Green Grass
Tags
Summary
Editor's review
Who it's for
A good fit for
- Literary readers who enjoy contemporary novellas and short stories and value the texture of language
- Mature readers willing to read slowly and closely, receptive to irony and implication
- Readers interested in the fortunes of ordinary people and the writing of social reality
- Aspiring writers, who can learn restrained narration and a sense of distance from it
Not a good fit for
- Readers seeking strong plot, fast pace, and clear endings
- Readers who prefer warm, healing fiction with directly stated emotion
- Readers without the patience for close reading who are used to skimming
Reading tips
- Read one or two pieces at a time, pausing between them to let the irony and implication continue to work in the mind.
- Note the distance between the narrator and the characters, and consider why the author does not state judgments directly.
- After finishing a piece, look back at the opening paragraphs to appreciate the meticulous structural arrangement of the text.
About the publisher
Founded in August 1958 and restructured into Baihua Literature and Art Publishing House (Tianjin) Co., Ltd. in 2009, Baihua Literature and Art Publishing House is known for publishing essays and fiction, and it hosts the journals Fiction Monthly and Essays. Its 757 titles in the library span classic works, culture, folk literature, essays and miscellaneous writings, foreign literature, and general biography. They include Lao She's Camel Xiangzi, Zhu Ziqing's selected essays and Classic Essays, Fu Lei's Twenty Lectures on Masterpieces of World Art, and a Chinese translation of Ryūnosuke Akutagawa's Rashōmon, as well as cultural and performing-arts titles such as the illustrated Biography of Liang Qichao and A Dictionary of Crosstalk. Its authors include Lao She, Zhu Ziqing, Wu Qichang, Fu Lei, Xue Baokun, Gao Yucong, Wei Zhiqiang, and Ryūnosuke Akutagawa.
Contents
- 版权信息
- 水色时光
- 细浪
- 深水
- 半岛上的白蝴蝶
- 世纪
- 小镇喧嚣
- 青草
- 一生逃离
FAQ
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About the author
Luo Weizhang is a Chinese author whose work spans a fairly wide range of subjects. Public information about him is limited, and eight of his works are currently included in the collection. Judging from works such as Who Is Knocking at the Door, Dance of the Great River, and The Red Brick Building, his writing often takes social fiction as its entry point, focusing on people and relationships within real-life circumstances. Liangshan Narrative shows his engagement with documentary literature, presenting experiences of a particular region through narrative. Essay collections such as Seeing Oneself and Green Grass further reveal his interest in everyday feelings and inner observation. Overall, his works maintain a rather plain tension between social concern and literary expression, and he is skilled at unfolding narratives through concrete scenes and the fates of characters. His language is unassuming, with attention to readability and a sense of reality.