayal
  • Young people currently experiencing or pondering questions of life's meaning and the conflict between ideals and reality
  • Researchers or enthusiasts studying the image of youth and spiritual history in contemporary literature

Not a good fit for

  • Readers seeking fast-paced, plot-driven, and entertaining reading experiences
  • Pragmatists hoping to find clear life guidance or solutions in the book

Reading tips

  1. Set aside an uninterrupted time and enter the text slowly, savoring the emotional flow between the lines.
  2. Read in the context of the era in which the novel was written (1990s to early 2000s) to better understand the social roots of the characters' states of mind.
  3. Don't rush to seek plot progression; focus more on the protagonist's psychological changes and the philosophically rich passages.

About the publisher

The China Federation of Literary and Art Circles Publishing House ("Wenlian Press") focuses on literature, art, history and social sciences, while also covering computer science, popular science, mystery and detective fiction, and politics, reflecting a publishing profile that combines literary research with the dissemination of knowledge. Among the 91 titles in its catalogue are specialized studies on online literature and "female-oriented" internet culture by scholars such as Shao Yanjun, Gao Hanning and Wang Yujue; literary and historical essays such as The Four Zhang Sisters of Jiuru Lane and A Drinker Talks Wine; and popular science translations such as Henri Poincaré's A Brief History of Science. The press emphasizes contemporary literary criticism and original theories of online literature, while also attending to classic works and general reading, drawing on authors that include university researchers, translators and writers of literary history.

Contents

  1. 版权信息
  2. 回首《风逝》(代自序)
  3. 第一部:问世间情为何物
  4. 第一章:难逃相亲 往事泛起
  5. 一
  6. 二
  7. 三
  8. 四
  9. 五
  10. 六
  11. 七
  12. 八
  13. 第二章:迷梦蝴蝶 邂逅真爱
  14. 一
  15. 二
  16. 三
  17. 四
  18. 第三章:校园风云 娇娃受虐
  19. 一
  20. 二
  21. 三
  22. 四
  23. 五
  24. 六
  25. 七
  26. 第四章:深情难言 猛龙出狱
  27. 一
  28. 二
  29. 三
  30. 四
  31. 五
  32. 六
  33. 七
  34. 八
  35. 九
  36. 十
  37. 十一
  38. 十二
  39. 第五章: 甜蜜热恋 佛前许愿
  40. 一
  41. 二
  42. 三
  43. 四
  44. 五
  45. 六
  46. 七
  47. 八
  48. 九
  49. 十
  50. 十一
  51. 十二
  52. 十三
  53. 十四
  54. 十五
  55. 十六
  56. 十七
  57. 第六章: 佳期如梦 血雨腥风
  58. 一
  59. 二
  60. 三
  61. 四
  62. 五
  63. 六
  64. 七
  65. 八
  66. 九
  67. 十
  68. 十一
  69. 十二
  70. 十三
  71. 十四
  72. 十五
  73. 十六
  74. 十七
  75. 十八
  76. 十九
  77. 二十
  78. 二十一
  79. 二十二
  80. 二十三
  81. 二十四
  82. 二十五
  83. 二十六
  84. 二十七
  85. 二十八
  86. 二十九
  87. 第二部 :一寸相思一寸灰
  88. 第七章:旧情天涯 新爱咫尺
  89. 一
  90. 二
  91. 三
  92. 四
  93. 五
  94. 六
  95. 七
  96. 八
  97. 九
  98. 十
  99. 十一
  100. 十二
  101. 十三
  102. 十四
  103. 十五
  104. 十六
  105. 十七
  106. 第八章:泪染婚纱 身世迷离
  107. 一
  108. 二
  109. 三
  110. 四
  111. 五
  112. 六
  113. 七
  114. 八
  115. 九
  116. 十
  117. 第九章:刀光血影 缘分天定
  118. 一
  119. 二
  120. 三
  121. 四
  122. 五
  123. 六
  124. 七
  125. 八
  126. 九
  127. 十
  128. 第十章:情思若海 痴缠无尽
  129. 一
  130. 二
  131. 三
  132. 四
  133. 第十一章:商界相逢 杜鹃啼血
  134. 一
  135. 二
  136. 三
  137. 四
  138. 五
  139. 六
  140. 七
  141. 八
  142. 九
  143. 第三部:相见时难别亦难
  144. 第十二章:四人爱情 撕心裂肺
  145. 一
  146. 第十三章:蝶梦寓言 水月观音
  147. 一
  148. 二
  149. 三
  150. 四
  151. 第十四章:惊天爆炸 舍身救爱
  152. 一
  153. 第十五章:海枯石烂 七月飞雪
  154. 一
  155. 二
  156. 三
  157. 四
  158. 五
  159. 六
  160. 七
  161. 八
  162. 九
  163. 十
  164. 十一
  165. 十二
  166. 第十六章 姐妹哀谈 凄凉分手
  167. 一
  168. 二
  169. 三
  170. 四
  171. 五
  172. 六
  173. 七
  174. 八
  175. 九
  176. 十
  177. 十一
  178. 十二
  179. 第四部(上):天长地久有时尽
  180. 第十七章 商界恶战 神秘青鸟
  181. 一
  182. 二
  183. 三
  184. 四
  185. 五
  186. 六
  187. 七
  188. 八
  189. 九
  190. 十
  191. 十一
  192. 十二
  193. 十三
  194. 十四
  195. 十五
  196. 十六
  197. 第十八章(上):神魔俱现 无间地狱
  198. 一
  199. 二
  200. 三
  201. 四
  202. 五
  203. 六
  204. 七
  205. 八
  206. 九
  207. 十
  208. 十一
  209. 十二
  210. 十三
  211. 十四
  212. 十五
  213. 十六
  214. 十七
  215. 十八
  216. 十九
  217. 二十
  218. 二十一
  219. 第四部(下):桃花依旧笑春风
  220. 第十八章(下):沧桑尽头 悲惨永别
  221. 二十二
  222. 二十三
  223. 二十四
  224. 二十五
  225. 二十六
  226. 二十七
  227. 二十八
  228. 二十九
  229. 三十
  230. 三十一
  231. 三十二
  232. 三十三
  233. 三十四
  234. 三十五
  235. 三十六
  236. 三十七
  237. 三十八
  238. 三十九
  239. 四十
  240. 四十一
  241. 四十二
  242. 四十三
  243. 四十四
  244. 四十五
  245. 四十六
  246. 四十七
  247. 四十八
  248. 四十九
  249. 五十
  250. 五十一
  251. 五十二
  252. 五十三
  253. 五十四
  254. 五十五
  255. 五十六
  256. 五十七
  257. 五十八
  258. 五十九
  259. 六十
  260. 六十一
  261. 六十二
  262. 六十三
  263. 尾声:风碎蝶泪 情逝沧海

