The Shoemaker cover

The Shoemaker

Rating 3.4
Word count
289K words
Chapters
119

Tags

Summary

[Limp, rough-handed cobbler Nie Zhenhong × dull, slow-burning little painter Lin Zhi] [Modern romance + dual male leads + mutual healing + street life + older man] Nie Zhenhong figured he'd just live out his days like this: smoking, mending shoes, soaking up the sun, and saving a little for his funeral. He was a cripple, unwanted, and he didn't care much for anyone either. But later, he revised his plans: mend shoes, soak up the sun, and save a little for a wife.

Editor's review

The Cobbler sets its story in a small space—a street-side shoe-repair stall—where Nie Zhenhong's lame leg, smoking, shoe mending, and sunbathing form a self-enclosed yet self-sufficient cycle of life. He originally planned for a funeral fund, then changed it to a wife fund; this single shift almost sums up the emotional trajectory of the whole work: not a grand pursuit, but a guard slowly loosening amid ordinary street life. Lin Zhi, a slow-burning young painter, contrasts with the rough cobbler, and the mutual healing plays out in daily interactions rather than dramatic conflict. The narrative has an older-man feel, and the language should be lifelike, suited to readers who enjoy slow-burn, delicately developed relationships. As you read, notice how the two move from their separate isolation toward each other, and feel the courage of small people re-planning their lives.

Who it's for

A good fit for

  • Readers who enjoy street-life settings and slow-burn mutual-healing stories
  • Readers who prefer dual male leads and older-man relationship dynamics
  • Those interested in small-figure occupational settings like a cobbler and a young painter
  • Readers who savor a steady, slow emotional build rather than strong conflict

Not a good fit for

  • Readers seeking fast pacing and strong plot conflict
  • Readers who do not accept dual male leads or older-man dynamics
  • Readers expecting grand scenes or urban-elite backgrounds

Reading tips

  1. Read by switching between character perspectives, and note Nie Zhenhong's psychological shift from a funeral fund to a wife fund
  2. Treat the shoe-repair stall as a fixed scene for observing their relationship, and sense their growing closeness in everyday details
  3. Read the dialogue and slices of life slowly; there is no need to rush the emotional progress

About the publisher

Jiangsu Kewen Culture Development Co., Ltd. is a Chinese book publisher whose name appears on the copyright pages of e-book platforms such as WeRead, iReader and Dangdang. Owing to limited public information, its founding background and full history remain unclear, yet the four titles in our database reveal a fairly clear publishing direction: suspense and mystery fiction as the main focus, alongside modern romance and classic works. Representative publications include the courtroom mystery series (3 volumes) by Golden Dagger Award winner Steve Cavanagh, as well as works such as The Shoemaker and Making a Living. In terms of authors, besides Steve Cavanagh, the company works with translators and writers including Ye Minzhen, Wen Ruoting, Lin Ling and Ya Dou, and publishes Zhao Lirong's sober-minded growth guide (3 volumes). Overall, the company focuses on e-book publishing, emphasizing imported mystery titles and domestic personal-growth reading.

Contents

  1. 版权信息
  2. 1修鞋铺
  3. 2破洞袜
  4. 3啃苞谷
  5. 4不适合
  6. 5一根筋
  7. 6不要买
  8. 7像豆腐
  9. 8阳台上
  10. 9送你了
  11. 10卖鞋垫
  12. 11小礼物
  13. 12太拼了
  14. 13擦擦吧
  15. 14不哭了
  16. 15尝一口
  17. 16最见效
  18. 17我碰瓷
  19. 18不会摔
  20. 19耙耙柑
  21. 20包饺子
  22. 21找上门
  23. 22都给你
  24. 23小棉袄
  25. 24去救人
  26. 25要什么
  27. 26接到了
  28. 27我不傻
  29. 28小学徒
  30. 29坐公交
  31. 30送给你
  32. 31很开心
  33. 32好闻的
  34. 33硌得慌
  35. 34都可以
  36. 35我不看
  37. 36你保证
  38. 37画画家
  39. 38给你念
  40. 39擦脸颊
  41. 40画这个
  42. 41乱套了
  43. 42安全感
  44. 43画的信
  45. 44都可以
  46. 45我有的
  47. 46瞪了眼
  48. 47很辛苦
  49. 48柠檬水
  50. 49气走了
  51. 50真碍事
  52. 51好朋友
  53. 52长知了
  54. 53大朋友
  55. 54抓重点
  56. 55吃撑了
  57. 56这样呢
  58. 57谈恋爱
  59. 58就不腻
  60. 59牵手走
  61. 60小仓鼠
  62. 61开心果
  63. 62胖猫儿
  64. 63开心了
  65. 64不容易
  66. 65想硬抗
  67. 66不用生
  68. 67不能卖
  69. 68是帽子
  70. 69不对劲
  71. 70绝版书
  72. 71没猜错
  73. 72就他了
  74. 73偷偷看
  75. 74一起看
  76. 75男孩子
  77. 76摸摸我
  78. 77做准备
  79. 78吵醒了
  80. 79摸我的
  81. 80躺一会
  82. 81栀子花
  83. 82过明路
  84. 83儿媳妇
  85. 84看房子
  86. 85小金桔
  87. 86太酸了
  88. 87有我的
  89. 88新故事
  90. 89长骨头
  91. 90还疼吗
  92. 91试试看
  93. 92来帮忙
  94. 93打广告
  95. 94窝囊废
  96. 95赶出来
  97. 96找场子
  98. 97门开了
  99. 98揍上去
  100. 99见岳母
  101. 100一直在
  102. 101分不开
  103. 102是你的
  104. 103雪地靴
  105. 104回家去
  106. 105年夜饭
  107. 106许愿望
  108. 107看画展
  109. 108番外 如果1
  110. 109番外 如果2
  111. 110番外 如果3
  112. 111番外 如果4
  113. 112番外 如果5
  114. 113番外 如果6
  115. 114番外 如果7
  116. 115番外 小日常1
  117. 116番外 小日常2
  118. 117联合番外 打麻将1
  119. 118联合番外 打麻将2

FAQ

What does changing the "funeral fund" to a "wife fund" mean?
It marks a turn in Nie Zhenhong's life plans: he had intended to muddle through alone, but then began planning for another person and a shared life—a sign of his emotional guard loosening.
Where does the mutual healing show?
Nie Zhenhong is closed off and thinks no one wants him; Lin Zhi is slow-burning and dull. Both carry gaps in their lives, and being together lets them re-plan their lives. The healing happens in daily life, not in dramatic events.
Is the story fast-paced?
From the setup, it is a slow-burn street-life story; the relationship develops through life fragments like mending shoes and sunbathing, suited to readers who enjoy a steady, slow narrative.

Comments

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About the author

鸦豆 Author

Ya Dou is an author who writes mainly contemporary romance. Public information about her is limited: her dates of birth and death, nationality and English name are all unknown. Three of her works are held in the collection—Hu Kou (Making a Living), The Cobbler and Only Sunshine for Me—and their titles suggest that she focuses on the everyday circumstances and emotional relationships of ordinary people, with themes close to real life rather than fantasy narratives detached from it. Her output is small but thematically consistent, indicating a clear and steady direction in her writing. Because the available material confirms only the existence and category of these three works, nothing can be verified about her background, how she began writing or her views on craft, and no speculation is offered here. Readers who wish to understand her style may begin with these three works and see how she handles contemporary urban romance.

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