FAQ

Is the story strong?
Not really. It focuses more on depicting the protagonist's inner world and spiritual exploration; the narrative pace is slow and the plot relatively thin—more like a novel of ideas or a spiritual history.
Does author Gao Chun have other well-known works?
Gao Chun is a relatively low-profile writer, and Wind Passes is one of his representative works. He has published few works, but his style is consistent, mostly focusing on the relationship between the individual's spiritual world and the times.
Will reading this book feel depressing?
Possibly. The book is permeated with explorations of loneliness, confusion, and lost ideals; the tone is calm and slightly melancholic. Readers in a similar state of mind may resonate; others may need some psychological preparation to enter this atmosphere.

Comments

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About the author

高淳 Author

Gao Chun is an author about whom limited public information is currently available; only one work by this author is included in the collection, the social novel Gone with the Wind (Feng Shi). Based on the existing information, Gao Chun's writing is for now represented by this single work, which falls under the category of social fiction, suggesting that the writing concerns people and events in real society and tends to present certain aspects of social life through narrative. Because basic details such as dates of birth and death, nationality, and English name are not clearly recorded, the author's personal background and creative context are difficult to describe in detail, and it cannot be confirmed whether there are other works or long-term writing plans. As for Gone with the Wind, the title carries a sense of passing time and human change, echoing the realistic concerns of social fiction, but its specific content, stylistic features, and social reception await further material. Overall, Gao Chun is currently an author known to readers through a single work on social themes, and the author's literary profile remains to be further understood.

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